“Supergirl” never really fit in on CBS, since the channel has almost always avoided genre fare since its renaissance in the early aughts. “Supergirl” finally found a great home at the CW network, avoiding being cancelled, and gets a chance to bloom and fit in with her fellow superheroes at the channel. For the second outing of the “Supergirl” series, the writers and producers are so much more devoted to bringing in new viewers. Not only did the network give a whole season marathon over the course of the summer before its debut, but season two finally introduces this iteration of Superman.
The series “Supergirl” is in a tricky dilemma from episode one. It’s been created by a network like CBS in America that doesn’t quite understand it. CBS has never really embraced the superhero boom of the aughts, and “Supergirl” pretty much was walking on egg shells from episode one. It’s a good bit of fortune it’s been ported over to the CW where it can live and breathe among other superhero fare like “The Flash” and “Arrow.” After swearing off Supergirl for many years, I decided to be a good little super fan boy and check out “Supergirl” and I’m glad that I did. It’s a pretty remarkable and loyal adaptation of the DC Comics character that is so much more Superman than Superman has been in the last sixteen years.
I admit as a former hater of the character that I’ve taken a real shine to “Supergirl” over the course of its first season, and that’s mainly due to Melissa Benoist. She’s the embodiment of Supergirl, from the girl next door appeal, the charisma, the glowing personality, and the sense of heroism. Let’s face it, Benoist is the definitive Supergirl; boy, she is such a doll. After being doused with red kryptonite, Supergirl underwent a transformation that involved alienating everyone and back stabbing certain people in her job. This also involves getting co-worker Siobhan fired. Anxious for revenge, her secret power is revealed after nearly dying and she discovers by her aunt that she is a part of a curse involving banshees.
From the best and worst from the Superman mythos, I mull over all of The Man of Steel’s cinematic offerings including his DC Universe Animated films, and beyond. Superman has the distinction of being one of the very first superhero movies that became a blockbuster showing critics and skeptics alike that a superhero movie can depict the lore of its character with an adult tone and dramatic tension. With a fine director like Richard Donner at the helm, and a cast like Marlon Brandon, Gene Hackman, Margot Kidder, and Christopher Reeve, “Superman: The Movie” was the start of something big, and also showed what could happen when a studio lost sight of its goals for franchise success. Beyond the live action films there were also the mixed animated efforts that were hit or miss for most fans, but still gave us the man of steel in all of his glory. With “All Star Superman” on the way, we hope for big things and yet another fantastic depiction of the Last Son of Krypton.
For what it’s worth Lauren Montgomery really does manage to compose some magnificent fight sequences, one of which involve Big Barda and Wonder Woman on Apokalips fighting his female warriors. While the finale is meant to be nothing more than a throwdown between strong women, it’s definitely a nice touch to a lackluster film that is often exciting and memorable to watch, especially with the sleek animation style. Summer Glau is always good, and as Supergirl she provides her trademark meek voice that’s undermined by a strong sense of independence and wonder that keeps her as a strong portrayer of the Supergirl character.