Rian Johnson has created what is easily one of the most complete and well developed “Star Wars” cinematic installments since “Empire.” While it does have the occasional pitfall (Porgs), “The Last Jedi” is a masterstroke for the series so far. Johnson manages to skillfully build on this new universe while also answering a lot of the pressing questions that the fans had for “The Force Awakens.” This is the second film to usher in the new generation and ease out the originals, turning this in to a war where the underdogs are still the rebels and they’re filled with reverence for folks like Luke Skywalker and Leia Organa. Johnson focuses primarily on the “How,” and “Why” questions from “The Force Awakens,” allowing fans closure on a lot of the nagging questions that left them excited and or baffled.
We all know well and good about the turbulent and peaceful relationship between the Jedi and his padawan, but how often do we get to see the relationship between Siths and their apprentices? “Dark Legacy” explores the typically twisted and weird relationship between the Sith and their apprentices and how it can be emotionally draining and quite violent. The training revolves more about brainwashing and the Stockholm syndrome and director Anthony Pietromonaco delves in to the demented dynamic and how it makes or breaks the apprentice.
With only one movie under its belt in the series, and little resources, Ernie Fosselius’s “Hardware Wars” is a solid fan film for “Star Wars” and the first ever made. Fosselius doesn’t try to make a movie so much as a mock movie trailer that runs down the events of the first film with humorous results. It’s filled with literally nothing but satire about the original movie, even skirting copyrights by altering everything enough to avoid legal trouble.
It makes me laugh quite a lot that modern Hollywood are planning to spoof “Star Wars” when Mel Brooks pretty much supplied the definitive “Star Wars” spoof thirty years ago. You can argue maybe there’s more to offer, but no, Mel Brooks did it first and best. He mocked the characters, he mocked the plot holes, and he even mocked the rampant consumerism that George Lucas partook in when “Star Wars” became a cash cow. “Spaceballs” involves the evil President Skroob kidnaps Vespa during an arranged marriage, in an effort to steal planet Druidia’s fresh air. The evil Lord Dark Helmet is assigned to complete the task of sucking Druidia’s air, and hires Lonestarr and his pal “Barft” (The mog, a half man and half dog) to find Princess Vespa when she escapes the arranged marriage.
Julian Palmer’s “Life Outside the Frame” has a lot of potential to be a darkly satirical web series about some of the more insignificant characters affected during some of the more major movie and TV series of all time. Touching on one of the more entertaining minutiae of “Star Wars,” Palmer decides to focus on one of the last remaining storm troopers. After the Empire fell, and the rebels won, a lot of the characters began leading normal lives.
This is the story of Ko Hoshino, a skilled blind Jedi Master who learned the hard way that patience and wisdom can mean life or death when you’re training to battle the dark side. Stephen Vitale’s fan film “Hoshino” is a visually fantastic tale about the coming of age of a brilliant Jedi warrior, and writer Eric Carrasco delivers a tale that’s steeped in simplicity like classic “Star Wars.” Jedi master Ho Koshino is learning to build her own light saber and thinks back to her tragic origins. Continue reading →
We don’t often think about every character standing outside of the big stories in major fantasy or science fiction, because we assume it’s just not interesting. Director Thomas R. Wood delivers a short but very unique tale of two working joes that are spending their days just doing their job. They are in the middle of the desert and unbeknownst to them there is a massive war taking place around them.