I’ve pretty much gotten over my immense hatred for the watered down reboot of the “Teen Titans” animated series. It’s here to stay, and I’m over it. So I approached the new big screen adventure with an open mind and rock bottom expectations. All things considered “Teen Titans Go! To the Movies” is a mixed bag. Sometimes it hits with some sharp, slick superhero movie and Hollywood satire and truly engaging protagonists. Other times it feels like the writers are running out the clock with goofy filler and distracting musical numbers.
At the end of the day I think “Justice League” is a very—okay movie, with glimmers of greatness. But that’s the problem, sadly. Fans waited and waited, and didn’t want an okay movie. We fans wanted a great movie, and despite bringing in Joss Whedon in the final hour, “Justice League” feels less like the beginning of an epic saga of superheroes, and more like a throwaway episode of a mediocre superhero series. And what with “mustache gate” and the continued controversy over the original cut of the film, “Justice League” will carry a lot of baggage with it forever. Which is sad, because I still didn’t hate it as much as I did “Batman v Superman.”
If “Batman v Superman” was Zack Snyder’s own way of exploring how antiquated Superman is, “Justice League” is the proof by Joss Whedon that Superman is actually a bad ass with the right mind behind him. I won’t pretend that “Justice League” is a masterpiece of the comic cinema boom, but I can’t claim it to be one of the worst movies of the year, either. With some spit and polish, it could have risen to be a fantastic film, but in its final form, it’s a neat diversion with a manic energy, and the return of a modern cinematic Superman who presents an iota of positivity, charm, and hope. Finally.
“Justice League: The New Frontier,” adapted from the late great Darwyn Cooke’s graphic novel is an attempt at a new approach toward the DC universe the heroes behind DC. It’s an engaging, poetic, often brilliant animated film with an adult sensibility and intriguing psychological analysis that features a world on the brink of a new frontier, and its heroes and protectors facing the prospect of not being needed. On the opposite spectrum, their views of humanity are waning and devolving as they see endless cruel violence, and hatred take form through horrendous racial crimes. Director David Bullock and co. dare to present a film that takes a step back looking at the humanity that is affected by a world inhabited by DC heroes.
It’s a thing of beauty to see DC Comics and Warner finally embrace what’s so awe-inspiring about their characters. I’ve been a very vocal critic about DC’s output of live action films, and “Wonder Woman” is thankfully a remarkable jumping point for the new direction of the cinematic universe for DC and Warner. Patty Jenkins’ film presents Wonder Woman at a turning point at the very end of her own movie and is one of the most socially relevant superhero films made in the last fifteen years. “Wonder Woman” arrives in an age where worldwide, efforts are being made by various political and corrupt powers to silence women. Out of the darkness comes Diana Prince, a woman who will not be silenced or put in to the background.
Diana grew up to become an Amazon warrior. Little did she know, she was much more than that and when the time comes, she heads to war with a man who crashed near the island she lives on with only women. There she discovers her full potential as much more than a warrior, but also a hero.
For parents looking to introduce their tween children to lighter superhero fare before giving them heavier doses of superhero drama, “DC Superhero Girls” is a nice animated introduction. Based on the hit toy line, “DC Superhero Girls” is set in the superhero high school, where DC Universe’s most powerful superheroes attend to learn how to fight crime. The movie is mostly centered on the female superheroes from the DC Universe including young Wonder Woman, young Batgirl, Supergirl, Bumblebee, Katana, Poison Ivy, and class clown Harley Quinn.
My only hope is that when DC’s live action debut of “Wonder Woman” finally arrives, that they’ve taken notes from Bruce Timm and Lauren Montgomery’s animated depictions, because they remain some of the best iterations to date. DC and Warner have yet to churn out a cinematic masterpiece in the last five years, but they’ve done remarkably well in the animated department in the past. “Wonder Woman” is one of their crowning achievements as an exciting, action packed, and engaging look at the Amazonian warrior’s battle against her uncle, the god of war Ares.