It’s really hard to find anyone who does eighties neon pop surrealism like Empire Pictures. If you want to soak in everything about the decade from the bright colors, weird synth music and massive hair, look no further than films like “Terrorvision,” “Bad Channels” and or “Vicious Lips.” Your experience with Albert Pyun’s rare cult film may vary depending on your love for the decade, but sans the nostalgia goggles, it’s only a moderately entertaining experience that it limitless in its oddities. Something of a mixture of “Rock and Rule,” “Jem and the Holograms,” and “Rocky Horror Picture Show,” Albert Pyun throws so much imagery at the audience and there’s never any kind of substance soaked up.
Released to coincide with “International Bath Day,” the Teletubbies release yet another edition of their episodes on DVD. Comprised of six episodes total, this new volume features the alien—monster—children things dancing and singing once again with the help of their special Tubby Custard Machine. Said Machine concocts all kinds of scenarios and fun activities including allowing them to play with bubbles, and dance the new “Tubby Phone Dance.”
Shane Ryan’s “Guerilla” watches more like a proof of concept film more than a short film, but for what it offers I think there’s a ton of potential for a great feature film down the road. With no dialogue and a sweet eighties synth score, “Guerilla” is a mix of “The Goonies” and “Night of the Comet” centering on the apocalypse and an airborne disease that transforms people in to blood soaked maniacs.
I was lucky enough to be able to review many of the short films that played for audiences at the 2nd 2017 Final Girls Berlin Film Festival. The festival which runs from June 9th to June 11th features a wide array of horror films, horror shorts and horror programs fueled by creative female voices, from writers, and directors alike. This year, they ran the anthology “XX” and a myriad new female powered genre titles, along with a big block of short genre films with specific themes. These are a few of the shorts that played.
James DeMonaco’s second sequel to the exploitative and silly “The Purge” series reaches the masses in a very politically fueled year, and while DeMonaco and Blumhouse have the advantage of very much satirizing the current political climate, “Election Year” just continues the same routine we’ve seen with this movie series so far. It’s a lot of the same where there is an opportunity to offer a scary dark satire of America, but it backs off in favor of a lot of goofy plot twists and meandering sub-plots. Once again the annual the Purge is about to commence where every year for one night there is no such thing as law. So you can murder as you please, rape as you please, pillage, plunder, take a penny without leaving a penny, pick at a buffet without the sneeze guard, leave your trash with the recyclables included, walk on the grass, loiter like hell for hours on end, the sky is the limit.
With “Prometheus” Ridley Scott met the other side of his “Alien” mythology by visiting the very early dawn of his universe that saw the very evolution of his xenomorphs. After it hit with a thud resembling a wet diaper smashing in to a garbage can, Scott hits the other extreme by delivering a movie in the vein of “Prometheus” that’s just as flat and just as stupid. Director Ridley Scott has lost the grasp of his own film and has really failed to learn how to deliver a well measured and compelling horror tale teeming with themes about sexuality and human biology. Instead now he gets to literally have his cake and eat it too, by offering up a ham fisted goofy prequel that feels like a glorified fan film. All the while also continuing his descent in to pseudo-intellectualist allegories and on the nose metaphors about God, the Devil, Heaven, Paradise, evolution and birth.
Yeon Sang-ho and the studios were wise to capitalize on the running juggernaut that was the success of “Train to Busan” in 2016. Often times studios or directors wait two to five years for a prequel or a sequel, but “Train to Busan” gets an almost immediate prequel that helps expand the story and mythology of the live action film. One of the best zombie films of the last fifteen years, and perhaps of all time, “Train to Busan” was an action packed blockbuster disaster film set to the tune of the zombie apocalypse. The animated prequel is a bit more downbeat but still maintains the same social relevance and commentary that “Train to Busan” did so well.
If you’re a fan of rampaging monster/sci-fi movie tributes like “The Lost Skeleton of Cadavra,” or “Stomp! Shout! Scream!” then you’ll definitely love what David Cornelius has cooked up for film lovers. “Inhumanwich!” is a fun and sharp black and white send up of classic sixties monster movies that embraces its low budget working around the limited scenery and small cast to deliver one really fun and funny seventy five minute film. David Cornelius who wrote and directed the film obviously has a keen knowledge of the space exploration horror films, as he conjures up films like “The Blob,” “Robot Monster,” and “The Creeping Terror” for some really good material.