There’s an embarrassment of riches in the new set from Shout! Factory that manages to combine all of “The Fly” films in to a rich anthology. It’s a great opportunity to expose new fans to the classic monster movies and contemporary versions of George Langelaam’s original short story. This series and “The Thing” share a lot in common, as both are short stories adapted in to two vastly different versions by genius artists. Meanwhile the contemporary versions’ drastic re-imaginings are still considered iconic cinematic horror and science fiction that set a high bar.
I was always such a big fan of movie serials and pulp superheroes even before my initiation in to comic books. I loved characters like Superman and The X-Men, but I also loved The Shadow, Commander Cody, and the Green Hornet. Some of those heroes made up some of my most entertaining fantasies, and it wasn’t a big adjustment considering most of the nineties’ superhero movies were mainly adaptations of pulp heroes like “The Phantom” and “The Rocketeer.” Kerry Conran remains one of the most prophetic filmmakers of all time.
It’s that time of year yet again, where the holidays have finally crept up on us and we ready ourselves for two whole months of corny holiday music, cornier holiday commercials, and that stupid Elf on a Shelf. It seems like time just flies by and we’re back to trying to figure out what to get the movie lover in our life, or what to treat ourselves with. Whether you celebrate Christmas, Hanukkah, Kwanzaa, Festivus, Boxing Day, or just love the deals, we bring you, once again, our annual holiday gift guide with some suggestions for the respective movie lover, and pop culture fanatic.
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“Eegah!” is one of those special kinds of god awful genre films that was engineered specifically to make a rock star in to a bonafide movie star. It didn’t work too well for Arch Hall Jr. whose entire presence in Arch Hall Sr.’s sci-fi thriller revolves around singing, and mugging for the camera. His dad tries to work around Junior’s inherent lack of acting ability and it just—doesn’t work. At all. You can see the cracks come through as the film progresses, and even at ninety minutes, it’s a test of endurance.
For folks that loved the original 2009 “Wonder Woman” animated DC movie, Warner and DC have rebooted “Wonder Woman” in to the New 52 mold with a refresher on her origin and a twist on her relationship with Steve Trevor. I can’t say that I liked “Bloodlines” as much as I did “Wonder Woman,” but it’s a pretty good piece of action filler until the live action sequel arrives in theaters very soon. “Bloodlines” is interested in expanding on Wonder Woman’s world and that’s what it excels in, most of the time.
So far we’re about ten alternate time lines deep in to the “Terminator” series, a movie franchise that continues to chug on thanks to the good word from James Cameron. Methinks without Cameron, “Terminator” would and should be put to sleep as a limp IP that loses more and more fans every single year. The convoluted timeline doesn’t even want to try to explain its own concept and logic (and lack thereof) anymore. It’s now basically rebooted itself (once again), and takes off limping to the finish line. From a confusing (bold?) retcon, to an over arching theme with heavy social commentary, “Terminator: Dark Fate” incidentally makes an argument against its existence.