Turning Red (2022)

Will be in Limited Re-Release on February 9th; will be preceded by the Sparkshort Kitbull. Check Local Listings.

You gotta give it to Pixar, when they decide to do something new, they approach it head on and go all the way. Although subtlety was never their strong suit, here “Turning Red’s” one big noticeable element is that it’s about as subtle as a brick on the head. With Domee Shi directing, “Turning Red” is a decidedly very Asian flavored coming of age film that’s drawn in the style of anime and Manga.

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Brave (2012)

It’s shocking how well animated “Brave” is. Brenda Chapman and Mark Andrew’s action drama is filled with an immense scale packed with Scotland terrains as far as the eye can see. “Brave is also packed with great animation featuring our hero Merida’s hair which was intricately narrated for her specific character. All of the ballyhoo about the wonderful animation is all for a narrative that’s—fine. It’s a fine movie. It’s a perfectly mediocre, often confusing movie packed with such a wonderful and brilliant animation style.

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The Bootleg Files: The Woo Song

BOOTLEG FILES 852: “The Woo Song” (2024 music video by Corey Rieman the Dilemma Band incorporating Walt Disney’s “Steamboat Willie”).

LAST SEEN:
On multiple social media and online video sites.

AMERICAN HOME VIDEO: Not yet.

REASON FOR BOOTLEG STATUS: The underlying “Steamboat Willie” footage has been the subject of complicated copyright actions.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Some day, perhaps.

On New Year’s Day, Mickey Mouse was the center of attention because the copyright for the 1928 animated short “Steamboat Willie” finally expired and the groundbreaking film that helped usher synchronized sound into the world of cartoons was suddenly denuded of copyright protection. Less than two weeks after “Steamboat Willie” officially became a public domain work, footage from the film was incorporated into a bouncy music video for “The Woo Song” from the rockers Corey Rieman and the Dilemma Band.
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Soul (2020)

In Limited Re-Release on January 12th, preceded by the Sparkshort “Burrow.” Check Local Listings.

Also Streaming on Disney Plus, and Available in Stores.

While watching “Soul,” two things came to mind. It’s amazing how much the movie reminded me of Chuck Jones’ “The High Note,” and Norton Juster’s “The Dot and the Line.” Both films perfectly articulate the power of music, and sound and the joy and pain that can come with it. Down to its basest, “Soul” is very much a movie about the power of music and the passion that can arise from it that transcends life and death. It’s probably one of the most unusual animated films from “Soul” in that animation style is so different from anything we’ve seen before or will see after.

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Ralph Breaks the Internet (2018)

After the okay “Wreck it Ralph,” the follow up to the highly promoted video game version of “Toy Story” delivers a follow up that is—just as fine, I guess. “Wreck it Ralph” still hasn’t quite built up an interesting universe or interesting protagonists, even if they manage a better job satirizing video game icons. Truth be told I’d rather have a spin off movie about the video game verse and how it operates. Instead we’re given Vanellope von Schweetz and Wreck-It Ralph in a pair of awkward central plots that drive a movie that’s running on fumes from the starting gate.

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Toy Story 4 (2019)

After the perfect ending that was “Toy Story 3,” Disney and Pixar decide to keep the story going because well—merch. Merchandise. Money. Moolah. There’s really no other reason beyond why such a perfect three chapter tale like “Toy Story” would drag on. And I say that since Josh Cooley’s “Toy Story 4” is sadly about as lackluster a sequel as you can get. For a series do centered on awe, wonder, and love, the movie is shockingly dark and bereft of so much of what made the first three movies so special.

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The Bootleg Files: Disney Time (The 1969 Christmas Special)

BOOTLEG FILES 850: “Disney Time (1969 Christmas Show) (1969 British television special hosted by Julie Andrews).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: The Mouse House isn’t letting it out.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

American television viewers and Walt Disney’s studio output have been in a very close relationship since the 1950s, but across the Atlantic things were a bit different. The Disney studio never established the same level of ubiquitous synergy with British television programmers that they achieved in their own country, and Disney’s televised presence across the U.K. was more limited.
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