A young woman travels to a remote plastic surgery clinic to get a breast reduction with her boyfriend and her mother who loves getting plastic surgery. Once there, things go sideways and a virus is unleashed in the clinic, making the people therein ravenous and crazed.
Lars Damoiseaux’s “Yummy” reminded me a lot of the sub-plot in Robert Altman’s “The Player” where the two aspiring executives have an idea for the opening of a drama. Tim Robbins’ character snickers behind their backs that they have a movie with no second act. “Yummy” is a movie with a great concept, but no real execution behind it. It’s a gory darkly comic zombie movie set in a plastic surgeon’s office… and then… not much else happens beyond that.
After many, many years in limbo, “Creepshow” is finally revived by Shudder/AMC Networks for a modern generation bringing the love child of George Romero, Tom Savini, and Stephen King back for more terror. Premiering exclusively on the Shudder streaming service (then later on AMC), “Creepshow” is led by legendary Gregory Nicotero, doing everything to pay tribute to the EC Comics and the 1982 horror masterpiece. With six episodes featuring stories by Joe Hill (NOS4A2), Joe Lansdale (Bubba Ho-Tep), Josh Malerman (Bird Box), and Paul Dini et al., “Creepshow” is a great companion to the original pair of classic anthology films.
If you haven’t checked out Shinichirou Ueda’s indie horror comedy hit “One Cut of the Dead” by now then you’ve truly missed out on a prime piece of filmmaking. The film has been a festival darling, has become a hit on streaming and is being given excellent treatment for physical media collectors in a deluxe Steelbook. “One Cut of the Dead” is a genuine horror comedy gem that is best appreciated going in with as little information about it as possible. Although most reviews have given this advice of avoiding any and all spoilers, it’s sage wisdom that will only help improve an already excellent film.
I’m stunned that in a world where we have no shortage of entertainment about zombies, and the zombie apocalypse, that there has never really been a movie surrounding indigenous people. Zombie movies are almost always about fighting for land, dominance, and or resources, so it seems only natural that we’d have at least twenty by now featuring indigenous main characters. “Blood Quantum” is the first of its kind centering on indigenous characters, all of whom are facing a world where they’ve inherited the Earth, and have to figure out where they stand in it.
It pains me because I rarely ever go in to a film, let alone an indie film, wanting to dislike it; especially zombie movies. I’m a sucker for apocalyptic zombie movies, and the very good ones can affect me for days. I’m also a fan of sidestepping typical character molds with a focus on the relationships in the LGBTQ corner. “By Day’s End,” though, is not a good movie. “By Day’s End” tries to have its cake and eat it too by forcing a relationship drama within the mold of a pretty cookie cutter zombie movie, when all is said and done.
2020’s been a crazy year so far, and I like to think of Cinema Crazed as one of the few safe havens from the anxiety and stress from reality. That said though, I couldn’t help but think over some great movies about isolation and quarantining and thought I’d mention five great movies set in one room or setting that enhances the feelings of isolation.
Be sure to let us know some of your favorites, and be safe out there.
After the success of Mary Lambert’s adaptation of Stephen King’s “Pet Sematary,” Paramount sought out to deliver a sequel, despite the original leaving no room for one. Every single character died in the first movie, and no one is really the wiser about the whole zombie shenanigans that ensued in the climax. Lo and behold though, Paramount delivers on a sequel that centers on a whole new series of characters, all of whom are somehow obsessed with the mythical Native American burial ground tucked behind a seemingly harmless Pet Sematary.