The spin off for the “Barbershop” movie is a good idea on paper. On paper. I mean Queen Latifah is better at acting than Ice Cube, so it seemed like a slam dunk. The attempted launch of a new series within the “Barbershop” franchise is not only one big misfire, but it’s dead on arrival from minute one. “Beauty Shop” isn’t a prequel, or a sequel, but mainly just a movie that’s set in the universe of “Barbershop.” When we see Gina Norris from “Barbershop 2” again, she’s working at an upscale salon in Atlanta and she has a picture of the gang from Calvin’s shop hanging on her mirror. Beyond that there isn’t much at all to “Beauty Shop.”
People are often surprised when they learn that “Tag” was one of my most anticipated movies of 2018, mainly because the premise looked so creative. The comedy genre is pretty much a wasteland as it is, but the movie seemed to have a ton of potential. Plus the fact that it was inspired by a true story is also a plus that kept me anticipating its release. “Tag” ends up being a fun comedy about friendship, tradition, and life, and while it doesn’t fully realize the concept, I had a good time with it, and I don’t mind adding it to my collection. “Tag” brings with it a pretty stellar ensemble cast, all of whom manages to bring their A game and also seem to be having a good time.
Some horror movie premises are just ripe for comedy gold. Cockneys vs. Zombies, strippers vs. zombies, Brits vs. Zombies, et al, but “Ahockalypse” which pits hockey players against a zombie apocalypse is a swing and a miss. It’s not a complete miss overall, but in the end there was just so much that could have been done with the premise. The hockey themed horror comedy’s lack of budget is one of the elements that hinder an otherwise clever idea, as well as a clear lack of tonal consistency through and through.
The thing about RKSS’s latest eighties inspired genre offering is that it’ll poke all the right nostalgia cords with audiences. There’s so much eighties ephemera, that it’ll be difficult not to be charmed by it. But deep down beneath the “Cruel Summer” music cues, and giant camcorders beats the heart of a vicious, mean spirited and dark murder mystery that was often unpleasant and kind of dull. To admit that isn’t easy as I loved RKSS’s “Turbo Kid” and anxiously wanted to see what they would do with a murder mystery. But while you might get shades of “Stranger Things” here and there, the movie itself is pretty crappy.
One of the most controversial and heavily disputed comic book events of all time is finally brought to the DC animation universe. It’ll probably also setting up potential movie go arounds for supporting characters within the “Superman: Doomsday” scope. I can imagine if the course is cleared, we could see some overdue attention paid to “Steel.” One can hope. In either case, “The Death of Superman” is pretty much a truncated version of the original mini-series, with a look at the massive event that brought DC to its knees and Superman to death.
One thing you can say about “Memoirs of an Invisible Man,” is while it’s not one of John Carpenter’s best films, it certainly is inventive. Carpenter is no stranger to science fiction and whenever he hits the genre, he attacks it with a new angle and inventive gimmick that make it worth watching. “Memoirs of an Invisible Man” is about a man who begins to live life when he realizes he’s completely invisible to just about everyone, and must also deal with everything from a clandestine government organization to learning how to eat in spite of being incapable of seeing his fingers or mouth.
Are we still under the spell of Melissa McCarthy? Can we admit she’s just a mediocre comedian trotting out endlessly trite and dull movie vehicles? After her attempt to revisit “Back to School” with her own silly, weird, often meandering comedy “Life of the Party,” I’m pretty much over McCarthy. Beyond “Bridesmaids” and “Spy,” she’s never managed to impress and keeps relying on vehicles that become vanity projects with husband Ben Falcone who doesn’t seem to know how to utilize McCarthy. One moment Deanna is hiding in the bushes crying after being dumped by her husband, the next as she burns her husband’s possessions, it explodes in her face, causing her to comically plop on to the ground.
Coming Back to theaters July 29, July 31 and Aug. 1. For Showtimes and Tickets check Fathom Events.
I still remember going online back in 2006 and watching the trailer for “Across the Universe.” As a budding Beatles fan making himself familiar with their catalogue at the time, the prospect of a movie built around their music made me excited and over joyous. I mean if they can build a whole storyline around ABBA, they can surely do the same with the Beatles, whose music tell stories of their very own and even had interesting commentaries on where the group were at the time. I was quite crestfallen when the movie landed with a thud and was generally dismissed by audiences.