10/31 (2017)

Now with the easy accessibility of filmmaking technology and more filmmakers stepping forward, we’re getting more horror movies based around Halloween than ever. I’m just fine with that as Halloween was always a very under tapped mood back drop for such a long time in the horror genre. “10/31” is tailor made for Halloween and horror buffs looking for a good time with assorted tales of terror and black comedy. While it isn’t perfect, it’s a damn good treat nonetheless that I can’t wait to put alongside gems like “Tales of Halloween,” 2013’s “Mischief Night,” and “Trick r Treat.”

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Five Great Horror Movie Sidekicks

Horror Movie Sidekicks can be some of the best aspects of a horror movie. Sometimes the can be the last thread of redemption for our hero, sometimes they help the final girl see the end, sometimes they can cause a big realization, and sometimes they can simply sacrifice themselves to help our hero or heroine battle the villain. On rare occasions they can even be more memorable than the heroes. In the end, a good side kick is everything, and these are five particularly good ones.

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Shorts Round Up of the Week: Halloween Horror Month Edition

It’s the Halloween Horror Month Edition of “Shorts Round Up” as I review some of the short films that have hit our inbox from some of the most interesting up and coming filmmakers in cinema. These are five horror short films that you should be on the look out when they premiere in festivals or online very soon.

If you’d like to submit your short film for review consideration, submissions are always opened.  Continue reading

Halloween (2018)

It’s been a very long time since Michael Myers was such an imposing or scary horror figure. After many years where he became a reality star getting his ass handed to him by a hip hop star, and being turned in to a hillbilly, it’s good to see Michael Myers once again return to the form he arrived in as “The Shape.” Directed by David Gordon Green, “Halloween” (or “H40,” if you want to get very technical) won’t be for everyone, as it is a mixed bag that makes a controversial decision with its narrative and the mythos. In the end, though, I had a great time, and would recommend it, especially for the horror base looking for a good return to the universe Carpenter specifically established.

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Victor Crowley (2018)

I’ve never been a fan of the “Hatchet” series, this I must admit. I think Adam Green is a much better horror fan than horror director, and I think his friend Joe Lynch has mastered the art of genre filmmaking, while Adam Green still tends to direct like a film student still learning the ropes. That said I enjoyed “Victor Crowley” so much more than the previous three films in the series. I would not watch it again unless I was painfully bored, but as a sequel/reboot, I laughed, I groaned, and for once I enjoyed Green bringing his friends aboard to indulge in some good blood shed.

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Bad Apples (2018)

Truthfully, “Bad Apples” isn’t a terrible movie even when you consider it’s a shameless rip off of “The Strangers.” It just obviously has a paper thin premise and not much else to do but pad the time. The movie is ninety minutes long and for twenty of those minutes it feels like a relationship drama set on Halloween starring Brea Grant and Graham Skipper as married couple Ella and Robert. She’s trying to adjust to her new house, he’s working his new job, and she’s trying to teach at a school run by an overly religious principal, oh the hilarity. Then it decides to dip in to the horror–eventually.

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ATM (2012)

There are two kinds of survival thrillers I place in separate categories. There’s the “They’re completely fucked” films like “Open Water” and “Alive” where their situation is hopeless. Then there’s the “Calm Down and You Might Survive” category with titles like “Frozen” and “47 Meters Down” where if people just relaxed and displayed some kind of common sense, they could make it. “ATM” is in the latter category where if these three moronic characters would just stop and think for a moment, they could have actually made it through the poor man’s Jigsaw without many battle wounds.

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