Bob Clark’s “Deathdream” is one of the most sought after horror films ever made, one of those films that has been inexplicably out of print constantly and very much prized as a genuine horror gem. I’m one of those people that having seen “Deathdream” twice just can’t like what Bob Clark brings his audience. One of the reasons why is because “Deathdream” is so relentlessly bleak and dark. It’s an immensely depressing and viciously grim movie. And while that’s one of the main elements it’s been propelled it in to cult status, for me it’s just a major hindrance. I remember watching Bob Clark’s horror film the first time and just leaving it in a state of sadness.
Shout! Factory once again comes forward with a nifty collection for fans of action, science fiction, and Halo, comprising four of the web series from the mid-aughts that chronicled the “Halo” game universe. With a tight package and a slew of great extras and bells and whistles for the fans, this video collection is strictly for the die hard Halo fanatics that want to see more of this world, and learn so much more about the Spartans and war that’s ensuing.
Micronesians are a big part of the US military forces but get very little in terms of recognition or assurance that they will be taken care of if and when things take a bad turn. Here the Nena family is followed through their sons’ and their struggles and joy with the process of them joining the American military, going abroad, training, going into service, et al.
This time around “V” embraces its science fiction roots more, allowing for a lot more looks in to the rebellion, and the inclusion of new corners of the visitors’ world and the rebels. Most of all, there’s the introduction of a Visitor/Human hybrid that becomes one of the larger symbols of the war, and is pushed back and forth between the resistance and people that think the visitors can stop the invasion and work with Earth. Months after the humans sent out the beacon for other alien species to help them take down the Visitors, nothing has happened and the humans are still trying to stop the Visitors and their plans. Now the Visitors are building new tactics, which includes armor that can deflect bullets, and a form of torture leader Diana has concocted that allows her to convert humans to the side of Visitors for programming.
It’s been said time and time again that if we don’t learn from history that we’re doomed to repeat it, and “V” is a remarkable miniseries that examines what happens when history repeats itself. Set in a not too distant future, Earth is visited by a massive race of anthropomorphic alien beings that looks very human in nature. Though imposing, the alien race presents itself in a charming and docile manner, and interrupts civilization to settle alongside us. Known as the Visitors, they’re a very uniform mass of beings, all of whom proclaim themselves our friends after arriving in a fleet of large ships one day. By garnering help from various governments and influential people to acquire various chemicals and minerals for their ailing world, they agree to give Earth access to their advanced technology which they promise will cure diseases of all kinds. Soon enough, though they begin to insinuating themselves in to the general populace and before long create an environment of unease and tension among some individuals.
I would be lying if I said that “Troma’s War” is one of the best efforts from Troma. While it tries very hard to elicit some kind of political satire and tackle the idea of exploitation movies, it’s kind of a missed effort. Truth be told, “Troma’s War” is more of a chore to sit through than anything. It’s creative and a neat addition to a collection if you love Troma, but overall, it’s a loud, head ache inducing attempt at an action movie that can never quite put a finger on what it wants to be. It’s a disaster movie, a war movie, an action movie, an “Airplane!” style spoof, and then a political satire. It tries to roll all of these genre elements in to one frantic ball, but stumbles left and right with its intentions.
Following a lecture by a handsome missionary doctor, a frustrated young American nurse decides to go to Turkey to deliver much needed supplies and her late brother’s truck. As war looms and dangers abound, she is assigned an Ottoman Lieutenant to protect her on her journey to the faraway hospital. During their journey, friendship blooms and once at the hospital, romance is in the air.
I would love to have been a fly on the wall during the pitch meeting for “Red Dawn.” Let’s take some of the most popular all-American teen stars, some of whom are from the Brat Pack and pit them against foreign invaders trying to take over America. Imagine! The All-American brat pack fighting terrorism! No one would dare fuck with Patrick Swayze and Charlie Sheen! People will come in droves! That said, “Red Dawn” is a childhood favorite and one my brother and I watched over and over whenever it was on television. Yes, it’s goofy, and violent, and a jingoistic fantasy, but it’s also a fun, action packed, and interesting concept with its “Rah Rah America!” patriotism heavily steeped in a “What If?” narrative.