Ahockalypse (2018)

Some horror movie premises are just ripe for comedy gold. Cockneys vs. Zombies, strippers vs. zombies, Brits vs. Zombies, et al, but “Ahockalypse” which pits hockey players against a zombie apocalypse is a swing and a miss. It’s not a complete miss overall, but in the end there was just so much that could have been done with the premise. The hockey themed horror comedy’s lack of budget is one of the elements that hinder an otherwise clever idea, as well as a clear lack of tonal consistency through and through.

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Teen Titans Go! To the Movies (2018)

I’ve pretty much gotten over my immense hatred for the watered down reboot of the “Teen Titans” animated series. It’s here to stay, and I’m over it. So I approached the new big screen adventure with an open mind and rock bottom expectations. All things considered “Teen Titans Go! To the Movies” is a mixed bag. Sometimes it hits with some sharp, slick superhero movie and Hollywood satire and truly engaging protagonists. Other times it feels like the writers are running out the clock with goofy filler and distracting musical numbers.

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Popstar: Never Stop Never Stopping (2016)

For the most part, “Popstar” is a funny and often raucous satire of the pop star life and modern music business. A mix of “This is Spinal Tap” and “Zoolander,” Andy Samberg creates an engaging enough character to where we want to see where he ends up in the finale. The problem with the film is it completely loses steam in the final half hour, leading up to the big performance. The writers spend a good portion of time anxiously trying to keep the momentum from the first hour.

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Wayne’s World 2 (1993)

The follow up to the hilarious “Wayne’s World” has much more of a coherent ending, but that’s about all it has to offer. In the way of a sequel, rather than trying to continue bringing us new hilarious comedy bits like the car sing along, and product placement spoof, “Wayne’s World 2” either repeats those jokes in a new form, or extends them to where it’s boring. For some reason “Wayne’s World 2” is less a sequel and more of a spoof that confuses itself as some sort of David Zucker movie. The characters break the fourth wall constantly, ruining any momentum, and even touch on nineties fads once again. Instead, rather than a weird but funny appearance by the T-1000, there’s a cameo by the “Jurassic Park” T-Rex.

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The Disaster Artist (2017)

“The Room” has been celebrated a hundred times over, ad nauseaum, since it became a small midnight movie hit years after its initial release. Since then every critic and columnist far and wide has had their chance with it, and every respective movie buff has seen it, combed over it, and even read the book “The Disaster Artist.” Based on the film’s co-star Greg Sestero’s experiences with its eccentric director and working on the inexplicably demanding film, “The Disaster Artist” by director James Franco and writers Scott Neustadter and Michael H. Webe, is a love letter to Wiseau’s ambition that asks why.

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Batman vs. Two Face (2017) [Blu-Ray/DVD/Digital]

I was not at all a fan of the original “Batman” animated movie, as I felt it was somewhat unfocused. Thankfully “Batman vs. Two Face” not only gets the idea more about the Batman series, but uses Two Face quite cleverly. As most fans know, the original Adam West Batman show wanted Clint Eastwood to play Two Face, but deemed the character too disturbing for viewers. Producers for this animated movie go back to re-cast Two Face for their show, but bring aboard another television icon to play the villain, William Shatner. Shatner is perfect for the role of the duplicitous deviant ne’er dowell known as Two Face, and what makes the pot even sweeter is that he’s turned in to an allegory for homosexuality.

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Serial Mom (1994): Collector’s Edition [Blu-Ray]

John Waters has always been great about featuring the anti-culture of America and showing how charming the anti-nuclear family can be. “Serial Mom” is one of the more mainstream cinematic efforts that feature one of the finest performances from Kathleen Turner. It’s just a shame that “Serial Mom” never knows what kind of movie it wants to be. At times it’s a satire on the phony façade of white bread suburban life, sometimes it’s a satire on the spectacle American can build out of murderers, and other times it’s reminiscent of a classic slasher movie. All we know is that Waters depicts main character Beverly Sutphin as a John Waters character stuck in “Leave it to Beaver.” Sutphin is a happy homemaker who takes pride in her family and preparing good meals and recycling.

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