Undatement Center (2017)

The younger generation has a lot to say about the modern atmosphere of dating and the digital age. “Undatement Center” is the newest short from writer and director Chris Esper, who concocts an interesting concept about a company that treats dating like job training and interviews. After a long dry spell, Jack decides to visit the Undatement Center and try his hand was looking for a new girlfriend.

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The Twisted Doll (2017)

Ultimately I am a big fan of the revenge picture, but “The Twisted Doll” is the victim of too much story and not enough run time. “The Twisted Doll” by director Andrew de Burgh feels like he had an initially larger scope story in hand and kind of reduced it for a nine minute movie. I wouldn’t say “The Twisted Doll” is a bad movie, as it’s a solidly written picture with some good performances, I just wished I knew more about the characters to understand their motivations.

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A Selection of the Shorts from Stranger With My Face 2017 [Stranger With My Face International Film Festival 2017]

Stanger With My Face International Film Festival is a festival that concentrates on female-make film, with a definite penchant to horror and life explorations.  Each edition brings current films and issues as well as older films and a bunch of shorts to their audience while also pushing them to think about some of the issues women face in life as well as in moviemaking.

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The Bootleg Files: The Gay Nighties

BOOTLEG FILES 588: “The Gay Nighties” (1933 short starring the comedy team of Bobby Clark and Paul McCullough plus James Finlayson).

LAST SEEN: It is on YouTube.

AMERICAN HOME VIDEO: In a public domain label collection of the team’s films.

REASON FOR BOOTLEG STATUS: A lapsed copyright.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE:
No one is going to restore this orphaned gem.

Unless you are a near-rabid devotee to old-time comedy, you are probably unfamiliar with the team of Bobby Clark and Paul McCullough. They began their careers as circus acrobats before working their way through vaudeville and burlesque until they reached stardom on the New York and London stages during the 1920s. When sound came to movies, Clark and McCullough were recruited by Hollywood to star in a series of two-reelers, first under Fox and then under RKO.

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Star Wars: Hoshino (2016)

This is the story of Ko Hoshino, a skilled blind Jedi Master who learned the hard way that patience and wisdom can mean life or death when you’re training to battle the dark side. Stephen Vitale’s fan film “Hoshino” is a visually fantastic tale about the coming of age of a brilliant Jedi warrior, and writer Eric Carrasco delivers a tale that’s steeped in simplicity like classic “Star Wars.” Jedi master Ho Koshino is learning to build her own light saber and thinks back to her tragic origins. Continue reading

Outer Rim – (A Star Wars Fanfilm For The Rest of the Empire) (2017)

We don’t often think about every character standing outside of the big stories in major fantasy or science fiction, because we assume it’s just not interesting. Director Thomas R. Wood delivers a short but very unique tale of two working joes that are spending their days just doing their job. They are in the middle of the desert and unbeknownst to them there is a massive war taking place around them.

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Star Wars: The Force and the Fury (2017)

Despite what Disney and Lucasfilm have been doing lately with the “Star Wars” cinematic universe and promising “Star Wars” films until the foreseeable future, that doesn’t stop fans from contributing their own stories. “The Force and the Fury” is a great and simple short fan film that is beautifully directed and works on the fundamentals of “Star Wars”: The narrative is simple, straight to the point, and about family and how the Sith and Jedi affect those within its realm.

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Vision Room (2017)

It feels like Director Phillip Stainsby has a large premise ahead of him that’s just way too big for a twenty minute movie. “Vision Room” has a short time to unfold its story and a large narrative that only has so much space to breathe. Thus what we’re left with is a movie that’s mostly captions and subtitles that establish the mythos, the concept, and the world, and only visits the actual characters sporadically. The movie feels almost like nothing but captions most of the time, and I wanted to see so much more characters doing things and moving the film forward rather than having director Stainsby explain everything to us.

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