Every month we discuss some of the best and worst cult films ever made, from the hits, classics, underground, grind house, and utterly obscure, from Full Moon, and Empire, to Cannon and American International, it’s all here, minus the popcorn, and car fumes.
Aliases: None Vestron Pictures
Directed by: Anthony Hickox Starring: Zach Galligan, Deborah Foreman, Dana Ashbrook, David Warner, Patrick McNee
The Plot is Afoot! A group of rotten teenagers are invited to a local “Waxwork” wax museum by its mysterious curator David Lincoln. Little do they know that each wax exhibit is a supernatural portal in to another realm composed of monsters and ghouls of many kinds. Before long young Mark and Sarah learn that the curator has sinister plans for the unwilling participants, and it’s now up to them with the help of a wheelchair bound historian to stop him and destroy the gallery of supernatural beings.
It makes me laugh quite a lot that modern Hollywood are planning to spoof “Star Wars” when Mel Brooks pretty much supplied the definitive “Star Wars” spoof thirty years ago. You can argue maybe there’s more to offer, but no, Mel Brooks did it first and best. He mocked the characters, he mocked the plot holes, and he even mocked the rampant consumerism that George Lucas partook in when “Star Wars” became a cash cow. “Spaceballs” involves the evil President Skroob kidnaps Vespa during an arranged marriage, in an effort to steal planet Druidia’s fresh air. The evil Lord Dark Helmet is assigned to complete the task of sucking Druidia’s air, and hires Lonestarr and his pal “Barft” (The mog, a half man and half dog) to find Princess Vespa when she escapes the arranged marriage.
Julian Palmer’s “Life Outside the Frame” has a lot of potential to be a darkly satirical web series about some of the more insignificant characters affected during some of the more major movie and TV series of all time. Touching on one of the more entertaining minutiae of “Star Wars,” Palmer decides to focus on one of the last remaining storm troopers. After the Empire fell, and the rebels won, a lot of the characters began leading normal lives.
It’s daunting how predictable we’ve become when it comes to discourse about race relations and politics. In response to 2014’s “Dear White People” becoming a series, an angry user on Twitter asked “Why is there no “Dear Black People”?” In the very first scenes of the movie, while Samantha White is recording her college radio show “Dear White People,” character Kurt calls in asking “Where is there no “Dear Black People”?” Justin Simien’s “Dear White People” plays with perceptions of events, and ideas of chaos, by toying with our frustration with the normality of racial incidents, and stages a racial war that unfolds within the seemingly monotonous underbelly of Winchester College.
REASON FOR BOOTLEG STATUS: Even the film’s producers admitted it stank.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.
Humorist Leo Rosten once commented, “Satire is focused bitterness.” It is hard to find a more accurate description of satire – and in view of today’s surplus of Alt-Left comedians going out of their way to denigrate the president and his family, the level of bitterness has become hopelessly poisoned.
I think there was even some doubt by Joel Hodgson and company on whether or not fans wanted a reboot of MST3K. Sure, the merchandise sells well, but most reboots of nineties properties have either stunk or just failed to deliver, period. Plus it’s not like the show was around for a short time like “Firefly” or “Freaks and Geeks.” It was on ten years and even earned a movie of its own. Surprisingly enough fans proved that the show is just as special to them as it is to Joel Hodgson and his crew of brilliant creators that gave us the original series. Like all the other fans, “MST3K” has a very special place in my heart and I have such a deep bond with its characters and love for its formula. So naturally I was frightened the reboot would be stale.
Technology has become such a humongous part of our everyday lives it’s now become a tool that we take for granted, and use without caution. It’s embedded in everything we do now, and because of that, we’re prone to broadcasting how stupid and absurd we can be to the outside world. Peter Huang’s short anthology entitled “5 Films About Technology” is a laugh out loud funny and realistic look at how five groups of people all end up committing some kind of ridiculous act with their own technology thanks to stupidity or circumstance.
Lloyd Kaufman and Michael Herz’s “Sgt. Kabukiman N.Y.P.D.” is that kind of zany superhero spoof that, with some watering down, probably could have been a Warner Bros. cartoon in the nineties. After having such immense success with Toxie, Troma makes a second grab for cult fame, hoping to catch lightning in a bottle once again. Thankfully, not only is Sgt. Kabukiman N.Y.P.D. one of Troma’s most iconic and popular characters who stands proudly beside Toxie, but his movie is good to boot. “Sgt. Kabukiman N.Y.P.D.” is filled with the typical Troma tropes that make it such a blast. The acting is iffy, the violence is gruesome, the humor is off the wall and original, and the pacing is break neck.