A woman fearing her son may be a psychopath with sinister plans hides cameras around their house and records herself talking about her son, her thoughts, and her fears. Eventually, things take a turn for the worse and things start changing.
A New York City detective goes to Europe to identify his daughter’s body and ends up involved in the investigation. As the search for the killer advances, he meets a journalist ready to help and makes peace with some of his feelings.
Shout Factory continues the growing of their library of Universal genre films, all of which expand to heavyweights like Boris Karloff, Lionel Atwill and the iconic Rondo Hatton. Although the selection isn’t all purely horror by definition, these are all fairly solid and entertaining genre pictures with appearances by various horror icons. This is another in the growing library for horror buffs anxious to add more depth to their collection, all now upgraded and restored.
This month, fans got a glimpse at the up and coming return of “Candyman,” and by all accounts it’s a movie that promises to give us a fresh horrific return in to the world of nineties maniac once again. The famed horror icon is back and angrier than ever and the horror community is excited to see the hook handed demon return. With that said, here are five other horror villains I hope to see make a return very soon, as they’ve all been stuck in limbo for a while.
Which horror maniac would you choose to make a comeback to the big screen?
The newest edition from Shout Factory of Universal Horror Collection is really more of four films with mixed genres, and folks looking for strictly horror might be a tad disappointed. It does, in all fairness, feature horror icons like Lionel Atwill, Bela Lugosi, Boris Karloff, Basil Rathbone, Vincent Price (and so many more). However for collectors looking to complete the library being released from Scream Factory, as they continue chronicling a lot of the more obscure and notable Universal horror films, this is right up your alley. It’s light in the supplemental material, but here’s hoping the impending volume four gives us a bit more meat to chew on.
After countless attempts to redo their stable of movie monsters for a modern generation, “The Invisible Man” signals that Universal Studios is finally on the right track. Not only do they manage to remold the classic horror movie for a modern generation, but they inject it with immense tension, so many plot twists and a socially relevant message about spousal abuse and the long lasting effects it can have on the victims. Suffice to say, Leigh Whannell’s “The Invisible Man” is a masterpiece of the sub-genre.
After the success of Mary Lambert’s adaptation of Stephen King’s “Pet Sematary,” Paramount sought out to deliver a sequel, despite the original leaving no room for one. Every single character died in the first movie, and no one is really the wiser about the whole zombie shenanigans that ensued in the climax. Lo and behold though, Paramount delivers on a sequel that centers on a whole new series of characters, all of whom are somehow obsessed with the mythical Native American burial ground tucked behind a seemingly harmless Pet Sematary.
“The Boy II” is one of the most inexplicable horror movies released in 2020 so far. The surprise success of the abysmal “The Boy” from 2016 (made cheap, producing big bucks) prompted the studio to make a follow up and franchise. And for some reason the writers and producers decide to completely retcon and reboot the entire mythos and story that was established from the original movie. Rather than stick to their successful formula, the original writer and director come back to reconfigure “The Boy” in to a limp, dull, and incredibly tedious “Annabelle” facsimile. It embraces all of the haunted doll clichés that’s become so common in this sub-genre wholesale, and completely ignores the 2016 horror drama.