Written by Max Groah and Tim Mayo with Groah directing, Bong of the Living Dead is a fun and funny take on the zombie apocalypse and on friends with odd skills managing to do better than most. Their take on the sub-genre is one that doesn’t bring a ton of new things to the table but their vision uses things that are familiar in great ways. On a smaller scale, it reminds of Shaun of the Dead in that the filmmakers and cast have a clear love of zombies and zombie films and they bring it to the screen here in a manner that is entertaining and respectful of the films they clearly adore. The writing is clever and the direction keeps everything tight.
“Creepshow” isn’t just a horror movie, but it’s also the gold standard for what most anthology horror movies strive to be. While there have been anthology horror films before it, “Creepshow” popularized the genre for a new decade and helped redefine the idea of the sub-genre. Not just that, but “Creepshow” is also a rebuttal to the golden age of horror comic from EC. Once upon a time the comics label that produced violent horror based comics were shut down due to their controversial nature. “Creepshow” is a movie that combines immense talents from folks like George Romero, Stephen King, and Tom Savini to provide something of a rebellious middle finger and show a new audience that these tales were as fun as they were violent.
“Cell” was troubled from the moment it was optioned in to a movie. Rather than become a success tale like “It,” it instead was left to tread water as a limited release that was quietly tucked away on the VOD market, and is now a two dollar purchase on streaming services. It’s not surprising since “Cell” is a film that could have used a much better script, a lot more development, and about twenty more minutes in its run time. In its state it feels utterly incomplete, half baked and rushed, along with pairing two stars that, at their best, are magnificent and at their worst, make a good living phoning in (shut up) performances. Tod Williams had the chance to jump on the ball and really provide us with a frantic and scary commentary about our over reliance on technology, and he fails.
You could definitely call “Warning Sign” a precursor to “28 Days Later,” but the latter film just handles the premise so much better. Hal Barwood’s movie is a shockingly bland meshing of science fiction and horror that is never quite sure what it wants to be. Sometimes it’s a science fiction movie about government conspiracy and a top secret disease gone out of control, and other times it’s about three bystanders battling disease ridden rage induced zombies, and the undead. It bounces back and forth between grim science fiction to gruesome horror and feels so ill-conceived and poorly constructed.
Mark H. Young’s horror thriller “Feral” feels like 2010’s “Primal” and 2003’s “Cabin Fever” reworked in to a goofy zombie melodrama about a lot of pretty people arguing over “important” stuff like relationships, and who’s dating whom before they’re interrupted by zombies. “Feral” could have been a very claustrophobic and weird little cabin in the woods gem, but it’s so mucked up with the twenty minutes of exposition and drama that goes absolutely nowhere. Seriously none of the conflicts actually take any real toll once the narrative gets moving, and it’s a shame.
If any case could be made for the advantage of running zombies in the zombie film sub-genre, “Dead Set” would easily trump any argument against the device. I’m a zombie enthusiast who loves the lumbering dead, and in all honesty prefers them above all. “Dead Set” not only endorses the idea of running zombies, but makes turns them on to a world of lazy, complacent television addicts, with remorseless fervor. Like the reality shows that have become fixtures of civilization, we’re turned in to blood thirsty monsters that feed off of one another, and show little empathy for the weak.
“Fear The Walking Dead” is to “The Walking Dead” what “Law & Order: SVU” is to “Law & Order.” It’s another series in the same universe but with its own scenarios and characters. It’s unfortunately taken three years to find its footing, despite its very good ratings. It packed with it a great cast of Cliff Curtis, Kim Dickens, Ruben Blades, as well as a ton of diverse side characters, but still never quite took off as a strong tale about the apocalypse. Now with its soft reboot and a new cast the series is better than ever, in spite of the audience kind of dropping it by the wayside. Regardless, season four was a huge step up for “Fear the Walking Dead” and I hope season five continues down this path with an even better, stronger villain.