It’s amazing what kind of feat the Russo Brothers have pulled off. Not only do they offer up a pseudo-sequel to the continuing saga of “The Avengers” but they also manage to squeeze in a superhero epic, and revenge saga that stretches out over the Marvel Cinematic Universe without ever missing a single beat. “Captain America: Civil War” finally brings the Marvel Universe full circle creating something of a wider scope now that Marvel has been able to acquire and introduce superheroes and characters that were long thought to be incapable of appearing. In just a two and a half hour movie, we’re able to watch a full fledged tale of friendship unfold in the face of a revenge plot, while being given marvelous and overdue introductions to iconic Avenger The Black Panther, and Marvel’s long awaited iteration of their iconic superhero Spider-Man.
It’s apropos of Marvel to finally bring in Spider-Man to “Civil War.” Because while it is essential that he be introduced to a brilliant cinematic universe, he is representative of the underlying message behind “Civil War.” With great power comes great responsibility. After spending so many years doing battle with aliens and super powered foes, the Avengers are finally taking a toll on the world, and the government from all sides of the globe is angry at their inherent recklessness.
Every fanboy and fangirl on the internet are buzzing about Batman fighting Superman and will soon be bickering about Team Captain America fighting Team Iron Man in “Civil War.” Personally, I love and hate it. I love it because it proves that these characters are still very important and relevant and I hate it because some people are taking the debate too far. Seriously, stop harassing people simply because they share a different opinion. No one deserves to die simply because they really disliked a movie about an alien fighting a man dressed as a bat. I’ve been a Superman fanatic since I was eight, and I’m not about to send Zack Snyder a letter bomb for treating Superman poorly. The mainstream still thinks we’re all angry virgin boys hiding in our parents’ dark basements, and wanking off to “Star Trek” erotica.
Don’t perpetuate the stereotype, please. Remember: It’s all bullshit and it’s bad for you.
If you’re like me, you saw the second trailer to “Captain America: Civil War” and you were very shocked and incredibly excited to see Spider-Man appear before the clashing of titans to give us a trademark quip before stealing Captain America’s shield. It’s only a three second clip, but it says a lot about what Marvel is planning to do with the character, and how it promises to be every way superior to Sony’s previous cinematic efforts. The Marvel Cinematic Universe almost feels complete. Now if someone can twist the arm of FOX with “Fantastic Four”… I digress. In either case, the welcome presence of Spidey had me thinking about his animated presence on television and how some studios have gotten him all wrong, while others have gotten him just right. Here are the animated versions of Spider-Man ranked from the absolute worst to the absolute best.
What is your ranking for your Friendly Neighborhood Wallcrawler?
Sony seems to be following the plan of Christopher Nolan’s “Batman” movie series, with “Amazing Spider-Man 2” being “The Dark Knight” of the series. Except Sony doesn’t seem to have a clear end in sight for their own flagship franchise. Which may or may not be a good thing. If they keep up the momentum that “The Amazing Spider-Man 2” does, we might be in store for a very complete reboot with a clear cut satisfying evolution of its titular hero. The writers and producers focus very heavily on correcting former director Sam Raimi’s mistakes, and they have pulled it off well. Granted this follow up to the 2012 reboot isn’t perfect, but it’s better than its Raimi predecessor.
Disney and Marvel presents “Hulk and the Agents of Merchandising Possibilities”! Demonstrating the same business model as their rivals at the Cartoon Network, Disney and Marvel’s fusion has guaranteed all the former Marvel shows scrapped in favor of more juvenile and louder action shows. ‘”Earth’s Mightiest Heroes” was taken off in favor of the less complex and more action friendly “Avengers Assemble,” and now Marvel has given Hulk his own vehicle.
While deep down Sony engineered a reboot of “Spider-Man” in an effort to secure the rights, “The Amazing Spider-Man” uses the opportunity to correct the mistakes made by previous franchise runner Sam Raimi. Where Raimi opted for camp and schlock with his installments, “The Amazing Spider-Man” launches a more dramatic approach. Where Raimi opted for the traditional Spider-Man, Marc Webb constructs a more radical re-thinking of the Spider-Man mythos. And unlike Raimi, director Marc Webb opts to side step the camp flavor as much as humanly possible. This reboot is much more true to the Spider-Man we all know and love, and thankfully it’s a superior film that promises to age better than Sam Raimi’s films.
“Ultimate Spider-Man” the comic, from what I remember, was an edgy, sleek and rather dramatic reboot of the entire Spider-Man universe. And odds are if you’re used to angsty stern Peter Parker from Sam Raimi’s films and the newest cinematic outing with Andrew Garfield, “Ultimate Spider-Man” the TV series might take some getting used to. In fact, “Ultimate Spider-Man” completely side steps most of the angst, drama, and melancholy that comes with the territory of Spider-Man’s world, and grabs a hold of the comedy by the throat and dives in head first.