In the nineties, many American movie studios were trying to beat Disney at their game by basically—mimicking everything that made their movies a hit. They didn’t try to rewrite the rules until the early aughts; before then we had a bunch of movies that were basically D grade copies of Disney hits. Richard Rich is a once Disney animator who tries his best to riff on Disney, taking a classic fairy tale and adding about every trope from the Disney list you can imagine, right down to funny talking animals. What he forgets is entertainment and a sense of life.
With their partnership with GKids, Shout Factory has managed to obtain a remarkable chunk of Studio Ghibli’s library and have given choice titles some truly deluxe treatment. Among some of Hayao Miyazaki’s masterpieces is the incredible “Spirited Away” a film that owes a lot to “Alice in Wonderland” and “The Wizard of Oz,” that also evokes subtle social commentary on child trafficking. In either case, “Spirited Away” is still a remarkable and stellar piece of art, with some of Miyazaki’s most memorable creations including No Face, and the Soot Sprites.
Linger on Youtube for a little while and you’ll likely find at least fifty toy collectors and or pop culture buffs that have a slew of videos looking back at classic toy lines and franchises. What makes “Toys That Made Us: Seasons 1 & 2” such a unique series is that it attempts to offer up much more than memories. Creator Brian Volk-Weiss’s series could very well have fallen back on pure nostalgia, but instead opens up the scope of these world changing toy lines. There’s deeper insight, stark truths about how and why these toys were created, and a look in to the business of it all.
Oliver Alfonso’s horror comedy is a movie that will likely be a very polarizing title down the line. For the people that actually bother to check it out on Netflix, “Girls with Balls” is a Z grade movie that walks the line between absolutely obnoxious, and admirably entertaining. I was mixed on “Girls with Balls” as it packed some great meaty horror comedy material, along with some woefully stupid moments and unlikable characters.
2009’s action horror comedy “Zombieland” is something of a cult classic, and while not exactly a masterpiece, it’s been admired in its own right for a decade. After many, many years, Columbia brings us a sequel that’s probably way too late. After fans demanded a sequel shortly after the release of the 2009 film, “Zombieland: Double Tap” finally graces us with the characters we love—and it does absolutely nothing new with them. It also doesn’t take us in to any kind of new area of Zombieland that we haven’t seen before, which ends in disappointing returns in a follow up with occasional bright spots.
Tim Burton hasn’t been delivering on quality as he once was, so it’s become a rare occasion that he’s able to deliver on something genuinely entertaining. “Miss Peregrime’s” is one of the darkest Burton films ever directed, and while it’s touted toward children, it definitely skirts the edges quite often. That’s mainly due to the creepy villains that make a point of eating children’s eyes, amounting to some of the most horrific material in an otherwise darkly fantastic drama.
It’s a brand new era for the classic clan of weirdoes and eccentrics, all of whom get a chance to show a new generation how much fun they can be. I’ve always been a big fan of the Addams family since I was a child, as they always felt more genuine than the Munsters. While the Munsters spent their time trying to fit in to modern society, the Addams family always stuck true to who they were, and rarely ever changed their own rituals or style to fit some new standard of what normal is. They are who they are, like it lump it.
After the polarizing “adaptation” from 2007, DC and Warner take another crack at the taking one of the most controversial and news making comic book storylines of the nineties and bring it to the big screen. With a little tweaks, of course. The whole of “The Death and Return of Superman” is compact, but it takes a good effort in streamlining the entire arc for a movie. The whole epic storyline spanned a ton of DC titles from Supergirl, Green Lantern, and Justice League, so Jake Castorena and Sam Liu have to squeeze it in to two whole movies, and they do a pretty great job of it, save for glaring flaws here and there.