Director Jeff Wadlow’s (“Truth or Dare”) big screen adaptation “Fantasy Island” is a mess of a genre picture that easily one of the most tonally confused movies I’ve seen in years. Its prologue sets it up as a horror movie, then it becomes a goofy comedy about wish fulfillment, then it’s a character study about a son reconnecting with his father, the next minute it’s a torture revenge thriller, and the next it’s a movie about looking back at what could have been. None of it is remotely creepy, none of it is remotely spooky, and to top it all off, it’s all so painfully boring from beginning to end.
John Landis’ werewolf thriller is a hard film to pigeon hole. It’s not exactly a horror movie, not exactly a comedy, and not entirely a drama. It is in fact a unique beast and amalgam of various genres that’s managed to remain absolutely timeless since its initial release. The fact that Landis breaks so many of the tropes of the werewolf film while also embracing the classic mythos of the monster is what makes “An American Werewolf in London” such a masterpiece.
We’re at the middle of an all out Stephen King renaissance where, once again, he is a hot item in Hollywood. Many of his short stories and novels are being adapted in to big, acclaimed projects, and we’re even getting second stabs at “The Stand” and a third stab at “Salem’s Lot.” With “Doctor Sleep” on the way, and Hollywood opening the scope of King’s writing for films or television, there is an inevitable remake of “The Shining” coming. But until then, fans of Kubrick’s loose cinematic adaptation can now invest in the 4K edition of the horror masterpiece.
Thirteen years later, Guillermo Del Toro’s period dark fantasy is a masterpiece of the genre telling a tale of loss of innocence and good versus evil that’s touching, gripping and a bit spooky in its way. Del Toro’s film is one that warrants repeated viewing and continued analyses as it’s a fairy tale that masterfully mixes “Alice in Wonderland,” the Brothers Grimm, “Wizard of Oz,” along with classic folklore.
Friends coming back for a hiking and camping trip find a body in the trunk of their car. Due to one of them having a past that could complicate things, they start debating what to do with the body until their friendship gets truly tested.
After spending years out of print, it’s good to see Fred Dekker’s eighties horror classics finally being given the special treatment that they deserve. For fans of the 1986 “Night of the Creeps,” they’ll be happy to know that Dekker’s zombie comedy hasn’t aged much at all. While it’s very much of its time, it still allows for an accessible and very interesting mix of horror, science fiction, coming of age, and romance that’s tough to beat. Plus, there’s Tom Atkins who is just downright fun in the role of detective Ray Cameron.