A Nightmare on Elm Street Part 2: Freddy’s Revenge (1985)

nightmare_on_elm_street_2“He’s inside me and he wants to take me again!”

Ever since the remake of “A Nightmare on Elm Street” rather than looking back at the original film, many movie buffs around the web have been examining the infamous follow-up to Wes Craven’s sequel entitled “Freddy’s Revenge.” And after seeing it in its entirety for the first time ever, I’ll just say what everyone has examined from the get go: “Freddy’s Revenge” is one big metaphor for repressed homosexuality and its main hero’s confrontation with his demonizing and acceptance of his true sexuality.

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The Final Destination (2009) (DVD)

Yep this is it, the Final Destination, the alleged final installment in the “Final Destination” franchise that promises to close up the entire storyline. And yes, I’m not buying it either. When there is money to be made, sequels are still a potential cash cow and I think the series will continue to live on when the studios decide it’s time to make some money off of this carnival of cruel and painful deaths. What “The Final Destination” promises is not what it delivers. There are simply no questions answered to the big questions. Who are chosen to receive these premonitions? Are these people just random or do they possess unusual powers or gifts? Are they apart of a legacy or do they just happen to be apart of an accident or misfire? Who or what grants them these premonitions? Does death give it to them as some sort of sick game? And if there is some mystical being granting these people the gift to foretell the next move of death why do they want these people to be one step ahead of death?

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Van Helsing (2004)


How do you ruin four of the most timeless, scariest, and three-dimensional horror characters in history? Well, if you’re Stephen Sommers you put them in a special effects-laden piece of trash like this, and then make like a politician and cop -out insisting you’re a fan of these monsters, just to cover your bases and prevent criticism for directing and overseeing this chunk of cinematic sacrilege. The best about the opening of “Van Helsing” in theaters, you ask? Their releases of Universal’s monster classics in boxed sets. Continue reading