There’s a ghoul in school! And “Werewolf in a Girls’ Dormitory” is one of the weirdest and darkest werewolf movies I’ve ever seen. It’s tough to believe a movie from the early sixties is filled with such dread, violence, and sexual implications that becomes the backdrop for the narrative. Despite being a werewolf movie, Paolo Heusch’s movie carries with it a lot of giallo vibes, focusing on a mostly obscured villain that stalks and strangles their victims. Although there is the stalk and chase of the sub-genre, Heusch relies on a whodunit mystery that feels much in the vein of Argento.
I admittedly have a long relationship with “Silver Bullet” as it’s a bonafide childhood favorite horror movie that I’ve seen at least a thousand times. Years later, it’s managed to hold up very well, and that’s thanks to the fact that it embodies what often can break or make a Stephen King tale. There’s a strong sense of folklore and urban legend mythology behind the tale of “Silver Bullet” and King manages to combine so much from a murder mystery, a whodunit, a family movie, and a creepy werewolf picture in to a horror gem that earns its place in the pantheon of great King adaptations.
John Landis’ werewolf thriller is a hard film to pigeon hole. It’s not exactly a horror movie, not exactly a comedy, and not entirely a drama. It is in fact a unique beast and amalgam of various genres that’s managed to remain absolutely timeless since its initial release. The fact that Landis breaks so many of the tropes of the werewolf film while also embracing the classic mythos of the monster is what makes “An American Werewolf in London” such a masterpiece.
Director Natasha Pascetta’s short horror film has a lot going for it, particularly the narration by the one and only Heather Langenkamp. Beyond that there isn’t a lot of substance behind the plot for “Road Trash” and it’s more of a word of caution about good intentions and how they can lead to our demise, but it’s all so abrupt and quickly paced, that the main character’s fate feels kind of mean spirited.
I’ve had a lot of time to think about Lowell Dean’s follow up to 2014’s “WolfCop,” and while I did love the original movie for its balls and unique premise, I can’t say I loved “Another…” Is it a poor follow up to the original? Absolutely not, but with the bigger budget and massive acclaim, it feels more like Dean forced a lot of the cult aspects, and has a tough time progressing the narrative of his hero Lou Garou. That said, “Another WolfCop” is still a fun cult movie romp that gets a nice blu-ray treatment for fans.
If you loved the out there nature of “WolfCop,” you’ll be happy to know that director Dean Lowell rewards fans for their long wait for a sequel with “Another WolfCop,” a sequel that is so far out there, it’s surreal at times. Director and writer Lowell channels a lot of classic films once again, centering on our vigilante WolfCop as he protects his small town in the most violent methods, all the while concocting a premise involving the furry vigilante that feels like an amalgam of “Halloween III,” “V,” and “Howling II,” if you can believe it. That’s not where the wheel stops spinning though, as director Lowell deals his furry crime fighter a new villain that is beyond anything he’s ever experienced.
This follow up to the acclaimed Paul Naschy Collection from earlier in the year, comes with a five Blu-Ray collection, and a twenty four page booklet with an essay on each film included. Folks seeking to further explore Paul Naschy will find a great delight in this follow up box set, as it has almost everything you’d want to continue your education in the Spanish horror star.
Paul Naschy has always been something of a large figure among horror fans and cult cinema enthusiasts everywhere, and Shout Factory is up to the task in reward their devotion with a collection that will peak interests. Still making an argument for why it’s one of the best horror movie distributors out there, Scream Factory unleashes a five disc collection that compiles some of Naschy’s most notable films, complete and uncut. There’s even an optional English dub for the films, or their truer Spanish language tracks with the subtitles.