Nelson McCormick’s “Prom Night” is not even technically a remake, at all. In fact most of the film doesn’t even take place during prom night. After drudging through an endless array of teen melodrama that was obviously only a lead up to the killing, director Nelson McCormack’s thriller seems to actively work at not being scary. Perhaps it’s to keep from offending the young audience to which this PG-13 snooze fest was touted to, but “Prom Night 2008” lacks any of the inherent terror the original film possessed, however minimal it is.
It’s not many directors or studios willing to display what twelve years olds do when adults aren’t looking, and “Good Boys” thankfully doesn’t waste the opportunity. “Good Boys” has every chance to be just a crude one note gag that involves just a bunch of foul mouthed tweens, but “Good Boys” is a fun and very funny peek I to a new generation of young adults, all of whom have different problems than we did, but also surprisingly face the same hurdles including growing up, moving on without our childhood friends, and learning to accept what we are.
Nickelodeon has been in a tricky scenario over the last five years, in where the audience that once watched their hit shows is now becoming adults. Now they’ve scrambled for ways to appeal to a new generation, even aging their banner characters a bit. With “Dora the Explorer,” Nickelodeon has taken great pains in allowing her to blossom with her audience, and then revert back to the original formula that made her such a hit. With this feature film adaptation, they manage to pull off what is a loving tribute, a fun action adventure film, an adaptation that is never afraid to poke fun at itself every now and then, and a spotlight for latinx movie heroes we can root for.
A teen goes out at night to meet a boy and never makes it back home. As her whole small town is shaken up by her disappearance, everyone does what they can to come to terms with her disappearance and how it affects each of them.
I wasn’t too interested in the premise of “Riot Girls” upon first glance, but it inevitably won me over with its execution and I came to appreciate (and kind of love) how fun and unique it was. The whole idea of high school cliques becoming the tribes of the post-apocalypse is rife for satire, and Jovanka Vuckovic has a great time with her concept. “Riot Girls” is both a teen drama comedy, and a fun bit of post apocalyptic fodder that you could easily digest right down to the last bite. I loved the whole punk rock, pulp comic book aesthetic, and the way it embraces its fantasy trappings like “The Warriors” did long ago.
“Weird Science” is the film from John Hughes that’s managed to age the worst from his repertoire. Even “Dutch” can be considered somewhat more accessible than what “Weird Science” doles out. While it’s not a bad movie at all, “Weird Science” has gradually become an eighties comedy that has to be taken in the context of its decade. This is still a very strong air of misogyny and chauvinism within “Weird Science,” but it still works as a fun eighties romp with banner performances by its collective cast.
I’d love to know what the thought process was behind “Rim of the World.” Directed by McG, it’s much too crude and violent for kids, but much too juvenile for anyone looking for a good action horror movie. Netflix and McG obviously had in mind the “Stranger Things” crowd when they concocted this unpleasant, long, obnoxious film. It wants to be mentioned in the same conversation as “The Goonies”, Amblin, and “It,” but I doubt in a few years it’ll even be mentioned in the same favor as “Mac and Me.”
Spider-Man entrance in to the MCU has been a god send as Marvel had managed to touch on areas of the character that we haven’t seen before, while also fleshing out much if his universe and world. After the epics of “Captain Marvel” and “Avengers: Endgame,” Jon Watts’ “Far from Home” is a nice detour in to the MCU where the studio is able to book end their biggest event thus far. Closing out phase three of the MCU, “Far From Home” is a vastly superior film to “Homecoming” that benefits from the lack of Iron Man, believe it or not.