In a year that nearly everyone across the board has admitted to being a weak one for films in general 2009’s “Survival of the Dead” continues to stand out among the mediocrity and abysmal for its sheer down to Earth storytelling in the saga of the Dead where Romero is completing a second chapter in his Dead franchise. We had “Night,” “Dawn,” “Day,” and “Land,” and now to fit in with modern society, Romero has restarted the whole premise and entire sensibility with “Diary,” and “Survival” showing the downfall of a world, now very dependent on technology and the world wide web. “Diary” is a movie that continues to be misunderstood.
So “Zombi 3” is technically “Zombi 2” while “Zombi 2” is technically “Zombi” if you cut out “Dawn of the Dead” which was renamed “Zombi.” It’s a confusing rabbit hole that goes so deep, you’ll pass out from the confusion. In either case, Bruno Mattei’s (Lucio Fulci’s? Claudio Fragrasso’s?) “Zombi 3” is one of those so bad it’s good zombie films that I didn’t hate. Maybe it’s because I didn’t have a history with it, but I kind of loved how aimless “Zombi 3” was with its zero plot, paper thin characters and the way it meanders back and forth.
It’s October once again! Finally! It’s our favorite time of year, a time where we can drown in horror and genre cinema without coming up for air. For the return of “Shorts Round Up of the Week” I bring you the Halloween edition, where I review short films of the horror, thriller, and dark fantasy variety. Hopefully we can dig up a second edition of this column before the month is up.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
Happy October, boils and ghouls.
I have to say that I liked “The Dead Don’t Die.” It feels a lot like Jim Jarmusch’s “The Dead Don’t Die” doesn’t just seem to feel like his effort to give his own spin to the sub-genre, but it also feels like the proving ground for the man to be as bizarre and often stupid as he possibly can. With “The Dead Don’t Die” it’s a bit of an experimental and bizarre zombie comedy that has absolutely no breaks on. It throws everything at the wall to see what sticks, from terrible breaking of the fourth wall, clunky symbolism (chairs that look like tombstones! Hah! Get it?), sub-plots that go nowhere, and space ships.
It’s really tough to discuss Shin’ichirô Ueda’s excellent horror comedy “One Cut of the Dead” without completely deflating its sheer brilliance for someone that’s never seen it. The less you know about the premise going in to “One Cut of the Dead,” the more you’ll likely be very entertained by what unfolds. I knew almost nothing but the bare essentials and by the time the credits rolled, I was ready to put it in my top ten of 2019. Spoilers ahead.
Director Carolina Hellsgård wears her heart on her sleeve with “Ever After,” a movie that’s mired in the influence of femininity and women and offers up a lot of metaphysical ideas about mother Earth, nature, and our state of being. Although “Ever After” has been marketed as a zombie movie, the zombie element is mostly a background dressing for something more meditative and complex. While I adapted to what screenwriter Olivia Vieweg was leading us in to after the first half hour, “Ever After” still manages to be a mixed bag and doesn’t quite re-invent the wheel.
On July 22nd, the 60th anniversary of “Plan 9 from Outer Space” will be celebrated by horror fans and movie buffs alike, and it’s a celebration I hope you partake in. Ed Wood’s science fiction horror film is notorious for being branded “the worst film ever made,” but through and through it’s proven to be a film that’s so bad it’s quite great. With the Ed Wood classic hitting its 60th, I recommend five ways you can celebrate the anniversary and honor the auteur we once knew we Edward Wood Jr.
To say that I’ve been a fan of “The Walking Dead” is something of an understatement. I’ve been following Skybound’s “The Walking Dead” since it originally started and have been going along with every single issue since its debut in 2003 and haven’t looked back since. I was also elated when everyone else got to see what I was such a big fan of in 2010 when AMC turned Robert Kirkman’s comic book in to a hit television series and cultural phenomenon. A lot of other fans like myself have been complaining that “The Walking Dead” ended so abruptly, but that’s pretty much in keeping with what the series has been about since 2003.