A young mother who gave up her daughter up during a troubled period is trying to reconnect with her years later. As they try to repair their estranged and strained relationship, they become plagued by the legendary Baba Yaga witch. Written by Mark Huckerby and Nick Ostler and directed by Caradog W. James, the film takes a folk tale that originated in Old Russia and brings it to the UK and modernizes it. Together they create a horror film that will scare the uninitiated but may not do much for hardcore horror fans. There are a few well directed and developed scares that should work for all however. These happen in an environment built around the strained, but attempting to be rekindled, mother-daughter relationship.
It’s just such a travesty that Adam Wingard’s shot at the “Blair Witch” mythology flopped and has been generally derided by fans alike. I, for one, completely loved “Blair Witch,” not only for being such a unique and terrifying experience, but for the respect Adam Wingard has for the mythology. Even if you never bothered to watch those documentaries about Burkittsville, director Wingard brings everything full circle, including nods to the documentaries, the much derided sequel, and the original film. It’s a legacy sequel, but one that also acts as an impromptu book end to the whole series. After this I don’t know when we’ll ever see anything about the Blair Witch ever again, but it’s a great consolation the series goes out on this note.
La Chasse-Galerie, or the Flying Canoe (aka The Bewitched Canoe) is a well-known legend from Québec about a group of travelers making a deal with the devil to get home. In this cinematic version of it set in 1863, a group of men travelling home are slowed down by a snow storm. After they request help, the devil gives them a flying canoe to take them home but with some conditions that come with harsh punishment if not followed. After one of them cheats the devil, vengeance is taken on his descendant 25 years later.
It’s about time the world has caught up with “Black Christmas” and (thanks to Shout!) given it the proper treatment it’s always deserved. What is arguably one of the first slasher films ever made was always out of print and hard to find while “Halloween” was granted various editions of VHS, and DVD. While “Halloween” is a masterpiece, “Black Christmas” is far more superior. It works as a slasher film, a mystery, a dark comedy, and is genuinely spine tingling in a movie draped in Christmas ephemera. It’s surprising since the tone for “Black Christmas” is almost the same tone from his other Christmas classic “A Christmas Story.” Yet director Bob Clark really never misses a beat, offering up a very scary tale about an inexplicable maniac wreaking havoc on a small neighborhood during the holidays.
Following his father’s death and an accident with a client, Salah starts down a revenge path against racists and those who have wronged his father and himself. Written and directed by Dan Pringle, this vigilante-horror film delivers plenty of vengeance and bloody violence with some original ideas on how to get rid of the bodies. It has themes that will hit close to home for some such as racism, familial duty, wanting for a better life, etc. Of course, what makes the film interesting is the less than common (and advisable) path the lead takes towards his goals. His vengeance is violent, bloody, and rather merciless.
Who’s to know what would have been gained had anyone ever discovered what Rosebud meant? All we ever really know is that, like the faceless reporters that pounce on the death of Charles Foster Kane explain, it probably never really would have mattered. What ever piece of the puzzle would have made Charles Foster Kane feel whole was lost a very long time ago. We can never really pin point when and how, but why that gave him immense satisfaction and the feeling of completion was gone. As we gander at the endless piles of trash Kane collected over his years, as well as speak to the endless people Kane eventually began to collect, it’s pretty clear nothing could ever really give Charles Foster Kane a sense of fulfillment or make him feel complete.
For folks that didn’t know if “Trick r Treat” would end up as a one and done horror classic, or end up becoming a full fledged dynasty, creator Michael Dougherty is nice enough to team up with Legendary Pictures to deliver “Days of the Dead.” Michael Dougherty pens the introduction to “Days of the Dead,” where still uncertain if a sequel would ever blossom back in 2015, helped build this anthology to keep Sam alive in our hearts. “Days of the Dead” is a mid-quel ripped directly out of the “Trick r Treat” universe, the graphic novel unfolds five stories involving Halloween and Autumn that tries to recapture the spirit of the original film. With the mid-quel being a graphic novel, Dougherty side steps the interconnected story format from the film and bonds the tales mainly through our beloved Sam.
Dario Argento’s “Suspiria” is easily one of the greatest horror movies ever made. It’s one of the very few horror movies I can call perfect, and I rarely ever do that. Argento’s horror film about a ballet academy with a hideous secret is a marvel for the eyes, the ears, and for horror audiences that enjoy brain food with their cinema. Jessica Harper is excellent as young Suzy, a ballet dancer who travels to Germany to attend a very elite ballet school. Upon the surprising realization that she hasn’t been allowed to enter the school thanks to a late entry, she is surprisingly allow to attend when a student is mysteriously and gruesomely murdered in her apartment. Suzy immediately begins to become attuned to her surroundings, and finds her environment within the militant and unusual ballet school most unsettling, to the point where she begins to fall ill, and experiences unusual events.