Even though I was born in the eighties, I don’t have a particular connection with “The Goonies” as while it’s mostly considered a masterpiece, I’ve only ever considered it just pretty good. Director Richard Donner’s adventure film is the Hardy Boys Meets Indiana Jones and for the most part it’s an entertaining call back to fodder like “The East Side Kids,” which keeps in line with Spielberg’s ode to his childhood cinema.
A germaphobe meets the girl of his dreams who he follows to a supermarket as she steals chocolate while wearing a similar protection outfit as his. Together, they attempt to make their life better, or at least perfect for them as a couple, that is until something unexpected happens and changes one of them.
Intentional or not, when you go in to “Nothing But the Blood” you’re bound to have flashbacks of “Red State,” as director Daniel Tucker seems to be sewing his narrative from the same cloth. Ideas about religious fanaticism, the deadly cost of religious institutions, and the hypocrisy of religious leaders are all here. Les Best even seems to spend most of his time on screen channeling Michael Parks. Daniel Tucker tries hard to establish him as a source of evil, even beginning the movie with a fourth wall breaking prologue as Best’s character reads a long sermon and angrily preaches to us.
Why this should set up the story I was never entirely clear but—it’s black and white, so it’s eerie…?
There’s nothing I hate more than a movie that has so much going for it, but has no idea how to deliver a great narrative. “Promare” is a movie that, by all accounts, should have blown me out of my seat. But by the middle of it, I was counting down the minutes, and waiting for it to get to the point. It’s so sad that a movie that looks so amazing could be so lacking in originality with government corruption, clandestine organizations, and an evil politician who has plans for the world, yadda, yadda. It’s all so old hat for such an epic looking animated movie.
Peter Lee’s “Angelfish” is a very good drama romance about two people with varying obligations and turmoil finding love with one another. Often times when it hits, it hits hard, but when it fails, it tends to ruin the momentum of the narrative and drag on for quite a while. Shocking enough, “Angelfish” can sometimes feel long in the tooth, if only because it often feels like it’s padding the narrative rather than using those opportunities to add more dimension between our characters Brendan and Eva. That said, even in its imperfections, Peter Lee’s Bronx set drama is engaging and often times emotional.
I’m glad we’re living in a time where teen movies are becoming so much more diverse and open to various audiences. Once upon a time, teen movies were basically about upper middle class Caucasian teenagers living through something bad. And while I don’t begrudge John Hughes for tapping in to the zeitgeist, seeing someone like me on screen these days is so refreshing and allows a new generation to see themselves on-screen. Representation matters. And it counts for a lot.
Before the late aughts, there were a select few teen films about minorities. One of the best of their ilk was 2003’s “Raising Victor Vargas.” It’s a movie I’m shocked doesn’t get discussed very much these days, as it’s so much in line with John Hughes’ teen drama comedies.
There aren’t many good movies or movies at all, for that matter, about the writing experience, and it’s a shame. There’s so much to be mined in the realm of creating and how characters can take on their own lives. “Elodie” is an indie gem that deserves to be watched by just about everyone, as it’s not just a wonderful character piece, but a superb look at the creative experience and the concept of impostor syndrome.