Mean Girls: The Musical (2024)

Now Available on Digital Streaming.

Despite the flack that it received this year from a lot of anti-musical individuals that transformed “Mean Girls: The Musical” in to a tik tok meme, at the end of it all Samantha Jayne and Arturo Perez Jr’s film ended up being much ado about nothing. It can’t be that narratives can’t translate in to musicals since “Hairspray” was excellent. But when all was said and done “Mean Girls: The Musical” ended up being an okay movie. It wasn’t what I’d call awful, but it’s by no means in the upper echelons of musicals like “Grease” or even “Teen Beach Movie.”

It’s a just fine, pretty okay movie that just made me want to rewatch the original classic.

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Lisa Frankenstein (2024)

Director Zelda Williams and Diablo Cody’s “Lisa Frankenstein” doesn’t just wear its influences on its sleeves, it bedazzles those influences and flashes its sleeves around proudly. “Lisa Frankenstein” watches as if Diablo Cody pitched: “Remember “Edward Scissorhands”? What if “Edward Scissorhands” but in the 80’s?” All the cards are set up from minute one, from the Gothic animated opening sequence, and the pastel photography, while Kathryn Newton and Cole Sprouse do their very best Winona Ryder and Johnny Depp impersonations.

Mix in “Heathers,” “My Boyfriend’s Back,” and “Warm Bodies” and we’re given what is essentially a ton of talent with no place to go.

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The Monster Squad (1987) [4K UHD/Blu-Ray]

I’ve written in great length about director Fred Dekker’s “The Monster Squad” over and over. I love it. I’ve loved it since I was a kid, and I love it now. I wore out the VHS when I was a wee lad, I had a bootleg DVD in my collection when it was out of print for many years, and ever since I love to re-visit it whenever I can. “The Monster Squad” is a drastic departure from director Fred Dekker’s other cult classic “Night of the Creeps,” but like it, “The Monster Squad” is an unabashed love letter to horror movies, and the horror genre in general.

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Family Switch (2023)

McG’s “Family Switch” is a movie we’ve seen a thousand times before. It doesn’t re-invent the wheel and doesn’t really seek to, at that. It makes it abundantly clear in the big turn of events involving the body switch as the four central characters make blatant references to “Freaky Friday,” “13 Going on 30,” “17 Again,” and “Big.” It’s tough to really judge a movie like this because it’s an easy slam dunk. It’s an easy paycheck for Jennifer Garner and Ed Helms, and current teen star Emma Meyers (off her debut on Netflix’s “Wednesday”) is allowed her own vehicle.

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“Airborne” at 30: Still The Fantastic 90’s Bonanza

In the 1990’s everything was “Extreme” or “Mega.” Everything had to be what with the introduction of things like X Games, which gave way to a huge tidal wave of things that were more adrenaline fueled, faster, and often times advertised “This isn’t your daddy’s:” Insert product here. Along with the sports being more extreme, the movies were more extreme, and the 1990’s carried over the skateboard generation from the 1980’s. Where the massive influx of skateboard movies permeated cult cinema, the 1990’s were where there were even more efforts to integrate it in to mainstream cinema. While it didn’t quite succeed (we did get “Brink!”, I guess), we did manage to get great films like my childhood favorite “Airborne.”

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Skateboard: The Movie (1978)

Now in Limited Release in New York, and California; debuting November 10th in MN, November 15th at the Gateway Film Center in Columbus, OH, November 26th at the The Texas Theater in Oak Cliff, TX, and December 9th/10th at the Cleveland Cinematheque in Cleveland, OH. Check Local Theater Listings.

I guess if you fancy yourself a completist, or have to watch every sports movie ever made, “Skateboard: The Movie” is a fascinating relic of a pretty great bygone era. It’s not at all a good movie per se, but I liked director George Gage’s movie for the way it works as a time capsule for the late seventies. It was a precursor to a lot of interesting concepts, including turning skateboarding in to a bonafide tournament sport, the way the media would inevitably drift over to skateboarding, as well as the whole attitude of the decade. The entirety of “Skateboard: The Movie” is punctuated by a lot of moog/synthesizer music, as well as a ton of pretty good pop rock music that lends it a real energy. 

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“Fun Size”: The Halloween Treat That Deserves More Love

Along with “Crybaby Lane,” 2012’s “Fun Size” is one of the bastard children of Nickelodeon Studios that they like to pretend doesn’t exist. It wouldn’t be the first time they hung one of their stars out to dry, and it certainly won’t be the last. Say what you want about the legacy of Nickelodeon, but their nastiness is almost equal to their innovation and creativity. Nevertheless, “Fun Size” is one of the very few Halloween themed movies that have nothing to do with the horror genre.

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My Best Friend is a Vampire (1987)

It’s interesting that Jimmy Huston’s horror comedy has managed to rise above the rest of the teen horror comedies over the years. Even something like “Once Bitten” which had a young Jim Carrey, isn’t nearly as popular as “My Best Friend is a Vampire.” Despite being insanely silly, and features one of the most lackluster romantic interests of the eighties, “My Best Friend is a Vampire” (aka “I Was a Teenage Vampire”) has survived mainly for its very vocal LGBTQ overtones, and a soundtrack that’s better than it has any right to be.

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