By the time “The Howling III” rolled around, the studios basically stopped continuing the storyline from the original Joe Dante movie and just turned the movie series in to an anthology. The only connection “The Howling” movies have with one another is that they have werewolves in them. The rest of the movies are basically of varying quality with drastically different narratives. Ironically latter day sequels (The Howling: New Moon Rising) would use clips from the former films as a crutch to make up for lack of story and the painfully low budget.
Not since “The Witch’s Ghost” has there been a “Scooby Doo” adventure so deeply rooted in Halloween that it qualifies as automatic viewing for the holiday. While it is a change in pace for the Mystery Inc. crew, it’s a fun adventure in to the magic and supernatural element, along with some pretty stellar animation, and a pretty awesome surprise ending that I admittedly didn’t see coming.
Horror Movie Sidekicks can be some of the best aspects of a horror movie. Sometimes the can be the last thread of redemption for our hero, sometimes they help the final girl see the end, sometimes they can cause a big realization, and sometimes they can simply sacrifice themselves to help our hero or heroine battle the villain. On rare occasions they can even be more memorable than the heroes. In the end, a good side kick is everything, and these are five particularly good ones.
Michael Dougherty’s “Trick r Treat” is a contemporary success story that’s enamored horror fans for a long time. Originally in 2007, Michael Dougherty’s horror anthology was kicked around various studios, pushed back, and shelved. When it finally re-emerged, it was pushed to a DVD release on 2009. Once unleashed on the fan base, it began life as a hidden gem, and has grown to become a bonafide horror classic, almost universally praised. To boot, “Trick r Treat’s” mascot, the burlap sack wearing, jagged lollipop adorning Sam has become one of the modern horror icons, whose bred a legion of fans (as well as a slew of merchandise).
I swear, there’s nothing more baffling and unusual than “Tales of the Third Dimension,” a horror anthology of cobbled together horror tropes that doesn’t deliver a remotely scary movie. There’s a stiff, robotic skeleton who narrates in a bad Rod Serling impression. He’s accompanied by three puppet buzzards that interact with one another like the Three Stooges, and there’s the inexplicable recurring presence of cats. It was originally supposed to be in 3D, so there are a ton of scenes obviously meant for the gimmick that just looks laugh out loud moronic sans the effect. Finally there are three bland horror tales where, I swear, the moral of one is “Be a good kid, and Santa Claus will defend you against your psychotic, mentally deranged, wheelchair bound grandmother.”
There’s a considerable drop off in quality with “Teen Wolf Too” with what is essentially the same movie with a premise that was cut and pasted. Michael J. Fox opted out of this follow up, setting the stage for the film debut of Jason Bateman, who took the first and last sequel of this oddly popular series. I remember watching this movie as a kid quite often, since the channel I always watched never had the original. Years later, “Teen Wolf Too” isn’t a very good movie, and as a follow up should be watched by fans that are either Jason Bateman fanatics, or absolutely have to watch every sequel of a movie series. Hey, it’s not as bad as any of “The Howling” sequels. That’s about as big an endorsement I’m wiling to give it.
Before it became a homoerotic horror series on MTV, “Teen Wolf” was the epitome of eighties cheese that mixed a teen coming of age comedy with horror tropes. The idea of being a werewolf is of course a metaphor for puberty, as Michael J. Fox takes a baffling but oddly fun turn in his career after the success of “Back to the Future.” The 1985 “Teen Wolf” hasn’t aged very well, but it’s still a fun novelty of the decade where almost nothing was off limits it meant possibly drawing a laugh. Surely, the idea of a werewolf becoming a star basketball player is absurd, but not offensive as a comedy based around a corpse, or a college student wearing black face. But I digress.
It’s fantastic how effective “Howl” is considering the premise is so barebones and simplistic. If you’re a fan of survival horror like I am, “Howl” should be right up your alley, as it pits victims in an unlikely setting and puts them against impossible odds. Much like “Assault on Precinct 13,” the chances of the characters of “Howl” surviving are slim to nil, but I still rooted for them and eagerly awaited to see how they’d outwit their nemeses waiting in the darkness. Set during the middle of winter, Joe is a ticket taker and train guard who just missed out on a promotion.