BOB (2022)

Inspired by a true story, Drew Bierut’s romance comedy is one of the most charming tales of fate and random scenarios I’ve seen in a long time. Although the movie posits itself as this bizarre concept, it amounts to a surprisingly funny, engaging and warm romance comedy that explores how sometimes we can end up meeting our perfect person in the most unlikely places. Everything about “Bob” is so well conducted from the direction, top notch performances, and ace comic timing, I just loved it.

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Ada (2019)

Now Available for Rent or Purchase.

Released in time for International Women’s Month, Steven Kammerer’s “Ada” is a wonderful and beautifully acted tale of one of the world’s unsung heroes. Kammerer uses his short format to tell the tale of Ada Lovelace, a well beyond her time genius who envisioned the plans for the first ever computer program in the 1840’s. Her notes were later discovered by Alan Turing used as inspiration for the very first computer.

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Exposure (2023)


At the moment I’m not too sure if Kris Cummins’s “Exposure” is an ARG, the start of a series, or a proof of concept, but what it is is one hell of a scary horror film. A lot of the best horror is rooted in reality and “Exposure” is one of the most realistic modern horror tales ever conceived. The idea that someone is using a digital baby monitor to terrorize or torment kids is something that happens far too often and director Cummins takes full advantage of that.

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Queen of the Deuce (2023) [Make Believe Film Festival 2024]

There’s nothing better than a great documentary and “Queen of the Deuce” manages to be one of the best I’ve seen this year. Valerie Kontakos’ biography about NYC figure Chelly Wilson is one of the more excellent documentaries I’ve seen that covers an array of topics from family, LGBTQ politics, and the ever lasting effects of the holocaust. More so it’s a brilliant time capsule of the Deuce, 42nd Street in New York which, at one time, was considered a virtual breeding ground of violence, sex, drugs and all other kinds of depravity.

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Shari & Lamb Chop (2023) [Make Believe Film Festival 2024]

The biography of Shari Lewis is long overdue and a story worth telling. It’s a perfect film for people that grew up watching Shari Lewis and Lambchop during various points of her illustrious career. Whether you’re a boomer, Gen X, or Millennial, the odds are you have seen Lambchop at one point in your life. For me, I used to watch her revival show on PBS in the 1990’s and tuned in regularly. I loved Lambchop despite being a tad too old for the intended target audience, but I didn’t care. The story of Shari Lewis is one filled with a lot of happiness, a lot of promise and of course some terrible sadness that befell her later in her life.

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Lost in the Sky (2023) [Cinequest 2024]

Director Simon Öster and his team really do deliver an accomplishment of cinema, it’s a short film about the power of companionship and the classic tale of a species ending war that might not have resulted in the best outcome when all is said and done. “Lost in the Sky” revolves around a scavenger robot who has spent what we can only assume is an enormous amount of time in the aimlessness of space looking for humanity of any kind.

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Make the Call (2023) [Cinequest 2024]

Chelsea Gonzalez’s short horror film really manages to be an outstanding piece of filmmaking from top to bottom. It’s a horror movie that’s teeming with social commentary about spousal abuse, domestic dysfunction, and our ability to sacrifice our own health to protect our own façade of domestic bliss. I loved every moment of “Make the Call” as writer Sal Neslusan knows how to perfectly explore this unusual situation within its small window of time and perfectly illustrate how these domestic situations can rip apart friendships and lives.

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