How do you adapt a hit video game like “Double Dragon” that’s based around beating up bad guys with your fists, bats, whips, and assorted blunt instruments? Easy! You build the cartoon around mystic, non-violent laser blasting swords and give those to your heroes instead. Not only does it prevent any of that “nasty” hand-to-hand combat the games are famous for, but it also gives you room to build some really “nifty” toys for the game. The result, however, was one of the many failed attempts to introduce the Nintendo fighting game into the mainstream.
Night Shyamalan shocked just about everyone when at the end of “Split” his wonderful thriller about a psycho with multiple personalities, he introduced the reveal that we were watching a secret sequel to “Unbreakable” the whole time. “Glass” is the third film in the trilogy of films that break down superhero tropes, the superhero genre, and the mythology of superheroes as a whole. Even with Shyamalan shocking people with “Split” and still being one of the first of his ilk to break apart the superhero mythology with “Unbreakable,” his last film in the series, “Glass,” promises to polarize just about everyone.
Adapting the entirety of the arc of the Death, Reign and Return of Superman was always a heavy ambition for DC and it’s a shame that they never quite get it just right when it comes to putting it on the small screen. I loved “The Death of Superman.” And while I thought “Reign of the Supermen” was a pretty damn good movie all in all, it suffers from a lot of the major flaws most DC animated movies do. It rushes through so much important exposition, and doesn’t give its four main characters enough screen time to warrant caring a lot about them, or even rooting for them for that matter. When all is said and done, “Reign of the Supermen” is a very good follow up to “The Death of Superman” with some great action set pieces, and wonderful animation.
Opening in a limited theatrical engagement on January 16th – visit “Dragon Ball Super: Broly” for theaters & showtimes.
I haven’t kept up with “Dragon Ball Super” but thankfully the feature films don’t require a lot of catch up for casual fans. I went in to “Dragon Ball Super: Broly” basically without having known many of the characters, and had a good time just the same. While ““Dragon Ball Super: Broly” is a very good “Dragon Ball Z” film, it’s also a pretty darn good tale about the deeper back story of character Vegeta and Goku, and how deeply rooted their nemesis Frieza has been in their entire lives.
2018 was a big year for movies, it was a great year for animation, it was a stellar year for horror movies in general, and it was such a busy time for anyone that loved and appreciated film. Thankfully it was tough stacking a top ten that was definitive and that sit well with me because I had so many favorites. With so much new avenues to view film I didn’t get everything I wanted in 2018, but I saw enough to compile a top twenty or top twenty five.
This is my top ten films of 2018, these are films I loved, these are films that I hope you seek out if you haven’t, by now.
Honorable Mentions: Paddington 2, The Domestics, Black Panther, Ready Player One, Spider-Man: Into the Spider Verse, Revenge, Tully, The Night Eats the World, Bird Box, A Star is Born
It took us over ten years, but hell, we finally got a great live action “Transformers” movie. The only thought that came to mind while I was watching the opening ten minutes of “Bumblebee” was: Why didn’t we get this in the first place? Why did Sony opt for such a moronic, nonsensical, incoherent mess of a franchise, rather than deliver what is easily the best live action representation of the franchise I’ve seen so far. Everything in “Bumblebee” is the antithesis of what Michael Bay’s movies were, right down to the lack of racial stereotypes, and the jingoism. Granted, there is a meat head military hero with John Cena, but that’s a miniscule nitpick in a movie that’s just such a great experience from beginning to end.
Miles Morales was introduced to the Marvel universe in 2011, established in the alternate label the “Ultimate” universe. When that universe’s Peter Parker died, Miles stepped up to become Spider-Man. Since then Morales has become one of the banner Spider-Man iterations that have taken on the mantle of the hero. Morales wasn’t just welcomed in to the primary Marvel universe, but he’s managed to become just as popular as Peter Parker and the original Spider-Man. Some fans will even argue he’s better than Peter Parker’s Spider-Man. It’s general sentiment that’s been accepted by many because Spider-Man is not a person, it’s a movement. It’s a movement where literally anyone can wear the mask and strive for the same goals Peter Parker did.
Warner Bros and DC Comics begins correcting course from their disastrous first run of films by finally focusing on characters that have been woefully under valued for decades. If “Aquaman” is any indication, DC and Warner are on course for a huge comeback that could signal a string of fantastic comic book films, finally. DC garners such a gallery of wonderful mythical superheroes, and James Wan comes on board to not only embrace Aquaman’s universe whole hog, but show us why he’s not at all the geekiest superhero in his stable. If there was anyone that could pull Aquaman out of the doldrums, it’s James Wan. Wan is one of the best, most dynamic filmmakers working today and he can put a creative spin on just about everything.