I didn’t discover “The Last Starfighter” until I was thirteen years old. It was 1996, and I was looking for any and all movies that peaked my interest, and “The Last Starfighter” seemed like a good time to me. For some reason “The Last Starfighter” managed to skate right by me when I was a kid, and I watched every movie. I watched everything from “Willow” and “Legend” right down to “Warriors of Virtue,” but I never actually knew there was such a thing as “The Last Starfighter.”
The problem with prequels is that you already know what you’re getting, because you already know what’s going to happen to certain characters within the canon, so, “Solo” doesn’t pack much surprises. I will say though for arguably safe genre entertainment, it’s exciting and also delivers some well timed twists within its narrative. After the much ballyhooed problems during the making of the film, “Solo” ends up being a surprisingly competent popcorn movie that keeps a brisk pace, and channels the original tone of the episodes IV-VI better than the previous prequels/mid-quels (?).
BOOTLEG FILES 622: “The Lost Starfighter” (2017 “Star Wars” fan film).
LAST SEEN: It is on YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: Not unlike all fan films, it is based on an unauthorized use of copyright protected material.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Maybe in a galaxy far, far away, but not in this one.
I have not seen the latest installment in the “Star Wars” saga, nor do I have any plans to watch it. For that matter, I have no plans to see any more films released under the “Star Wars” banner.
Rian Johnson has created what is easily one of the most complete and well developed “Star Wars” cinematic installments since “Empire.” While it does have the occasional pitfall (Porgs), “The Last Jedi” is a masterstroke for the series so far. Johnson manages to skillfully build on this new universe while also answering a lot of the pressing questions that the fans had for “The Force Awakens.” This is the second film to usher in the new generation and ease out the originals, turning this in to a war where the underdogs are still the rebels and they’re filled with reverence for folks like Luke Skywalker and Leia Organa. Johnson focuses primarily on the “How,” and “Why” questions from “The Force Awakens,” allowing fans closure on a lot of the nagging questions that left them excited and or baffled.
We all know well and good about the turbulent and peaceful relationship between the Jedi and his padawan, but how often do we get to see the relationship between Siths and their apprentices? “Dark Legacy” explores the typically twisted and weird relationship between the Sith and their apprentices and how it can be emotionally draining and quite violent. The training revolves more about brainwashing and the Stockholm syndrome and director Anthony Pietromonaco delves in to the demented dynamic and how it makes or breaks the apprentice.
With only one movie under its belt in the series, and little resources, Ernie Fosselius’s “Hardware Wars” is a solid fan film for “Star Wars” and the first ever made. Fosselius doesn’t try to make a movie so much as a mock movie trailer that runs down the events of the first film with humorous results. It’s filled with literally nothing but satire about the original movie, even skirting copyrights by altering everything enough to avoid legal trouble.
It makes me laugh quite a lot that modern Hollywood are planning to spoof “Star Wars” when Mel Brooks pretty much supplied the definitive “Star Wars” spoof thirty years ago. You can argue maybe there’s more to offer, but no, Mel Brooks did it first and best. He mocked the characters, he mocked the plot holes, and he even mocked the rampant consumerism that George Lucas partook in when “Star Wars” became a cash cow. “Spaceballs” involves the evil President Skroob kidnaps Vespa during an arranged marriage, in an effort to steal planet Druidia’s fresh air. The evil Lord Dark Helmet is assigned to complete the task of sucking Druidia’s air, and hires Lonestarr and his pal “Barft” (The mog, a half man and half dog) to find Princess Vespa when she escapes the arranged marriage.