The best way to explain the considerable impact John Carpenter’s original slasher has had on me can best be expressed through that infamous Halloween eve when I was a kid. Long before cable, network television played horror movies on Halloween; My brother and I were given the option to watch either “Creepshow” or “Halloween” my brother and I took the option of sitting to watch “Halloween.” I can fondly remember it as one of the worst Halloweens ever because when we sat to watch John Carpenter’s classic we were so scared by the second half that we started crying. This decision later was regretted by us and my mom took the time out to calm us down by letting us watch “Creepshow.”
Whether or not you like “The Purge” movie series, the third film in the franchise entitled “Election Year” is on its way and looks to be pumping up the schlock we saw from the first two films. The wise move the studios have taken is placing better, and larger emphases on the villains and purgers of the film, rather than just giving us posters with the protagonists. The villains have been the most eye catching aspect of “The Purge” series mainly because they always have the best face paint and masks. In honor of the excellent one sheet recently released, I thought I’d narrow down my top five favorite movie masks of all time. It wasn’t an easy feat, but it sure is a fun one.
What are some of your favorite movie masks of all time? Let me know in the comments.
There was no need for a sequel. I don’t care how good Michael Myers was as a character, there was no need to further the misadventures of Michael and Laurie. I would have loved to see what the writers would have mustered up with their idea for a “Halloween” anthology movie series, but sadly, we were given “Halloween II.” As a sequel it’s not a bad film, by any means. It just takes the opposite direction of the original film by turning Michael in to a hack and slash killer, rather than a force of nature. Instead of Michael receding in to the night to await his next rumble with someone tasked by fate, Michael is not quite done with Laurie just yet.
After the enormous disaster of “Season of the Witch,” Moustapha Akkad and co. basically rebooted the Halloween storyline by completely remaking the first film. While it does offer some new elements, “The Return of Michael Myers” is a partial reboot and a partial remake. It’s also the start of the parallel story arc involving Michael and his evil mark of Thorn. After the hospital explosion in the sequel, Michael has been in a coma for a long time and is kept under strict guard in a hospital. During a transfer, Michael finally awakens and murders all of the guards managing to escape his binds. Dr. Loomis is back and investigates the ambulance crash Michael was involved with. While the authorities are convinced Michael died in the crash, Loomis is certain Michael is still alive and lurking around.
Compared to other John Carpenter films, “Halloween” demonstrates an amazing amount of restraint for the director. Which is not to say the chaotic elements of “The Thing” and “Assault on Precinct 13” aren’t amazing, but Carpenter displays a surprising competence for pulling back as he does with unleashing hell on a slew of characters. Like many of Carpenter’s films, “Halloween” is also relegated to a limited setting, where the slasher tropes for hundreds of other slasher films would be built. There’s a small town, a curse, a crime that resonates within the community, and a virginal final girl who would stand off against the monster.
Stefan Hutchinson’s been a great friend to Cinema Crazed since we began reviewing his comic books and our raves about his takes on “Halloween” and the mythos of Michael Myers have not been sycophantic. If you’ve ever read a comic from this man, you’ll know he’s one who understands the world John Carpenter unfolded for horror audiences, and why it’s remained so prevalent in the film community in spite of bad sequels and remakes. With that said, we hear from Hutchinson and his approach to the comics.
So what inspired you to write Tarantula Man?
Tarantula Man came about as a result of a long discussion between myself and the team who write the website material. We were having a conference about potential new content for the site, and Greg Mitchell (one of the site writers) suggested possibly doing Tommy Doyle’s comic books. My thoughts went into overdrive at that point and I came up with the rather wrong idea of a pedophile arachnid. I was thinking about things that would scare a child, and I instantly thought of how myself, as a child, I was constantly warned to avoid strangers. In my mind when I was young, strangers were shadowy figures that hung around by the school gates and in the garden at night. That was the sort of thing I was trying to tap into there.