It’s Black History Month and we’re hoping to kick off a month of great articles and reviews celebrating Black culture in film, and pop culture. To help usher in the month, here is yet another installment of the “Minority Movie Heroes” series. As I’ve explained in the past, it’s hard to find actual heroes in film that are people of color whether African American, Latinx, Asian, et al. So, as with all the previous entries I scoured film as much as I could to feature five more minority movie heroes that deserve celebrating.
Blumhouse has found a little niche market in taking classic comedies and turning them in to bonafide horror movies. After “Happy Death Day 2 U,” they take the creaky Disney classic “Freaky Friday” and add a slasher twist to it. Shockingly, it works more times than it doesn’t. Christopher Landon doesn’t just embrace the classic narrative, but he tops it off with a gory slasher movie, and even injects so many LGBTQ overtones that it wouldn’t surprise me if it picked up steam as a LGTBQ classic very soon.
Tom may just lose his mind and end up becoming a serial killer if another of his wives cheats on him. How do we know that? Well, Tim Ritter in his brilliant writing explains that to us in an ever so blunt exposition that Tom may just–lose his mind and end up becoming a serial killer if another of his wives cheats on him. Why the repetition? It’s probably because director Tim Ritter’s attempt at a facsimile of a film is absolutely unwatchable.
Scott Beck and Bryan Woods’ horror film is like one big Halloween treat that comes at just the right time. It’s a novelty, it’s occasionally silly, but it’s also extra creepy in that it takes much of its menace from the inherent dangers of Halloween that lurk in every corner of the holiday. “Haunt” isn’t particularly original, but when you get down to the meat and potatoes, it’s surely a lot of fun and garners shockingly empathetic protagonists, all of whom are never let off the hook from the moment they enter the danger of this enigmatic haunt.
Scott Glosserman’s horror masterpiece is a beautiful examination of the slasher sub-genre and its once simplistic genre elements takes a story, and provides a whole new twist to the axe wielding maniac. In the process, it presents us with dark humor that’s actually funny, great performances, and debuts from actors you’ll want to see more often after this. The humor in “Behind the Mask” is never smug of self-aware, and the movie never once breaks the fourth wall by making audiences aware that yes, they are watching a slasher film. Director Scott Glosserman breaks down the elements of the sub-genre forcing audiences to take a second look at the whole concept of the slasher film and the axe wielding maniac.
I guess you could classify “Scare Package” as a horror movie, and yes even a horror comedy. But if my arm were twisted I’d be more comfortable just classifying it as a comedy. “Scare Package” is that movie that has a great time breaking down horror tropes and satirizing the clichés we’ve seen in various horror movies, but never actually includes any kind of scary content. Every single segment in this anthology is played with a tongue in cheek, and it’s a shame since a movie with this concept has a chance to re-imagine horror tropes.
With the fate of the movie series still up in the air, the likelihood of “Friday the 13th” fans getting a new film within the next three years seems like pipe dreams. The fan community has managed to keep the franchise alive, though, including Vincente DiSanti. After his incredibly popular 2017 fan film “Never Hike Alone,” DiSanti continues his take on the series, this time giving fans what we’ve been asking for, since “The New Blood”: Jason Voorhees slashing his way through the snowy terrain of Crystal Lake.
There’s some supernatural element in “Friday the 13th” that doesn’t fully reveal itself until “Jason Lives.” Before that, Jason was more of a mortal superhuman capable of being killed and he is presumably stopped in “The Final Chapter.” In Danny Steinmann’s “A New Beginning,” Jason is definitely dead and Tommy has difficulty moving on as he’s haunted by Jason’s image time and time again. Since the fifth film apparently still takes place in the town of Crystal Lake, Tommy is still facing the trauma of battling Jason, even though it’s established he’s buried.