Bruce and Shelley meet when the police are called on gunshots at her place. As there is no issue beyond misbehaving kids, they get to talking and lust quickly takes over. As they spend some times together getting to know each other, lust makes way to something much stronger.
French Indonesia, 1953, a war orphan gets hired as a housemaid at a plantation house. As she falls in love with the Captain who owns it, he discovers a new interest in life. As things evolve something is clearly off with the people at the plantation and its past.
Directed by Jason James and written by Jason Filiatrault, Entanglement is an odd comedy about a man trying to kill himself after the woman he loved cheated on him and left. His wanting to die leads him into therapy as one would expect but also on a quest after finding out he almost had an adoptive sister. While looking for her, more about him is shown and his character is developed as an oddball who is oddly relatable and who is trying to survive against his own judgment of himself. The character is attaching and he is one that annoys at first and eventually grows on the viewer. The way this is written and put on screen makes the character feel human while still a bit odd while the entirety of film has a very specific feel to it that is hard to pinpoint but works for the story at hand.
In one of the most known fashion Maison of 1950’s London, Reynolds Woodcock runs his business and life the same way, his way. His habits, demands, and eccentricities are to be followed by all or risk dismissal. After meeting the young Alma, he refuses to let things change, until she takes things in her own hands and finds her own way to make him happy.
At one time One Million BC was considered a real hit at the box office and even earned some Academy Award nominations. Today it’s a pretty clunky albeit ambitious movie that predates Roland Emerich’s “10,000 B.C.” by decades where it tells the tale of a group of cavemen and cavewomen with perfect hair and make up, trying to survive in the wastelands. Said wastelands include dogs dressed as elephants, giant badgers fighting giant snakes, and a lot of stunt animals over a flat screen blown up to look like dinosaurs. Saving the effort of claymation and stop motion, the effect is a major dud most times, as the animals never really look all too menacing.
You could almost attribute the invention of the sub-genre involving travelers trapped in a house with a bunch of demented folks to James Whale. While there are no chainsaws or torture devices anywhere, you could see where the seeds were sewn for films like “Texas Chainsaw Massacre” and “The Haunting.” Whale’s film “The Old Dark House” presents glimmers of dark comedy and some pretty funny one-liners but through and through it’s an atmospheric and very creepy tale about a travelers trapped in a house with a psychotic brood. During a horrific rain storm, a group of travelers in the country side of Wales find themselves soaking wet and seeking shelter from the cold water barreling down on them.
Chalk it up to rock bottom expectations, but “It” blew me away when it arrived in theaters mainly because it exceeded my expectations and proved to be a stellar film all around. Andres Muschetti already killed it with his adaptation of his short “Mama,” but he brings his same sensibility in another coming of age tale where pure evil meets innocence. “It” is a masterstroke of a reboot, a movie that pays tribute to the original novel and re-invents every aspect from the ground up for a new audience without dumbing down the material.
The only reason to watch “Go, Johnny, Go!” is if you want to see some of the best rock and roll artists of all time do their thing on the big screen. Other than that, “Go, Johnny, Go!” is the story of the boring, milquetoast Johnny Melody, a bright eyed, blond white boy who rose from the slums as an orphan to become a rock and roll singer. It’s surprising that a movie featuring Ritchie Valens, and Chuck Berry would only focus on the most uninteresting individual, as when the movie stops to spread its paper thin premise with performances, it ironically becomes worth sitting through.