“The Show” is a movie that only Alan Moore is capable of. Moore is a very well known and infamous figure in the comic book world. Known for penning legendary graphic novels like “Watchmen,” he’s also notorious for being incredibly polarizing and opinionated about the comic book medium as a whole, as well as openly hating (and denouncing) anything and everything involving superheroes. “The Show” is a movie that combines a lot of ideas and themes that Moore mixes in to a confusing, but oddly entertaining genre entry.
Based on Alan Moore’s influential graphic novel, “V for Vendetta” is a movie that’s managed to carry much of his influence in to film form. Despite his usual protests and dismissal of the big screen adaptation, “V for Vendetta” is a richly developed action thriller with immense substance and still relevant commentary about fascism. It’s stunning with James McTeigue and the Wachowskis manage to accomplish with such an engaging adaptation.
2016 is just about done, thank goodness, and like last year, Fox cable channel FXX in America is hosting their “The Simpsons 600” marathon. Beginning on Thanksgiving day, they give 600 episodes of “The Simpsons” starting from episode one, and they’ve given every episode non-stop and completely uncut. This marathon has reminded me how much I adore “The Simpsons” and will always adore “The Simpsons” even when it’s at its lowest. Ninety five percent of the episodes from season one to season ten are brilliant and absolutely hysterical, while the other five percent being mediocre to forgettable episodes still end up being rather funny, offering at least two instances of chuckles here and there.
With the series nearing thirty record breaking seasons, I thought I’d fondly remember five of the best guest spots from celebrities popular among fan boys and fan girls alike. As always if you have your own choices, let me know in the comments!
DC And Warner have at their hands one of the most iconic Batman narratives of all time, a narrative that asks the question if the Joker is truly someone too weak to endure a really awful life, or if he can submit someone to so much pain they can become exactly like him. All it takes is one bad day, he insists. “The Killing Joke” is surprisingly only seventy six minutes in length and still manages to feel way too long. For an iconic story with such a meaty premise, DC and Warner obviously have absolutely no idea how to put it to screen, and manage to botch this adaptation big time. With “The Killing Joke” we have to endure what is one long winded and dull prologue that leads literally to nowhere, just to allow the viewer to connect to heroine Batgirl.
Before the days of pandering for audiences with Britney Spears and Backstreet Boys, “The Simpsons” had a knack for casting humongous and iconic stars for their series to come on and play important roles. And then later on they’d lampoon them. There was Michael Jackson, and Jack Lemmon, and Jon Lovitz, as well as most of the Beatles. And while it never became the main lure for audiences, it was a treat to see who’d pop up in the next episode to play a role in the Simpsons’ lives. Here are ten of our favorite guest stars on “The Simpsons.”
I’m honestly not sure why I’ve taken so long to sit down and watch “Watchmen” subsequent its lackluster theatrical release. I enjoyed the comic books for what they were as well as their fantastic literary class epilogues, I loved the characters (including Nite Owl and Rorschach), I enjoy Alan Moore as the eccentric mad genius that he is, and yet… I still never quite saw “Watchmen,” even with the “Director’s Cut” sitting on my pile. The Alan Moore groundbreaking graphic novel has been deemed completely unfilmable for decades after its release. But that didn’t stop Warner bros. from trying their damndest by bringing aboard acclaimed visualist director Zack Snyder to unfold the world of Rorschach and Night shade for the fan boys in full color and motion.
If you’re expecting an average comic book adaptation from “V for Vendetta”, then you’re out of luck. McTeigue’s film is both an excellent action film, and a brutally intelligent political thriller fixed to the modern socio-economic and political currents with biting satire, and an almost demented subtle commentary that only those in touch with the current political events can and will catch on towards; suffice it to say “V for Vendetta” is far from your typical superhero actioner. Set in a semi-Orwellian society, the Wachowski’s altered the eighties era story Moore set to the political current in his home country to coincide with America’s direction and its current tide of terrorism; Moore’s hero V is a pure terrorist, by many definitions, but this hero is also a freedom fighter.
Loosely based on the critically acclaimed comic book from critically acclaimed author Alan Moore, “LXG” tells the tale of Allan Quartmain, an aging adventurer in 1899 who is called upon by a mysterious man named M who enlists him and six other super-powered beings whose powers are parallel to legendry literary characters who must fight a warlord called “The Phantom” who plans to take over the world. Alan Moore presents an idea and concept so ingenious and brilliant, I was stunned upon hearing of it. Take some of the most famous heroes and villains in literary history and turn them into superheroes. What turns up as the end result is a guilty pleasure that kept me entertained all the way through.