Wang Yo-Wei works as a security guard at parliament and is regarded as a loser by others. One day during a Parliament session, as a fatal virus is spreading inside the parliament, the MPs are infected and become zombies. Strangely, Wang proves to be only one immune to the virus. Together with his girlfriend Xiong, they not only fight their way out but also save many lives.
1987’s “The Lost Boys” is often examined as a film with heavy overtones of homoeroticism, and the idea of embracing the vampire mythology in a broader scope. It somewhat re-invented vampires, and even influenced many a creator in modern vampire fare. One of the reasons why I absolutely adore “The Lost Boys,” among many others, is because of its commentary on male models and debasing the antiquated idea of the nuclear family. While “The Lost Boys” is a play on the term from “Peter Pan” about a group of boys that never age, the title is also a play on the recurring theme of male role models and lack thereof.
The odd thing about Josh Hasty’s “Candy Corn” is that it feels like the first chapter in an anthology or movie series. I don’t know how far they’ll take this concept, but I’d love to see more Halloween based tales of revenge as coordinated by this traveling carnival and its vindictive ring master. I’m not going to say that “Candy Corn” is a masterpiece, but as far as Halloween movie treats, it’s a very good horror film soaked in the Halloween aesthetic.
With a video of one killing the other, a couple on vacation must figure out what is going on and why the one who got killed is still there to watch the video as well as find their way off the island where they seemingly are stuck.
I admit that I was a bit hesitant during “Shortcut” as it seems to meander back and forth between time lines and whatnot. However, during the final half, Alessio Liguori’s “Shortcut” finds a path and sticks to it, offering a horror movie with great substance. “Shortcut” is a mix of It Chapter One” and “Jeepers Creepers 2” (sans the uh… uncomfortable pedo overtones) and really sucked me in as a creepy, weird, and engaging tale of coming of age in the face of a dark force on a deserted highway.
We’re nearing the beginning of October so as is the mandate to keep reality from collapsing, we have another Tim Burton classic re-released and updated. Burton’s horror comedy classic “Beetlejuice” gets another big re-release for physical media collectors, allowing fans to re-visit the demented and dark supernatural comedy in a 4K UHD upgrade. Of course Burton’s film is being released in various other editions online, including Steelbook.
The visceral raw energy and violence of Gabriel Carrer and Reese Eveneshen’s “For the sake of Vicious” is bound to be compared to the masterpieces like “The Green Room” very soon. The set up at least conjures up memories of “Assault on Precinct 13” except in a smaller scale. In either case, it’s a classic white knuckle home invasion siege thriller that spares no one, even when it successfully builds on empathetic and fascinating protagonists.