One of the highlights of 2019 has been the rise of lighter zombie films that skirt the whole gloom and doom in favor of something more. Abe Forsythe’s “Little Monsters” is one of the most satisfying zombie movies of the year, and one of the best movies of the year. It’s a movie that offers everything from laugh out loud comedy, creepy zombie carnage, vicious gore and grue, great music, and a very touching story of two adults that find purpose in innocent children that need them to survive an extraordinary situation.
It’s not many directors or studios willing to display what twelve years olds do when adults aren’t looking, and “Good Boys” thankfully doesn’t waste the opportunity. “Good Boys” has every chance to be just a crude one note gag that involves just a bunch of foul mouthed tweens, but “Good Boys” is a fun and very funny peek I to a new generation of young adults, all of whom have different problems than we did, but also surprisingly face the same hurdles including growing up, moving on without our childhood friends, and learning to accept what we are.
Disney remaking their loose adaptations of classic fairy tales and folklore is their newest confusing trend, and as a behemoth of a corporation they’ll keep churning them out. Because they know audiences will go see them. “Aladdin” banks heavily on the nostalgia of the nineties much like previous Disney efforts. And like previous Disney remakes, “Aladdin” is fine. It’s just fine. I’ve yet to see a Disney live action remake that has completely outshone their original effort; compared to “The Lion King,” Guy Ritchie’s remake is mediocre, time filling fodder and that’s about the best compliment I can give it.
Over twenty five years later, “Aladdin” is still one of the best animated films of the Disney golden age of the late eighties and nineties. Whether it’s on the big screen or the small screen, Jon Musker and Ron Clements’ adaptation of the original series of fantasy tales is engaging, and fun, but also excels in its simplicity and accessibility. Aladdin is also one of the most underrated Disney heroes in their staple, it’s a shame he doesn’t get mentioned too often.
Nickelodeon has been in a tricky scenario over the last five years, in where the audience that once watched their hit shows is now becoming adults. Now they’ve scrambled for ways to appeal to a new generation, even aging their banner characters a bit. With “Dora the Explorer,” Nickelodeon has taken great pains in allowing her to blossom with her audience, and then revert back to the original formula that made her such a hit. With this feature film adaptation, they manage to pull off what is a loving tribute, a fun action adventure film, an adaptation that is never afraid to poke fun at itself every now and then, and a spotlight for latinx movie heroes we can root for.
One of the most family friendly and outright entertaining superhero features of the year, “Shazam!” is a movie that will appeal to children of all walks of life. It’s a movie that promotes the power of family, promotes the appeal of adopted families, and explores the effects of bullying and toxic masculinity. “Shazam!” is one of the bigger surprises of 2019 as the DCEU keeps delivering on entertaining and bright action features that spotlight the lesser explored and rarely discovered characters from the DC Comics stable.
“Weird Science” is the film from John Hughes that’s managed to age the worst from his repertoire. Even “Dutch” can be considered somewhat more accessible than what “Weird Science” doles out. While it’s not a bad movie at all, “Weird Science” has gradually become an eighties comedy that has to be taken in the context of its decade. This is still a very strong air of misogyny and chauvinism within “Weird Science,” but it still works as a fun eighties romp with banner performances by its collective cast.
I’d love to know what the thought process was behind “Rim of the World.” Directed by McG, it’s much too crude and violent for kids, but much too juvenile for anyone looking for a good action horror movie. Netflix and McG obviously had in mind the “Stranger Things” crowd when they concocted this unpleasant, long, obnoxious film. It wants to be mentioned in the same conversation as “The Goonies”, Amblin, and “It,” but I doubt in a few years it’ll even be mentioned in the same favor as “Mac and Me.”