It’s surprising how well Disney adapts their own version of the shockingly beloved fairy tale “Beauty and the Beast.” While their Oscar winning animated version reigns supreme, Bill Condon manages to deliver his own interpretation that tweaks the tale here and there for new audiences with a great effect. I was quite stunned at how enjoyable “Beauty and the Beast” ended up being. While it has the familiarity of the 1991 movie, it’s also a unique experience that allows for a new angle on songs that are now deemed legendary. Condon approaches the live action remake/adaptation with a well balanced tone of whimsy and dread, allowing for a very subtle romance between Belle and the Beast.
If there’s any independent film that deserves to take off and be celebrated by movie lovers far and wide, it’s Anthony Stabley’s “Everlasting.” It’s a gripping, emotional, and gut wrenching tale of love, death, and the loss of innocence. Writer, Director and producer Stabley creates a compelling drama with a dash of the supernatural that feels very sincere and genuinely heartfelt right until the final tear jerking scene. Watching like a take on Paul Schrader’s “Hardcore,” director Stabley invokes a unique cautionary tale while successfully building two very flawed but absolutely brilliant protagonists. I cared about everyone involved in “Everlasting” and director Stabley implements every cast member well from his stars to notable supporting players like Pat Healey and Elizabeth Rohm.
It’s a thing of beauty to see DC Comics and Warner finally embrace what’s so awe-inspiring about their characters. I’ve been a very vocal critic about DC’s output of live action films, and “Wonder Woman” is thankfully a remarkable jumping point for the new direction of the cinematic universe for DC and Warner. Patty Jenkins’ film presents Wonder Woman at a turning point at the very end of her own movie and is one of the most socially relevant superhero films made in the last fifteen years. “Wonder Woman” arrives in an age where worldwide, efforts are being made by various political and corrupt powers to silence women. Out of the darkness comes Diana Prince, a woman who will not be silenced or put in to the background.
After Michael comes back to Montreal, his good friend throws him a party when sensual games are played and exploration of sexual identity mixes in. As he and the others discover their likings and what they are opened too, things get interesting.
Diana grew up to become an Amazon warrior. Little did she know, she was much more than that and when the time comes, she heads to war with a man who crashed near the island she lives on with only women. There she discovers her full potential as much more than a warrior, but also a hero.
Every month we discuss some of the best and worst cult films ever made, from the hits, classics, underground, grind house, and utterly obscure, from Full Moon, and Empire, to Cannon and American International, it’s all here, minus the popcorn, and car fumes.
The Plot is Afoot! Mark Harmon plays “Shoop,” a teacher and part time California surfer has his summer vacation derailed when he’s blackmailed in to teaching summer school. Anxious for tenure, rather than surf in Hawaii, he takes on the class filled with slackers, under privileged individuals, and the eccentric, all the while trying to convince them to study so they can make it in to the next grade and gain some sense of self-confidence. Meanwhile he bonds with a fellow teacher, and tries to get his students to pass before the season is up.
Terry Zwigoff’s adaptation of Daniel Clowe’s iconic coming of age tale “Ghost World” gets its due from Criterion for hardcore fans alike. Criterion tastefully disregards Scarlett Johansson’s mega star status in favor of advertising the essence of the very weird and unusual tale of a young girl learning about growing up and moving on. In one of her finest roles, Thora Birch stars as the odd Enid, a girl with peculiar taste for Bollywood musicals and off beat culture who is experiencing the end of high school with her best friend Rebecca (Johansson). Enid finds solace with her life through her unusual art where she draws colorful locals in her town.
“Bambi” is less a narrative with a lot of characters and morals and more about the hazards of life and the loss of innocence. “Bambi” somewhat celebrates the tradition of “Dumbo” to where we watch the beginning of a young life and his journey to grow up in a very dangerous and unforgiving world. Despite the time it was made, “Bambi” is still a technically impressive drama that paints the wildlife landscape so vividly with a dream like aura that can be inviting and harrowing. The film itself is based on highs and lows centered on the music and turn of events that unfold for young Bambi.