After some um—rather interesting internet ballyhoo, “Sonic the Hedgehog” is finally brought to the big screen in what is a shockingly good adaptation. Although I’d argue that the “video game movie curse” ended in 2018 (ahem–“Tomb Raider”), “Sonic the Hedgehog” does open the door for more, higher quality video game movies down the road. While I’d be hard pressed to say that “Sonic” re-invents the wheel, it also dodges a lot of video game movie pitfalls by side stepping cloying pop culture references, and paying homage to the source material.
With director JJ Abrams returning to the “Star Wars” universe once again (taking the reins for Rian Johnson), he’s able to repeat history of generations’ past. He offers fans the final film of a three movie saga that never quite hits the high bar set by the previous films. “The Rise of Skywalker” is a great movie in its own right, but like “Return of the Jedi” it is held back due to many unfortunate screenplay inconsistencies, characters that don’t do much of anything, and blatant retconning that Abrams commits to at the expense of the story. “The Rise of Skywalker” is a very good movie and great closer to the Skywalker saga, warts and all.
I was always such a big fan of movie serials and pulp superheroes even before my initiation in to comic books. I loved characters like Superman and The X-Men, but I also loved The Shadow, Commander Cody, and the Green Hornet. Some of those heroes made up some of my most entertaining fantasies, and it wasn’t a big adjustment considering most of the nineties’ superhero movies were mainly adaptations of pulp heroes like “The Phantom” and “The Rocketeer.” Kerry Conran remains one of the most prophetic filmmakers of all time.
So far we’re about ten alternate time lines deep in to the “Terminator” series, a movie franchise that continues to chug on thanks to the good word from James Cameron. Methinks without Cameron, “Terminator” would and should be put to sleep as a limp IP that loses more and more fans every single year. The convoluted timeline doesn’t even want to try to explain its own concept and logic (and lack thereof) anymore. It’s now basically rebooted itself (once again), and takes off limping to the finish line. From a confusing (bold?) retcon, to an over arching theme with heavy social commentary, “Terminator: Dark Fate” incidentally makes an argument against its existence.
As a Superman fanatic it’s been a tough road as I’m still getting over the stinks of “Smallville” and “Batman v Superman,” so when Syfy proposed its own Superman series that side stepped Superman altogether, I was very skeptical. Suffice to say, “Krypton: The Complete First Season” isn’t always a great show, but appreciated as its own attempt to ambitiously tackle the back drop of the Kryptonian Lore, it’s not a bad time spent. At ten episodes total for the first season, there are a lot worse things you can do as a Superman fan. Watching “Superman IV,” for instance. I digress.
As a preamble I admit that I’ve never liked the “Kim Possible” animated series. I know as a Disney fan I’m supposed to love it, but I always found the series to be incredibly flat, bland, and boring. I didn’t really care for anything about it beyond Will Friedle who, at the time, was my favorite voice actor. That said, when “Kim Possible” was rebooted in to a TV movie series, I was surprised by how new and re-energized the reboot looked. Though “Kim Possible” is back, she’s returned for a whole new generation of fans that have embraced heroines fighting crime.
It took us over ten years, but hell, we finally got a great live action “Transformers” movie. The only thought that came to mind while I was watching the opening ten minutes of “Bumblebee” was: Why didn’t we get this in the first place? Why did Sony opt for such a moronic, nonsensical, incoherent mess of a franchise, rather than deliver what is easily the best live action representation of the franchise I’ve seen so far. Everything in “Bumblebee” is the antithesis of what Michael Bay’s movies were, right down to the lack of racial stereotypes, and the jingoism. Granted, there is a meat head military hero with John Cena, but that’s a miniscule nitpick in a movie that’s just such a great experience from beginning to end.
In the decade that gave us “E.T.” and droids, “Short Circuit” introduces a hero that’s a little bit of both. “Short Circuit” is very much like “Chopping Mall” except when lightning strikes a military grade robot he becomes hyperactive and charming like Robin Williams. I wouldn’t call “Short Circuit” a childhood favorite but I fondly remember re-visiting the movie time and time again on network TV when I was a kid and didn’t hate it. In the spectrum of “Mac and Me,” and “E.T.,” its right there smack dab in the middle with “Batteries Not Included.”