There’s nothing I hate more than a movie that has so much going for it, but has no idea how to deliver a great narrative. “Promare” is a movie that, by all accounts, should have blown me out of my seat. But by the middle of it, I was counting down the minutes, and waiting for it to get to the point. It’s so sad that a movie that looks so amazing could be so lacking in originality with government corruption, clandestine organizations, and an evil politician who has plans for the world, yadda, yadda. It’s all so old hat for such an epic looking animated movie.
The “Deep Blue Sea” movie series seems to be veering slowly away from the campy nonsense that was the original and headed more in to Peter Benchley lite fare. For a movie that followed the silly shark fest with Sam Jackson, this is a surprisingly straight faced and dull second sequel. There’s nothing really here, save for the usual riffs on “The Deep,” “Aliens,” “The Abyss,” and only a very small connection to the sequel, which had a very small thread tied to the original Renny Harlin cult classic. It’s all fairly standard killer shark fare.
I’m all for psychologically challenging genre fare, especially in a time where most directors and actors are convinced that many modern audiences aren’t interested in that kind of entertainment anymore. With “Perfect,” Eddie Alcazar taps in to the type of dark science fiction that can be placed beside “2001” and “Waking Life” as just pure utter mind fucks that will leave your head spinning. Alcazar’s sheer visual brilliance sadly tends to mask a narrative that otherwise has no real direction or pretty much anything of real merit to say.
In 1996, John Carpenter essentially pulled a Sam Raimi with one of his key creations, Snake Plissken. While “Escape from New York” is a great scifi action film, Carpenter is this time given a bigger budget and decides to cover a wider field of his mythology, cramming in as much as he could with this sequel/remake. While I wouldn’t call “Escape from LA,” it manages to rise above the rest in Carpenter’s ouevre with some very good concepts, and Kurt Russell doing a bang up job, as always.
Director-Writer Mike Timm’s passion project is a movie that jumps back and forth between fantasy and reality. It’s a very avant garde work of art that takes on the typically broader spectrum of the romance comedy and adds some creativity to it. While “A Girl, A Guy, A Space Helmet” has every chance to be a trite tale of a man and a woman falling in love, Timm’s unique direction and self awareness make it a worthwhile cinematic experience.
“Legion of Superheroes” arrived during that darker time where “Teen Titans” and “Justice League” had ended their excellent runs and DC was embroiled in a lawsuit over the Superman name. Around this time DC and Warner were attempting to create series less about critical acclaim and more about making merchandise money. “Legion of Super Heroes: The Complete Series” (now on Blu-Ray with all 26 episodes) isn’t a bad series per se, it’s just as grand as “Justice League” or as entertaining as “Teen Titans” was. Even during its entire run, the best episodes were just okay.
With almost eighty acting credits to his name, and experience in various fields of production and filmmaking, we spoke to Hans Hernke, the producer and co-star of “Another Plan from Outer Space.” The science fiction thriller is an impressive indie about a space crew stranded in a large harsh landscape looking for help. Hernke took time out for an interview to discuss the development for the movie, the upcoming toy line for it, and his new movie which he’s collaborating with “Another Plan” director Lance Polland on.