Not since “The Witch’s Ghost” has there been a “Scooby Doo” adventure so deeply rooted in Halloween that it qualifies as automatic viewing for the holiday. While it is a change in pace for the Mystery Inc. crew, it’s a fun adventure in to the magic and supernatural element, along with some pretty stellar animation, and a pretty awesome surprise ending that I admittedly didn’t see coming.
As a Hanna Barbera geek, I have to say “Mask of the Blue Falcon” hit all the right notes. I didn’t just have a good time with the surprisingly clever vehicle for the Mystery Inc. crew, but I also had so much fun pointing out all of the Easter Eggs. And yes, every single Easter Egg within “Mask of the Blue Falcon” is a reference to a Hanna Barbera cartoon from the sixties and seventies. I’m just disappointed we didn’t see anything referencing “Butch Cassidy and the Sundance Kids.” What? It’s an obscenely underrated Scooby Doo wannabe, darnit!
For the uninitiated when Scooby Doo was attempting a new formula, they turned “Scooby Doo” in to a series of movies where they solved crimes with big celebrities like Dick Van Dyke and Sonny and Cher. Among the most popular crossovers was Batman and Robin. For years Batman and Robin were the most consistent allies of Mystery, Inc. getting in to all kinds of scrape ups with them, and battling people like Joker and the Penguin. They just seemed to click. “The Brave and the Bold” continues the long tradition by teaming them together by pairing the modern iteration of Scooby Doo with the family friendly animated “Batman: Brave and Bold” and it works.
If you’re one of the many KISS fans that have always wondered what a sequel to “KISS Meets the Phantom of the Park” would look like, look no further. “Scooby Doo Meets KISS” should be more aptly titled “KISS Meets the Crimson Witch featuring Scooby Doo.” In all honesty, while this is primarily a cartoon for the Scooby Doo franchise, the majority of the film is based around KISS and their magical presences. Even the opening sequence is comprised of wonderful animated KISS montages with “Rock and Roll All Night” playing rather than the Scooby Doo theme song.
Only many, many years later did Hanna Barbera begin presenting the Mystery Machine gang with actual supernatural threats once their audience matured. But even when facing actual zombies, and demons they were never really in actual danger. Director Spencer Parsons completely dodges copyright infringement while cleverly spoofing the iconic cartoon show with his own version of Scooby Doo. This time he offers up a more realistic group of crime solvers in a world where crime is very dangerous, and the police kindly ask them to “fuck off” whenever they solve a case on their own.
When it comes to hardcore well versed Scooby Doo Fans… we’re not one of them. But for a brief (oh so brief) period in the late nineties, Hanna Barbera thought it’d be a good idea before the live action movie to feature the Scoobies solving actual paranormal cases that they presumed were originally just scams and con jobs. “Zombie Island” is one of the best (and few) examples of Scooby-Doo done well and correctly with a case the entire gang gets in on that is creepy and actually risks their lives, in the end. With animation I’m never above being experimental, and my faith in “Zombie Island” was rewarded with a wicked and creepy little yarn about the Mystery Machine group re-uniting after a long stretch on their own.
I have never had fun watching Casper and as a rule my mom made sure to play his series for my brother and I when we were bored out of our skulls. I never understood why because Casper always left us on the verge of tears; we never had a laugh watching Casper’s adventures because there was nothing funny about it. To be honest, I always avoided Casper because there’s simply nothing more traumatic than watching the spirit of a dead child who can not fit in to the human world, try to make friends only to be turned down and run away from. Why the hell does this character even exist?! Who in their right minds ever thought the spirit of a dead kid would serve as fun family fare? It really just wants to make you blow your brains out.
Okay, readers, pop quiz from yours truly. You’re a Hollywood exec (sorry to insult you, but bear with me, I’m getting somewhere with this), and you help get a movie in to theaters that’s barely watchable, what do you do? Do you a) leave it alone to rot on shelves and move on? b) do you remake it? or c) do you give it a crappy sequel? If you chose A or B then you know nothing about Hollywood, because inevitably all this is is basically a crappy sequel to a crappy movie, the problem is while the first film was without a doubt crappy, it was mildly entertaining, but this, this is just brutal.