I’ve come to terms with “Teen Titans Go!” and I’ve especially come to accept it thanks to the shockingly good feature film. If there was ever a time where the superhero movie genre was ripe for parody and satire it’s 2018, and “Teen Titans Go! to the Movies” manages to do it better than anyone else. For everyone that’s come before, attempting to mock the whole appeal of the sub-genre, “Teen Titans Go!” captures the whole appeal and absurdity of the superhero movie and the superhero mythology as a whole. It also manages to cater to the hardcore comic book buffs in the audience, inspiring some great laughs from obscure references.
I’ve pretty much gotten over my immense hatred for the watered down reboot of the “Teen Titans” animated series. It’s here to stay, and I’m over it. So I approached the new big screen adventure with an open mind and rock bottom expectations. All things considered “Teen Titans Go! To the Movies” is a mixed bag. Sometimes it hits with some sharp, slick superhero movie and Hollywood satire and truly engaging protagonists. Other times it feels like the writers are running out the clock with goofy filler and distracting musical numbers.
Movies like “Attack of the Killer Tomatoes” are virtually bullet proof from criticism. You either go in the movie prepared for the silly, or you can’t quite match the film’s frequency. “Attack of the Killer tomatoes” is one of the earliest known satires of “The Birds” where it’s about the inexplicable sentience and attack of deadly fruit on a small town rather than pecking deadly birds from the sky. And that’s about where it ends there. You figure with the preamble about “The Birds” and how this movie is basically the same thing but with tomatoes, we’d have a full fledged spoof of the Hitchcock movie.
After the shocking success of “Deadpool,” it didn’t seem very likely that Ryan Reynolds and FOX would be able to follow up the first act in Wade Wilson’s arc. Lo and behold years later, “Deadpool 2” not only serves as a great second act of the Merc with a Mouth’s misadventures, but it’s just as good as the original. What I liked most about it though is that “Deadpool 2” further bridges the gap between Wade’s universe and his X-Men origins, proving that ironically these films understand the “X-Men” mythology so much more than any of the actual X-Men films combined.
All I know is that it is something of a cult film and simultaneous antidotal piece of good old fashioned schlock in a decade that took movies very seriously. Even horror was somewhat stern for a long time until Wes Craven injected some humor in to it. “Freaked” feels like something out of 1987 that crept in to 1993 and it still rings as truly one of the more fascinating cult films I’ve ever seen. My memory with “Freaked” goes back to 1994 when my dad rented a copy for me. Little did he know what the hell we were in for, as “Freaked” teeters between completely surreal black comedy and an acid dream splashed on to film.
On her 140th birthday, young Karmina flees her native Transylvania when faced with being promised to the horrible Vlad. As she arrives in Montreal, she has difficulty adapting to the local customs and ways of life.
If you’re a fan of rampaging monster/sci-fi movie tributes like “The Lost Skeleton of Cadavra,” or “Stomp! Shout! Scream!” then you’ll definitely love what David Cornelius has cooked up for film lovers. “Inhumanwich!” is a fun and sharp black and white send up of classic sixties monster movies that embraces its low budget working around the limited scenery and small cast to deliver one really fun and funny seventy five minute film. David Cornelius who wrote and directed the film obviously has a keen knowledge of the space exploration horror films, as he conjures up films like “The Blob,” “Robot Monster,” and “The Creeping Terror” for some really good material.
With only one movie under its belt in the series, and little resources, Ernie Fosselius’s “Hardware Wars” is a solid fan film for “Star Wars” and the first ever made. Fosselius doesn’t try to make a movie so much as a mock movie trailer that runs down the events of the first film with humorous results. It’s filled with literally nothing but satire about the original movie, even skirting copyrights by altering everything enough to avoid legal trouble.