Taika Waititi has always been a filmmaker that’s managed to challenge conventions and deliver tales that are always completely out of the ordinary. With “Jojo Rabbit,” it’s another in a long line of tales about the male ego and the weird world that they belong to. In Waititi’s case, it’s the briefly controversial “Jojo Rabbit,” a movie that received a lot of buzz for its depiction of Adolf Hitler. Once you got down to the meat and potatoes of the narrative though, you learn that it’s the destruction of Hitler and how he’s so uncomplicated that he’s reduced to an imaginary friend of a young child.
In a year that nearly everyone across the board has admitted to being a weak one for films in general 2009’s “Survival of the Dead” continues to stand out among the mediocrity and abysmal for its sheer down to Earth storytelling in the saga of the Dead where Romero is completing a second chapter in his Dead franchise. We had “Night,” “Dawn,” “Day,” and “Land,” and now to fit in with modern society, Romero has restarted the whole premise and entire sensibility with “Diary,” and “Survival” showing the downfall of a world, now very dependent on technology and the world wide web. “Diary” is a movie that continues to be misunderstood.
Thirteen years later, Guillermo Del Toro’s period dark fantasy is a masterpiece of the genre telling a tale of loss of innocence and good versus evil that’s touching, gripping and a bit spooky in its way. Del Toro’s film is one that warrants repeated viewing and continued analyses as it’s a fairy tale that masterfully mixes “Alice in Wonderland,” the Brothers Grimm, “Wizard of Oz,” along with classic folklore.
“In boot camp, we used to every night we had to say–before we went to bed, we’d have to sing the Marine Corps Hymn, and laying at attention in bed,we’d sing the Marine Corps Hymn, and then we’d say,”Another day in the Corps, sir, for every day’s a holiday and every meal’s a feast. Pray for war. Pray for war. God bless the Marine Corps. God bless my drill instructors. Pray for war.” And every night we had to say that, and when we’d run and we’d sing songs, we’d sing, like, they’d say, “Kill, kill, kill.” And when we–at our–at judo practice and knife fighting practice and bayonet fighting practice it was always, that was the yell: “Kill, kill, kill.”’
Satoshi Kon’s contribution to the animation medium was nothing short of absolutely breathtaking, as the director created films that blurred the lines of fantasy and reality and placed great emphases on the feminine energy. After the mind blowing “Perfect Blue,” Kon delivered what is arguably one of the best animated films ever conceived. Now bring granted a limited run in theaters nationwide, “Millennium Actress” is a wonderful experience you have to see for yourself, as it’s stunning, and absolutely surprising in the way Kon celebrates the adventure that is life.
“Previously on, X-Men…” was one of the trademark openings kids in the nineties heard every Saturday morning while watching the FOX Kids line up. It was during this time, in the midst of the networks third year (which also included “Batman: The Animated Series”), that FOX and Saban Entertainment teamed up to take on on yet another very popular and ambitious comic book property: Marvel Comics’ “X-Men.” The series came to be widely known by FOX and hardcore fans as “X-Men: The Animated Series.”
Twenty years ago, Studio Ghibli and the master Hayao Miyazaki opened my mind up to a new dimension of animation and storytelling that pretty much changed my life. It also inspired me to look toward telling bigger tales with richer characters, because Miyazaki is very much about rich characterization and brilliant metaphor. Much of his films revolve around the love of nature, the vastness of the open sky, and the effect humans can have on the environment and the world around us.
Mill Creek Entertainment is getting the jump on the massive library of blaxploitation action and crime thrillers with a six pack collection of some of the finest and most notorious. With many of the titles from the sub-genre being re-released, it’s only fitting that “Soul Team Six” could act as a discount basic course for the sub-genre that managed to convey a unique voice in the sixties and seventies.