Marcus McCollum’s horror drama is a film teeming with potential that never fully realizes it. Even with the somewhat tense finale, a lot of “Noise in the Middle” is mixed up, half baked ideas about mysticism, the supernatural, the afterlife and the toll that grief can have on us. It’s “The Shining” meets “The Babadook” without any of the heavy emotional weight or substance. The writers MCollum and Mark Conley throw so much in the air and none of it ever lands with considerable resonance.
“Unholy” stars horror veteran Adrienne Barbeau who does her best to cope with the material she’s given in this shlocky, dull ghost film. In one of the only gripping moments of the film, Barbeau’s character Martha arrives home for her daughter Hope’s birthday to find her in the basement preparing to commit suicide. Truly, Barbeau and co-star Siri Baruc sell this moment sans any dramatic pitch in the score. Subsequently, director Daryl Goldberg can never seem to break out of the vicious cycle of clichés, predictable plot twists, nor enough to provide material that will put the talents of its infinitely small cast to work.
I’ve always loved the William Castle ghost film and the remake of “Thirteen Ghosts” by Steve Beck. Back in 2001 when it was being panned, I appreciated its ambition, amazing special effects, and great narrative. Now, many years later, horror fans have finally caught up to what a great, radical re-imagining of William Castle’s ghost film is. It’s a hard rock, balls to the wall ride that compensates for the lack of ghost glasses with excellent special effects, and some fun gore and grue.
Director and Writer Sean Hogan’s “The Haunting of #24” is a film with a lot of potential that is never quite realized in to much of a film with any kind of substance or surprise. Director Hogan sets up so many plot devices, characters, and suspense that can be flourished into a horrifying ghost film. Alas, “The Haunting of #24” is just mediocre as all get out, and squanders most opportunities to rise to the occasion and spook us. It’s not a horrible movie, it’s just so utterly boring to sit through from beginning to end.
A young woman is interviewing for a job at a mortuary and part of her interview is for the mortician to tell her a series of creepy stories.
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“Dawn of the Living Dead” is such a blatant attempt to garner the Romero fan’s attention, especially with the tagline “In the tradition of “Night of the Living Dead…” If we’re splitting hairs here, pretty much all of these zombie movies that copy Romero are in the tradition of “Night of the Living Dead.” David Heavener’s “Dawn of the Living Dead” (or “Evil Grave: Curse of the Maya”) induced my optimism and I pleaded that perhaps this movie would be a so bad its good little independent foreign horror comedy. Instead it’s just a film that revels in tedium, padding, and glacial pacing.