Please introduce yourself.
My name is Lia Scott Price and I am the creator, filmmaker, author and artist of the vampire horror-action comic books and animation series called Vampire Guardian Angels. I turned guardian angels into a new breed of vampire in the vampire genre, a hybrid of a serial killer, guardian angel, and vampire, and I am a character in my comic book series and animation. I’ve also directed and acted in my Vampire Guardian Angel films.
BOOTLEG FILES 759: “Castle of Doom” (mid-1930s re-edited version of Carl Theodor Dreyer’s “Vampyr”).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: On a VHS label in the 1980s.
REASON FOR BOOTLEG STATUS: Missing materials and a lack of commercial value.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nope!
It is not uncommon for a film be considered a flop when it first opened, only to be re-evaluated years later and belatedly declared a masterwork. One of the most striking examples of this scenario is Carl Theodor Dreyer’s “Vampyr,” which opened in 1932 to withering reviews and dismal box office returns – the failure of the film caused Dreyer to have a nervous breakdown and not direct another film for a decade. Today, the film is considered a horror masterpiece – and not only did it survive its rough opening, but it also moved beyond a wretched re-edit for American audiences. Continue reading →
While Studios are once again repackaging John Hughes movies in to yet another compilation Blu-Ray, and re-releasing “Grease” for the umpteenth time, there are still a laundry list of movies that have only ever been released on VHS and Laserdisc. Continuing from the last list, here are five more movies that deserve a Deluxe Physical release for collectors.
Stephen Norrington’s 1998 adaptation of the comic book “Blade” is a movie that’s often overlooked and or ignored as one of the comic book movie hits that broke ground. While it was never as mainstream as “X-Men” or “Spider-Man” it was a hit movie starring an African American hero, with an R rating. And while it hasn’t aged quite well since its initial release (it’s aged about as well as “X2,” which is good and terrible), it’s still a trailblazer worth seeking out right this second.
I hope this year has been merciful to you, as October is now in full motion. After such a terrible, bizarre year, feel free to lose yourself in five short horror films for our October festivities, which are no in full swing! Warning: Some of the reviews include the short films for your viewing pleasure, while others are just the teaser.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
While many of the influences for SNL are apparent, director-writer Oz Rodriguez has a great eye for unfolding some great horror that’s absolutely entertaining but also socially conscious (like his contemporary Jordan Peele). “Vampires vs. The Bronx” is a surefire amalgam of “The Lost Boys” and “Attack the Block.” It’s a creepy, fun, horror flick with an all Latinx and African American cast that’s also very clear cut condemnation of gentrification.
1987’s “The Lost Boys” is often examined as a film with heavy overtones of homoeroticism, and the idea of embracing the vampire mythology in a broader scope. It somewhat re-invented vampires, and even influenced many a creator in modern vampire fare. One of the reasons why I absolutely adore “The Lost Boys,” among many others, is because of its commentary on male models and debasing the antiquated idea of the nuclear family. While “The Lost Boys” is a play on the term from “Peter Pan” about a group of boys that never age, the title is also a play on the recurring theme of male role models and lack thereof.