After a teen girl befriends and is taken by a demonic entity, her parents react in wildly different ways with her mother turning to drinking and her father doing all he can to get her back. How far is he willing to go?Continue reading
Often considered one of the greatest of the horror movie boogey men, Candyman probably would have been a swing and miss were it not for the gravitas that Tony Todd exudes with every performances he takes on. “Candyman” is one of the more genuinely eerie and gruesome ghost stories of the 1990’s that also doubles as a gory slasher. It’s a great fit for a decade where horror was mostly a serious affair and audiences were looking for more novel, entertaining fare to get lost in. “Candyman” is one of the few genuine slasher icons of the nineties that was able to keep the horror genre mostly afloat. While the sequels leave a lot to be desired, it’s hard to top what sense of terror the original from Bernard Rose brings to the table.
The only studio that’s managed to build an interesting cinematic universe beside Marvel is Warner who’s “The Conjuring” cinematic universe has been a long stretch of movies varying in quality. The interconnected movie verse takes Valak the horrific nun from “The Conjuring 2” and gives her own film. What should have been an easy scare fest lending a spotlight to one of the most memorable monsters in “The Conjuring 2” ends up as yet another miss like “Annabelle.” I don’t know why it’s so tough for the producers of the “Conjuring” cinematic universe to produce spin offs for their series’ monsters.
There really is no one on Earth that can top the combined forces of Dario Argento and Goblin’s excellent “Suspiria,” so Luca Guadagnino doesn’t even try. Instead, this new version of “Suspiria” is less a remake and more of a new tale in the same universe, or a spiritual sequel if you really want to get technical. Luca Guadagnino definitely approaches his spin on “Suspiria” with about as much ambition and enthusiasm he can muster up and what results is a wonky, surreal, bizarre, and yet overstuffed six act horror film that never quite knows when to call it quits. That said, “Suspiria” will most definitely acquire a fan base and I assume years from now fans will debate on whether this or Argento’s original is the superior film.
“The Conjuring” cinematic universe kind of snuck up on the horror community over the years, prompting a series of movies that have been hit or miss. While I think “The Conjuring” cinematic universe has a ton of potential to be fantastic, at its current state, there’s still a lot for the studios to learn from the previous films. On its own, “The Nun” is a perfectly fine bit of gothic horror that’s sadly mostly half baked, and under developed. It’s saved by the small cast’s strong turns, and the dazzling imagery that successfully channels the old Hammer films. “The Nun” sets out to build a different energy from the rest of the movies in “The Conjuring” franchise, and for better and for worse, it accomplishes that.
To its credit, “The Taking of Deborah Logan” is a horror film that’s generally remained in the public consciousness mainly for its memorable imagery. As a horror movie it’s just an okay experience that probably would have been so much more effective as a filmed feature. In the end, it’s mainly an okay found footage horror movie that comes out pretty golden mainly for two or three really memorable moments that have become internet memes and are still widely circulated to this day.
A young mother takes the long trip from the US ot her native land with her daughter at her sick father’s urging request in a letter. There she discovers truths about her past and her parents following a supernatural event that sends her to a nunnery for care and help.