Fred Walton returns for what is such a ridiculous sequel to an already abysmal thriller that I’m stunned there was any demand for it. Walton already spent ninety minutes stretching a five minute campfire tale in to a full fledged crime thriller, but this TV movie sequel watches like a ludicrous episode of a mediocre crime series. This is a premise so absurd and void of real tension or suspense. It seems like the writers spent so much time looking for a concept to resuscitate this concept and they fail with a tedious piece of genre claptrap.
There’s something kind of charming about Alex Merkin’s “House of the Witch.” It’s a straight up rip off of “Night of the Demons” while also feeling a lot like a fan film for “The Blair Witch Project.” It’s part are all from much better movies made before, but even at its most clunky, I didn’t have a bad time. “House of the Witch” is that kind of movie you could probably appreciate as a passing treat on a random night if you had absolutely nothing to do. I also found the final scene to be pretty damn clever, as it at least gives us a reason for the seemingly random series of events that unfold.
I’d say the best marketing The Last Halloween ever had was on a bag of Reese’s Pieces during the Halloween of 1991. I can still remember my mom buying the big bag of Reese’s Pieces and on the lower left hand corner there was the ad for the CBS special premiering that month with the “Mission to MARS” mascots front and center. It was a fine Halloween, with a great special that ran once on CBS and before disappearing into obscurity. Serving as a promotional film for the candy company MARS Company, “The Last Halloween” was a half hour movie about a small town named Crystal Lake with an economy reliant on their massive candy factory.
Allegedly recounting the grizzly child murders that took place in the Moors of Europe, “See No Evil: The Moors Murders” is a sluggishly paced dramatic thriller that is often too centered on character to ever actually concentrate on the murders behind Myra and Ian Bradley. Apart from its tedious pacing, the constant meandering from Writer Neil McKay and Directors Christopher Menaul, and Nicola Morrow turn the mini-series “See No Evil: The Moors Murders” into a trying, often tedious experience that frankly bored me out of my skull.
After the release of the 2008 “The Omen” Collection, Shout Factory brings fans a brand new exhaustive release of “The Omen” movie saga in a pristine new box set. There’s even wonderful new art for fans. If you’re a hardcore fanatic for “The Omen,” this is about as great as it gets, and it doesn’t satisfy your appetite for Damien Thorne and his grand master plan to take over the world well then, you’re very hard to please. In either case, this is a set that every horror buff must own, as it’s pretty fantastic and brings together every single “The Omen” on Blu-Ray. I would have loved to see the pilot for “The Omen” as an extra, but hey, I admit that that’s merely nitpicking.
I’ve managed to become a huge fan of the “Marvel Rising” TV specials as they’ve given a big spotlight to superheroes that don’t get their proper due or are overdue for their own spotlight very soon. Among them, there’s Squirrel Girl, Miss Marvel, Spider-Gwen, and Inferno. Disney has taken advantage of these specials to give some side adventures to some unique superheroes and heroines and I have enjoyed what has unfolded for this new team, as well as the diverse team of voice actors.
For fans of the legendary playwright, Mill Creek Entertainment brings together a slew of his more interesting dramas and comedies to DVD all for folks that are interested in expanding the collection. I would have loved to see “Barefoot in the Park” included in this set, but for all things considered this is a nice buffer course for new fans that can study up on the late great Neil Simon, who helped re-define films about couples and relationships for everyone.
Seven movies later, and the “Leprechaun” movie series is still alive and kicking. I fondly remember watching the original movie on a VHS rental back in 1995, and studios have found it a necessity to keep the saga of our demonic little person going. After the horrendous re-imagining of the series from 2014 that tried to turn the Leprechaun in to a faceless beast, “Leprechaun Returns” gets back to what made the original movie series so entertaining and deliciously silly. Sans Warwick Davis, the original Leprechaun, of course (he declined to star in horror films for a little while).