I would really only suggest “Legend” to the hardcore fantasy aficionados. It might even be a little too heavy for “Lord of the Rings” fans. As a kid I loved watching what Ridley Scott gave movie fans, but I never quite understood it until years later. Scott touches on some heavy concepts both philosophical and spiritual, and he does so with a palette of monsters and unicorns. Director Ridley Scott composes a rather brilliant and dark fantasy epic about the concepts of light and dark, and good and evil. In truth, “Legend” is a twist on the tale of Adam and Eve, except with more fantasy, magic, and monsters.
Director Darren Lynn Bousman’s “The Devil’s Carnival” is a movie that made me think I should probably give “Repo! The Genetic Opera” another chance. Since its release, “Repo!” has apparently become a road show in the vein of “Rocky Horror,” and “The Devil’s Carnival” seeks to carry that success further. I sought out Bousman’s hour long film anxiously on the internet, and after watching it on Netflix, I still can’t stop raving about it. It’s a dark, mature, often brilliant look at the age old tale of lost souls and the devil’s efforts to lure them in to his den of sins and eternal torment. Three souls on the verge of death enter in to hell’s carnival and are put to the test. Lucifer is the ring master of this wicked carnival, and with his trio of minions, tries to test the revolve of these lost individuals.
A blue collared geek working at a go nowhere job makes a pact with the devil to win the woman he loves; pretty simple premise. In this, Harold Ramis (The Director) makes the devil’s incantation in the form of a beautiful woman (Elizabeth Hurley). The entire movie’s premise is whacky from the beginning. In the movie, the devil offers Brendan Fraser’s character different situations in which to win the girl he has a crush on. But, her being the devil, includes many odd different twists which screw up a typically perfect dream sequence.