I think one of the many reasons why “Silent Night, Deadly Night” has remained a cult classic is because it’s anything but a simple slasher film. While many movies in the eighties were content with maybe just a movie about a hacking and slashing Santa, “Silent Night, Deadly Night” is memorable for being so insane. It’s a wacky, weird, mean spirited and demented horror movie with hints of dark comedy sprinkled in. The tonal inconsistencies and almost rapid fire highs and lows of the narrative make it such a horror oddity that you can’t help but love it. There are just about five movies in one, and all of them are pretty entertaining in their own right.
Hell, Linnea Quigley even appears for a moment because—the eighties…?!
One of the highly anticipated releases of 2017, Synapse Films unleashed the new print of the rare horror comedy “Popcorn” for fans with a limited edition release. Months later, they allow fans another chance with a regular Blu-Ray and DVD editions of “Popcorn” with the same deluxe special features and treatment but none of the collector flavor. “Popcorn” is one of those horror comedies that deserve to be consumed by horror movie fans of all kinds, as it’s one of the cleverer meta-horror movies that satirized indie horror, while also delivering its own interesting slasher tale.
I givedirector and writer Paul Etheredge-Ouzts a lot of credit for creating a traditional slasher film with a lot of the conventionsturned around for an all gaycast. Every singlecharacter in the movieisgay, right down to the psychotic maskedkiller. Ironically, “Hellbent” doesfall in to the traps of conventional slasher films, with peoplewillingly walking in to danger, and a slasher whose originsiscompletely unexplained. I was disappointed in the latter, as I wasexpecting a bigtwist, or at least a link to protagonist Eddie’s past as an aspiring policeofficer.
This is the story of Leatherface. Again. No, “The Beginning” was not his origin, “Leatherface” is. I’m not sure what “The Beginning” was supposed to be. “Leatherface” is the official prequel to the iconic movie maniac, they promise. And once again, like “The Beginning,” 2017’s “Leatherface” is really just a tired, nasty, unpleasant road film following a group of psychopaths. Leatherface’s actual origin is reserved for the final ten minutes where he just reverts to Leatherface mode because—um—it’s familiar! Familiar is good, right? Once again, no one seems to be interested in actually dissecting the madness of Leatherface, or why and how his persona of wearing human skin and carrying a chainsaw relates to him. In the original Tobe Hooper masterpiece,
I think that there is a very good movie hiding beneath the nonsense and absurdity that is Craig Anderson’s “Red Christmas.” I want to say that I appreciated it’s willingness to just certain taboos, but in the end I could never figure out if the film was an indictment on the pro choice movement, an indictment of the pro life movement, or maybe just an altogether mushy mélange of nonsense meant to dismiss both sides of the argument. I didn’t know and I really couldn’t care less, because “Red Christmas” has some very strong performances backing it up. It’s just sad that it’s a mean spirited, ugly, tedious, and altogether tonally confused home invasion horror film.
One thing I will say about “Bonejangles” is that it has a lot of enthusiasm. It has so much enthusiasm, in fact, that every bit of coherence is thrown out of the window in favor of a horror mish mash that makes no sense, is unfunny, not scary, and feels like it was put together by someone who had a lot of ideas, all of which were not enough for one feature length movie. It’s a shame too since Bonejangles is a cool slasher villain with a lot of potential, he’s just bogged down in to a movie that is without a doubt a humongous waste of time. I’m not against nonsense, but “Bonejangles” is directionless, random nonsense that felt sloppily composed from minute one.
I dare say that not only is “Never Hike Alone” one of the best fan films ever made, but it’s easily the best “Friday the 13th” fan film ever made. A mixture of “127 Hours” and “Friday the 13th,” director and writer Vincente DiSanti provides a riveting small scale sequel to “Friday the 13th” where he offers up a brand new twist to the conventional tale featuring Jason Voorhees. It’s a shame we might never get an actual sequel to the series because with a small bit of polish, and twenty extra minutes of extrapolation on our main character, “Never Hike Alone” could pass in theaters as the sequel to the series that we’ve always wanted. I’d say it surely is the sequel that I’ve always wanted, as it focuses less on cannon fodder and T&A and spends a lot more time on build up and suspense.
A group of young, sexy nurses seemingly living where they work are haunted and attacked by someone from their past.
In this film that seems to be a Thai take on the Jurei ghost story type, directors Piraphan Laoyont and Thodsapol Siriwiwat take a sub-genre, the vengeful ghost, and go to a point of insanity that is quite enjoyable. The film does not create much in terms of new aspects for the sub-genre, but it has some truly inspired moments, some really creepy sequences, and kills that are original and sometimes insane. The way they use each nurse’s obsession against her works quite well which helps the film feel fresh in its kills. The characters they create here are not particularly original or deep, they are fairly ditzy nurses completely obsessed with themselves and their love interest. The characters are even annoying at times, something that hinders any kind of sympathy that might be needed to truly care about their deaths. However, the way they die is entertaining and this helps a ton with a film of this sub-genre.