After relentless caterwauling from fans for four years, director Zack Snyder is allowed to return to the DCEU once again to offer his original vision (or a very close facsimile) of what he had planned for the “Justice League” and the DCEU. While I don’t miss Snyder and his involvement with the DC movies (the man loves his slow motion), his “Justice League” is, shocking enough, an infinitely superior adaptation than the 2017 Joss Whedon lemon. I wouldn’t call it a masterpiece, but if pushed in to a corner, I’d happily rewatch the “Snyder Cut” again, with warts and all.
Superman’s legend is constantly being re-invented for a new generation and it’s always retrofitted for a new sensibility and new crowd of potential comic book buffs. Thankfully while DC has rebooted Superman a few times in their animated universe they’ve managed to stick to what makes the man and the myth so exciting and awe inspiring. Even in the rare misfires, Superman is almost always Superman and it’s great to see him return yet again in this re-invention of the character’s lore.
Like most elseworlds tales involving Superman and most DC superheroes, “Red Son” examines what the world would look like with a small alteration in mythology. And it’s also a look in to what would happen if Superman was on a different side of history. It’s a history in the controversial albeit acclaimed graphic novel where America loses the Cold War, Russia is the dominant force and Superman is a being whose own personal hell was paved with good intentions. The problem is that with “Red Son,” we’ve basically seen it all before.
This year Warner Bros and DC Entertainment has unleashed a flurry of their banner television shows which should help ease the boredom of folks still in quarantine. With a lot of what’s been released, there are long awaited releases, and of course big releases of some of the biggest events of the year. COVID may have ground everything to a halt, but DC is still delivering on animated movies and season sets.
BOOTLEG FILES 743: “Legend of Superman – Covid Response” (2020 fan film by Frank Palangi).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: A fan film based on copyright-protected characters.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely at this time.
Fan films occupy a curious place in the movie universe. Clearly, these films are the ultimate in bootlegging because they borrow copyright-protected characters and put them into new films made without the blessings of their creators. On the other hand, they offer an affirmation of the popularity of the franchises being pilfered. For the most part, the makers of these films are rarely harassed by the lawyers representing the companies whose intellectual property is being used without permission.
The 90’s had some of my favorite animated movies and TV series of all time, and suffice to say it also had some bang up villains. I thought it’d be great to list five of the scariest villains of the 90’s that tormented heroes on TV and in the movies.
What were some of your favorites?
With the Umbrella Academy making waves on Netflix and Marvel getting the ball rolling on “X-Men,” DC and Warner get a jump on the formula with their adaptations of “Doom Patrol.” Although the series is now widely acclaimed and mostly celebrated by comic book fans alike, “Doom Patrol” brings with it a huge legacy. It’s widely and arguably considered the precursor to Marvel’s “X-Men” and many fans argue that Marvel outright stole the premise from right under DC Comics. The elements are all mostly the same right down to a massive mansion housing these various super beings.
Unless you’re in the Berlanti-verse, DC and Warner doesn’t seem to know what the heck they’re doing with their properties on TV these days. After a surge in TV shows based on their IP’s, they suddenly were all wiped off the air and left for future discussions on what could have been, by comic book geeks all over the world. It’s a shame because, since while all of DC and Warner’s TV series don’t re-invent the wheel, they’re at least bold enough to try something new and unique. Your mileage will vary when it comes to “Krypton” and “Swamp Thing” Blu-Ray releases, but you have to give them credit for at least thinking outside the box.