Rowdy Herrington’s “Road House” exists in that line of the late eighties and early nineties where honky tonk trailer trash chic was in vogue. This is the re-emergence of rowdy bars in that whole period of “Black Velvet,” “Black Betty,” Stevie Ray Vaughn, and Billy Ray Cyrus. It permeates with that exact odor but with Patrick Swayze playing basically your normal everyday enigmatic superhero known as Dalton. Only Dalton. He is so bad ass he has one name, carries a thick reputation, and spends his off time stitching his own wounds in bar room bathrooms.
Always prone to giving the consumer more bang for their bucks, Mill Creek Entertainment compiles a six DVD set of the best of Martin and Lewis. And while it may not have their all time greats, it still manages to be a solid set that can mesh in with any collection of a Martin and Lewis fanatic. The set comes packed in the usual slip case and compiles a lot of past releases for one fine compendium you can entertain yourself with for hours. In this case, it’s almost thirty hours total of Martin and Lewis shenanigans with five movies and twenty eight episodes of “The Colgate Comedy Hour.”
After “Batman and Harley Quinn,” the cinematic adaptation of “Gotham By Gaslight” feels like a breath of fresh air. It brought me back to the time when Batman animation was mature and accessible, and we got entertainment like “Mask of the Phantasm” and “Return of the Joker.” Warner follows up with the aforementioned horrendous DC team up movie with what is a charming, creepy, and wholly creative twist on the Jack the Ripper legend that ponders on what would have happened if he and Batman were foes during the time he wrought havoc in the 1880’s.
Bruce and Shelley meet when the police are called on gunshots at her place. As there is no issue beyond misbehaving kids, they get to talking and lust quickly takes over. As they spend some times together getting to know each other, lust makes way to something much stronger.
French Indonesia, 1953, a war orphan gets hired as a housemaid at a plantation house. As she falls in love with the Captain who owns it, he discovers a new interest in life. As things evolve something is clearly off with the people at the plantation and its past.
Directed by Jason James and written by Jason Filiatrault, Entanglement is an odd comedy about a man trying to kill himself after the woman he loved cheated on him and left. His wanting to die leads him into therapy as one would expect but also on a quest after finding out he almost had an adoptive sister. While looking for her, more about him is shown and his character is developed as an oddball who is oddly relatable and who is trying to survive against his own judgment of himself. The character is attaching and he is one that annoys at first and eventually grows on the viewer. The way this is written and put on screen makes the character feel human while still a bit odd while the entirety of film has a very specific feel to it that is hard to pinpoint but works for the story at hand.
In one of the most known fashion Maison of 1950’s London, Reynolds Woodcock runs his business and life the same way, his way. His habits, demands, and eccentricities are to be followed by all or risk dismissal. After meeting the young Alma, he refuses to let things change, until she takes things in her own hands and finds her own way to make him happy.
At one time One Million BC was considered a real hit at the box office and even earned some Academy Award nominations. Today it’s a pretty clunky albeit ambitious movie that predates Roland Emerich’s “10,000 B.C.” by decades where it tells the tale of a group of cavemen and cavewomen with perfect hair and make up, trying to survive in the wastelands. Said wastelands include dogs dressed as elephants, giant badgers fighting giant snakes, and a lot of stunt animals over a flat screen blown up to look like dinosaurs. Saving the effort of claymation and stop motion, the effect is a major dud most times, as the animals never really look all too menacing.