As a Superman fanatic it’s been a tough road as I’m still getting over the stinks of “Smallville” and “Batman v Superman,” so when Syfy proposed its own Superman series that side stepped Superman altogether, I was very skeptical. Suffice to say, “Krypton: The Complete First Season” isn’t always a great show, but appreciated as its own attempt to ambitiously tackle the back drop of the Kryptonian Lore, it’s not a bad time spent. At ten episodes total for the first season, there are a lot worse things you can do as a Superman fan. Watching “Superman IV,” for instance. I digress.
One of most controversial and divisive story arcs of the nineties is brought to the small screen in an epic fashion, and DC and Warner manage to adapt the final half of the “Death of Superman” storyline for a broader audience. While nineties kids will love to see the whole mystery of the Four Supermen once again, DC works within the limitations of the characters they’re allowed to use, and re-imagines most of the storyline of the Reign of the Supermen, right down the primary antagonist working behind the scenes.
With the success of his iconic adaptation, “Batman: The Animated Series” behind him, creator Bruce Timm was asked by Warner Bros. in 1996 to produce a companion series to the darker crime drama. The natural jumping off point from Batman was, of course, Superman, the equally recognizable and ever immortal character from DC Comics. With “Batman: The Animated Series” ensuring the success of DC translating in to the animated medium, Superman was a welcome change of pace for the medium Timm had helped innovate for the decade. It was also a welcome reboot for Superman fans who wanted the Man of Steel brought in to the decade.
Adapting the entirety of the arc of the Death, Reign and Return of Superman was always a heavy ambition for DC and it’s a shame that they never quite get it just right when it comes to putting it on the small screen. I loved “The Death of Superman.” And while I thought “Reign of the Supermen” was a pretty damn good movie all in all, it suffers from a lot of the major flaws most DC animated movies do. It rushes through so much important exposition, and doesn’t give its four main characters enough screen time to warrant caring a lot about them, or even rooting for them for that matter. When all is said and done, “Reign of the Supermen” is a very good follow up to “The Death of Superman” with some great action set pieces, and wonderful animation.
I’ve come to terms with “Teen Titans Go!” and I’ve especially come to accept it thanks to the shockingly good feature film. If there was ever a time where the superhero movie genre was ripe for parody and satire it’s 2018, and “Teen Titans Go! to the Movies” manages to do it better than anyone else. For everyone that’s come before, attempting to mock the whole appeal of the sub-genre, “Teen Titans Go!” captures the whole appeal and absurdity of the superhero movie and the superhero mythology as a whole. It also manages to cater to the hardcore comic book buffs in the audience, inspiring some great laughs from obscure references.
I’ve pretty much gotten over my immense hatred for the watered down reboot of the “Teen Titans” animated series. It’s here to stay, and I’m over it. So I approached the new big screen adventure with an open mind and rock bottom expectations. All things considered “Teen Titans Go! To the Movies” is a mixed bag. Sometimes it hits with some sharp, slick superhero movie and Hollywood satire and truly engaging protagonists. Other times it feels like the writers are running out the clock with goofy filler and distracting musical numbers.
One of the most controversial and heavily disputed comic book events of all time is finally brought to the DC animation universe. It’ll probably also setting up potential movie go arounds for supporting characters within the “Superman: Doomsday” scope. I can imagine if the course is cleared, we could see some overdue attention paid to “Steel.” One can hope. In either case, “The Death of Superman” is pretty much a truncated version of the original mini-series, with a look at the massive event that brought DC to its knees and Superman to death.
Based on one of the most iconic and controversial miniseries of all time, “The Death of Superman” is a curious adaptation of the series that suffers from definite pitfalls but comes out in the end as a pretty damn good movie, overall. One of the very few DC animated movies not centered on Batman, “The Death of Superman” is much more centered on the original source material than 2007’s “Superman Doomsday,” and if the final scene is any indication, we’re looking at a pretty length depiction of the story arc from the comic books right down to the Super mullet.