There’s a considerable drop off in quality with “Teen Wolf Too” with what is essentially the same movie with a premise that was cut and pasted. Michael J. Fox opted out of this follow up, setting the stage for the film debut of Jason Bateman, who took the first and last sequel of this oddly popular series. I remember watching this movie as a kid quite often, since the channel I always watched never had the original. Years later, “Teen Wolf Too” isn’t a very good movie, and as a follow up should be watched by fans that are either Jason Bateman fanatics, or absolutely have to watch every sequel of a movie series. Hey, it’s not as bad as any of “The Howling” sequels. That’s about as big an endorsement I’m wiling to give it.
Before it became a homoerotic horror series on MTV, “Teen Wolf” was the epitome of eighties cheese that mixed a teen coming of age comedy with horror tropes. The idea of being a werewolf is of course a metaphor for puberty, as Michael J. Fox takes a baffling but oddly fun turn in his career after the success of “Back to the Future.” The 1985 “Teen Wolf” hasn’t aged very well, but it’s still a fun novelty of the decade where almost nothing was off limits it meant possibly drawing a laugh. Surely, the idea of a werewolf becoming a star basketball player is absurd, but not offensive as a comedy based around a corpse, or a college student wearing black face. But I digress.
Every month we discuss some of the best and worst cult films ever made, from the hits, classics, underground, grind house, and utterly obscure, from Full Moon, and Empire, to Cannon and American International, it’s all here, minus the popcorn, and car fumes.
The Plot is Afoot! A group of rotten teenagers are invited to a local “Waxwork” wax museum by its mysterious curator David Lincoln. Little do they know that each wax exhibit is a supernatural portal in to another realm composed of monsters and ghouls of many kinds. Before long young Mark and Sarah learn that the curator has sinister plans for the unwilling participants, and it’s now up to them with the help of a wheelchair bound historian to stop him and destroy the gallery of supernatural beings.
Pee-yew! You have to appreciate Shout! Factory for restoring what is easily one of the worst anthology movies of the eighties. I admit to being a completely newcomer in regards to “Deadtime Stories,” and upon finishing it, I was not surprised it was such a rarity for so many years. “Deadtime Stories” watches like someone really loved “Creepshow” and decided to make their own version with only a quarter of the budget. Then mid-way when the studio realized how awful the movie was, they decided to turn it in to a comedy at the last minute so horror fans can convince themselves the whole disaster is intentional and a tongue in cheek jab at the anthology crazy of the decade.
It’s another episode of “Filmonsters!” and while I appreciate the inherent idea behind Full Moon composing hour long movies with broadly written monsters that vaguely resembled Universal’s staples, this second movie isn’t good. In fact it’s almost the exact same movie as “Frankenstein Reborn!” To evoke emotions in the vein of RL Stine’s “Goosebumps” the producers make a young girl the star of their story. I think if it took off, every “Filmonsters!” would have had young teenagers who realize something about themselves or their families while fighting monsters. I wonder if there would have been a “Gillman Reborn!” with a young girl realizing she’s from a family of ancient lizard people or something.
Halloween has come early this year! Lionsgate has graced horror fans with a ton of really interesting documentaries from the History Channel and A&E Network in America. For folks that always wanted to know the “Real” story behind “Frankenstein” and “The Wolfman,” well this is where you can turn. Truth be told, the entire double disc DVD set garners an array of forty five minute documentaries, with the Frankenstein topic taking center stage. With all three documentaries clocking in at 178 minutes in length, it’s a treasure trove for individuals that love Frankenstein and Mary Shelly. Featured in the first disc is “In Search of the Real Frankenstein,” “Frankenstein,” and “It’s Alive! The True Story of Frankenstein.” Oddly enough while all three documentaries can sometimes become repetitive, they offer up a unique look at Frankenstein with different angles and approaches.
Curve (Australia) (2016)
A young woman wakes up sitting on a curved surface, clinging to it for dear life. This short is very simple in concept, yet possibly one of the most grim and dark short seen this year. There is not clear, or unclear, way of the situation this young lady is in and signs are accumulating that others did not have any luck in her position. Written and directed by Tim Egan, the film has no dialogue and only one character, making the most of its location and the situation the character is in. The star, Laura Jane Turner, gives a very good performance and keeps the viewer on the edge of their seat as she tries to get in a better situation. The film is grim and her performance suits it well, showing desperation and a need to survive.
Eric Red’s “Bad Moon” is a brutally underrated werewolf movie that, much like “Fright Night,” takes a classic Hitchcock movie and twists it to his own conventions. “Bad Moon” is a take off of “Shadow of a Doubt” where a sister is forced to confront her beloved brother’s evil side and realize that their once picturesque relationship was a complete lie the whole time. “Bad Moon” comes in at a little under eighty minutes, but is a tight and brisk horror thriller that is very well written and directed. Granted it has some of the special effects trappings of the nineties with a somewhat weird werewolf transformation, but at least director Red tries his damndest to show pure evil lurking within the heart of a once good man.
“Bad Moon” stars Mariel Hemingway as a tough as nails lawyer and single mother Janet. She lives alone with her son Brett and his over protective German Shepherd Thor. Thor is an especially close guardian of his two owners who is smarter than an average watch dog and seems to know much more than any dog on planet Earth. After Janet re-connects with her long lost brother Ted, she and her son Brett, along with Thor visit him to learn he’s kind of falling apart and isolated after his travels. Before they reunited, Ted was attacked in Nepal by a vicious monster that wounded him before he murdered it in self defense. After local hikers begin turning up dead, Ted moves in with his sister Janet and soon he begins forming an adversarial relationship with their guard dog Thor.
Despite Ted’s best efforts to remain secretive and cryptic with his sister and nephew, Thor is very suspicious of Ted and begins lurking in his trailer and following him around. This prompts Ted to try and devise a new way to be rid of Thor, before he helps Janet and Brett find out his ultimate secret as a werewolf. Michael Pare is a wonderful villain, who begins the narrative as charming and very well meaning, but begins to sour gradually as he realizes Thor isn’t just a passive family pet. The performances all around are fantastic, especially by dog performer Primo, who plays the protective guardian Thor. Thor is a remarkable guard for his family who looks for ways to warn them, as Ted becomes increasingly dangerous and comes to the realization that the only way he can protect himself is by eliminating Janet and Brett from his life.
Michael Pare does a damn good job as villainous Ted, working hard to convey a sense of rotted humanity within him, doing the work until Red reveals the werewolf in the light, and then the bang up special effects complete the transformation. Considering the budget and period, the special effects and monster of “Bad Moon” still looks incredible in motion and Red’s strong direction matched with the excellent editing offer up a wonderful climax you’ll have a difficult time being sucked in to. It’s a shame “Bad Moon” gets looked over in the annals of great werewolf movies as Eric Red provides a thrilling, exciting, and creepy horror movie soaked in a simple family drama.
The Blu-Ray release from Scream Factory comes with the theatrical edit and director’s cut of “Bad Moon.” The difference is a mere thirty seconds, where there’s slightly more gore and nudity in the prologue, while director Red trims down the digital transformation in the climax. The Director’s Cut comes with an audio commentary with director Eric Red alone, who provides an informative session here. He discusses everything from the screenplay, casting, and effects work, right down to cutting most of the digital transformation. The Theatrical Edit comes with an audio commentary with cast member Michael Pare, director Eric Red and John Fallon of Arrow in the Head.
It’s an okay commentary with Pare and Red being the highlight. Both cuts come with “Nature of the Beast: The Making of ‘Bad Moon’” a thirty five minute informative look at the making of the film, with interviews from the cast and crew, and how Eric Red became involved with the film itself. There’s the unrated opening sequence, clocking in at six minute, which establishes the location and gives Ted’s girlfriend a little more exposition before the sex scene. There’s the Transformation Sequence Storyboards, The Storyboards for the climactic fight between Thor and Werewolf Ted, Storyboards for Ted and Thor staring each other down, and finally the original trailer for “Bad Moon.”