Director Carolina Hellsgård wears her heart on her sleeve with “Ever After,” a movie that’s mired in the influence of femininity and women and offers up a lot of metaphysical ideas about mother Earth, nature, and our state of being. Although “Ever After” has been marketed as a zombie movie, the zombie element is mostly a background dressing for something more meditative and complex. While I adapted to what screenwriter Olivia Vieweg was leading us in to after the first half hour, “Ever After” still manages to be a mixed bag and doesn’t quite re-invent the wheel.
To say that I’ve been a fan of “The Walking Dead” is something of an understatement. I’ve been following Skybound’s “The Walking Dead” since it originally started and have been going along with every single issue since its debut in 2003 and haven’t looked back since. I was also elated when everyone else got to see what I was such a big fan of in 2010 when AMC turned Robert Kirkman’s comic book in to a hit television series and cultural phenomenon. A lot of other fans like myself have been complaining that “The Walking Dead” ended so abruptly, but that’s pretty much in keeping with what the series has been about since 2003.
I love the idea of indie filmmakers taking their various horror short films and turning them in to anthologies, especially now with the horror anthology hotter than ever with audiences. “Blood Clots” has a lot of great intentions, but in the end it’s just an okay anthology with seven pretty okay horror shorts. I was never blown over by anything I saw here, but I appreciated the effort, and I liked the variety, overall. There are zombies, mutants, monsters, and werewolves, and that’s basically the only overarching theme for audiences.
It’s tough to believe that The Asylum is behind “Black Summer.” It’s definitely one of the biggest surprises of 2019 as I’ve made it no secret about my disdain toward the company and “Z Nation.” I thought the show was insanely dumb and boring, but I was very much open to “Black Summer.” Keeping my expectations rock bottom (because The Asylum has done horribly with zombie entertainment consistently) I was stunned to very much enjoy “Black Summer.” In fact if it continues its course and settles down a bit in season two, it might end up being one of the great zombie TV series.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
Season nine was a big turning point for “The Walking Dead,” it’s the season where we lost a ton of big players in the series including Lauren Cohan and one main character Andrew Lincoln. With the exit of both dramatic forces, “The Walking Dead” has had a ton of foot work to cover, and season nine was a pretty good rebound that’s managed to keep the pace going now that the main driving force of the show has left. With a very good season, “The Walking Dead” presented some stand out moments. These are ten of the most shocking.
One of the best movies of 2018, “Anna and the Apocalypse” is a movie that’s destined to catch on with midnight audiences, as it begs for sing alongs from an enthusiastic audience. John McPhail’s zombie horror musical is a pastiche of the best from the genres it puts on the big screen, delivering what is one of the pleasing and creepiest zombie movies of the years. “Anna and the Apocalypse” manages to be both life affirming and a spectacularly vicious zombie movie at the same time, with some of the more entertaining musical numbers and sequences filmed in a long time.
Written by Max Groah and Tim Mayo with Groah directing, Bong of the Living Dead is a fun and funny take on the zombie apocalypse and on friends with odd skills managing to do better than most. Their take on the sub-genre is one that doesn’t bring a ton of new things to the table but their vision uses things that are familiar in great ways. On a smaller scale, it reminds of Shaun of the Dead in that the filmmakers and cast have a clear love of zombies and zombie films and they bring it to the screen here in a manner that is entertaining and respectful of the films they clearly adore. The writing is clever and the direction keeps everything tight.