It’s difficult to explain “Streets of Fire” to anyone and make it sound coherent. Walter Hill’s action film has just about everything, and ends up creating one of the most vivid and exciting amalgams of genres and themes I’ve ever seen. “Streets of Fire” is a film you just have to sit down, shut up, and experience. It’s a post depression, mid-fifties, action, crime thriller and romance noir with a rock and roll and soul beat. See? I can’t sum this movie up in one whole sentence, and I’m not going to try to. I’m ashamed I took so many years getting around to watching “Streets of Fire,” but goddamn I’m very glad that I did.
“Madonna can go to hell as far as I’m concerned! She’s a dick!”
If aliens ever came down to Earth and wanted to know what the eighties were like, they could look no further than the time capsule that is “Heavy Metal Parking Lot.” It is, as many have described it, the viral video before viral videos existed. I’d love to see a documentary about this film some day, or perhaps an actual feature made around the events that occur in the fifteen minute documentary. It’s a hilarious and often absurd look at a certain time period where everyone wore mullets, walked around without shirts, bragged about doing drugs, and women were often very proud to admit they wanted to “fuck” certain band members’ “brains out.”
There was different energy behind David Bowie as Ziggy Stardust that ensured you were in for a whole other wild experience unlike any before it. Director D.A. Pennebaker keeps the mystique and wild tone of Ziggy Stardust alive from the opening title and then is quick to jump right in to the line outside Ziggy Stardust’s concert zooming in on the type of lovable oddities and weird wonders that worshiped Bowie and his adored his music, bringing us in to the full arena of the kind of minds and hearts David Bowie touched.
If you’re one of the many KISS fans that have always wondered what a sequel to “KISS Meets the Phantom of the Park” would look like, look no further. “Scooby Doo Meets KISS” should be more aptly titled “KISS Meets the Crimson Witch featuring Scooby Doo.” In all honesty, while this is primarily a cartoon for the Scooby Doo franchise, the majority of the film is based around KISS and their magical presences. Even the opening sequence is comprised of wonderful animated KISS montages with “Rock and Roll All Night” playing rather than the Scooby Doo theme song.
Next month is the release of the blockbuster action film “Guardians of the Galaxy,” and it’s every damn bit as great as you’ve heard. It deserves its high praise and big box office. One of the key elements of the film that make up the character of Star Lord is his mixed audio cassette “Awesome Mix Vol. 1” which includes his favorite songs from the mid seventies to late eighties from when he was a child. It’s the sound track that is the icing to an already fantastic film. Like every other music lover we have our own list of songs we’d include in an “Awesome Mix,” so without further ado, here’s our playlist.
Let us know the songs for your “Awesome Mix” in the comments!
The first time I ever saw “The Rocky Horror Picture Show” was back in 1993 when the FOX Network in New York decided to air it one Halloween. My brother and I sat down to watch it thinking we were in for a horror movie. And we tuned in to watch the cult musical with the audience following along with every single moment on-screen. Twenty minutes in it was the first time I literally asked “What the fuck is this?” Then I turned the channel and never looked back. Many years later, while I’m not rabid for “The Rocky Horror Picture Show,” I do tend to appreciate it for being so entertaining and daring.
How do you make a movie about CBGB in the structure of a routine narrative? Where do you start? Why do we have to see the origins of CBGB through a comedy lens? “CBGB” is what Hollywood envisions the origins of CBGB were. It’s clean, it’s sanitary, it’s inoffensive, and it paints some of the most iconic bands in rock music as mere footnotes in the world of the iconic New York club. To make things worse, its star looks really bored with the material, almost as if he’s slogging through a character and a script that he doesn’t quite understand.
It all started with the Beatles. From there it was a slew of really interesting British Invasion groups, and singers, many of whom ranged from absolutely abysmal, to quite unique. It’s a shame many of these bands never quite garnered the legacy that the Beatles did, but “Go Go Mania!” has value, if anything, in showing how many bands climbed out of the woodwork to claim their own fame once the Beatles stormed America.