While “Puppet Master 3” was a prequel to “Puppet Master” parts one and two, “Retro Puppet Master” is a prequel to the entire series. Rather than being chased by the Nazis, a young Toulon is facing off against mysterious undead agents working for a demonic force that wants his life serum. In “Retro Puppet Master,” the writers pay tribute to the original movies by re-casting Guy Rolfe as Toulon. Still running from Nazis, he camps out for the night in a cabin and regales his puppets with how he originally began his journey.
“American Pie” hit the right chords in the right time, it caught lightning in a bottle, and I was there when it became a pop culture phenomenon. It made the development of the digital age a fun comedic prop, as our protagonist Jim is caught on the world wide web of dozens of people prematurely ejaculating, and dancing. It struck the iron at just the right point and for a while was a massive hit. Hell, it even invented the term “Milf” (Thus an entire popular porn sub-genre was born!) But watching it so many years later, it’s clear that “American Pie” is just not a very good movie. Maybe it’s because seventeen years later pop culture has redefined what’s raunchy about a thousand times over, but when you cut away at the sexual humor, what you have a pretty mediocre teen comedy.
Seth Rogen and Evan Goldberg are two men who can be funny when they want to, and whenever they come up with a premise for something out of the box they almost offer up something great. For some reason they can never seem to completely unfold their unusual premises whole hog, and hinder their own efforts to be absurd time and time again. “This is the End” had moments of pure hilarity but fell apart by the second half, and “Sausage Party” is a movie where I get what they’re doing. Yes, I understand what they’re doing here. “Sausage Party” is an off the wall and absurd twist on “Toy Story” where anthropomorphic sentient inanimate objects are treated as such to the point where they feel everything humans can. They can be scared, they have their own communities, and yes, they even have their own sexualities and religions. I get it.
A potentially apocalyptic even wiped out all adults from the country, leaving kids to take care of younger kids. In this situation, some became leaders, some teachers, while others thrived in chaos. As things are looking bleaker and bleaker, Josh decides to do something and heads North with a friend. Soon, some of those in charge go after them. Through this, all will discover more about the world and themselves. Directed by Matt Ogens who co-wrote with Kyle Lierman, the film takes the post-apocalyptic approach that is being seen more and more again and removes all adults from the picture, leaving it to a Lord of the Flies situation with kids being left to their own devices and some knowing better how to keep going while others look for escape.
Lluís Quílez’s short science fiction drama reminded me of the famous opening line from Frederic Brown’s “Knock”: “The last man on Earth sat alone in a room. There was a knock on the door…” Director Quílez centers his science fiction tale on a man named Edgar who spends his days biding his time for inevitable rescue, and looking for some semblance of companion ship in his every day life. Edgar walks around the ruins of his city after an undisclosed “incident” has caused many to flee or die off.
Despite the truly awful 2015 adaptation of “Fifty Shades of Grey,” audiences are being handed the sequel to the erotic stinker next month with “Fifty Shades Darker.” Sure to attract its hardcore following and some surefire curious audiences, rather than pumping more money in this pseudo-erotic wannabe arthouse junk, I thought I’d suggest five titles you can watch instead. These are five very erotic and entertaining films that explore the ideas of BDSM and sado-masochism, I suggest experimenting with over the watered down dreck hitting theaters in February.
Returns to theaters across the nation for a 20th Anniversary celebration, complete with a new 4K restoration. Premiered in theaters Thursday, January 5 in Japanese with English subtitles and will screen Monday, January 9 with an English dub at 7 p.m. local time. Tickets are available now. The event will also feature a screening of the never-before-released music video directed by Hayao Miyazaki, On Your Mark!
Back when “Princess Mononoke” hit the states in 1999, I literally had no idea who Hayao Miyazaki was. My teacher in high school kept a poster of the movie up on her bulletin board and I thought the movie looked amazing. Years after the Oscar buzz, I discovered “Princess Mononoke” and the brilliance of Studio Ghibli. The great thing about Studio Ghibli is there is no wrong way to enter in to their universe.
“Rock & Rule” is a wonky, surreal, and entertaining animated musical that feels like Ralph Bakshi, Don Bluth, and “Heavy Metal” magazine were combined in to such a frantic cult gem. The 1983 movie has gone through years of being an underground classic, and has finally been embraced for such an ahead of its time science fiction tale. The animation for “Rock & Rule” is completely out of the box, resembling rotoscoping in many aspects, and opting for character models you don’t often find anywhere else. “Rock & Rule” is a science fiction, punk rock, steam punk tale set many years in the future after world war III wiped man off the face of the Earth. The only surviving species are cats, dogs, and rats. They have evolved in to anthropomorphic mutants, all capable of thought and speech.