Not since “The Witch’s Ghost” has there been a “Scooby Doo” adventure so deeply rooted in Halloween that it qualifies as automatic viewing for the holiday. While it is a change in pace for the Mystery Inc. crew, it’s a fun adventure in to the magic and supernatural element, along with some pretty stellar animation, and a pretty awesome surprise ending that I admittedly didn’t see coming.
Warning: Mild Spoilers to the Series Included.
Take a look at any and all supernatural tales, and you’ll find that they are deep down about three things: They’re either about family, about death, or about mental illness. From “The Babadook,” and “The Conjuring,” to “The Haunting” or “Rebecca,” every great ghost story deep down is about those core themes. “The Haunting of Hill House” is the most riveting ghost story and horror series I’ve seen all year, and I say that as someone who has seen the supernatural sub-genre reduced to nothing but a series of shocks and bumps on the wall when films like “The Ring” and “Grudge” were popularized in the early aughts. To their credit, they are fine ghost films, but I missed the more humanistic elements.
It’s the Halloween Horror Month Edition of “Shorts Round Up” as I review some of the short films that have hit our inbox from some of the most interesting up and coming filmmakers in cinema. These are five horror short films that you should be on the look out when they premiere in festivals or online very soon.
If you’d like to submit your short film for review consideration, submissions are always opened. Continue reading
As part of Horrible Imaginings Film Festival’s Saturday offerings, a smattering and a half of shorts were available for viewings split into a few blocks and attached to the features playing that day. Here are a few highlights from these.
The first “Goosebumps” movie was a big surprise for me. While I was against it being a fluid narrative and not an anthology or adaptation of one of the books, it ended up being a great, heartfelt, and genuinely fun horror comedy. And Jack Black as RL Stine was such a nice little addition that helped what was essentially a love letter to RL Stine’s imagination. It pains me to say that, like a lot of others, I just did not like “Goosebumps 2.” It’s not only the fact that it tosses out a lot of what made the original film so much fun, but it also completely recycles the premise from the first film with a monster apocalypse… except, you know, on Halloween.
Dan Curtis’ “Trilogy of Terror” is a TV movie that grew so famous that it ended up being considered one of the best horror movies of its decade. Released during a time where networks were tackling TV movies with immense zeal, “Trilogy of Terror” has become a horror classic since its airing, even if I’m not a fan. It’s hard to hate, though. There’s Karen Black taking on all of the major female roles in the film, and the Zuni Fetish Doll, a movie monster who has become the quintessential horror killer doll. “Trilogy of Terror II” premiered on the USA Network in 1996 with Dan Curtis returning to direct, and while it’s not a great movie, it’s fine enough.
Sheldon Wilson’s “The Hollow” or as I refer to it “Phantoms 2: Samhain Edition,” is one of the more incomplete feeling horror films I’ve seen in a long time. Although the movie isn’t the completely worst Halloween oriented horror entry I’ve ever seen, it definitely feels like it could have stood for twenty minutes of exposition. Even when it stops the movie in its tracks to drop exposition, it still feels like the screenwriters are working on an under cooked film that never finds its footing. So much of “The Hollow” is downright unpleasant and dull, and manages to squander a potentially really cool movie monster.
2014’s “Annabelle” should have been an easy win. Take one of the most frightening elements from 2012’s “The Conjuring” and give her her own spooky tale about where she comes from and you have another hit. Sadly, “Annabelle” was an ill conceived and silly movie that is given a second chance with another prequel “Creation.” This film goes even further back before “The Conjuring” to where the doll was merely a dormant spirit lying and waiting for fresh souls to exploit.