Director/Writer Chad Faust really knows what he’s doing in “Girl,” as he places a lot of the film’s weight on star Bella Thorne. Thorne is an underrated actress that’s been stuck in a lot of terrible movies, but when she’s paired with the right director, she gives performances like the one we see in “Girl.” Star Thorne carries what’s just an okay movie that feels like it aspires too eagerly to be held in the class of other backwoods dramas like 2010’s “Winter’s Bone.”
Meir Zarchi’s revenge rape thriller is a movie that continues to inspire immense bile from movie critics and movie buffs since its release in 1978. Much like its contemporary “Cannibal Holocaust,” Zarchi horror movie is deeply upsetting and requires the viewer to endure it in a certain state of mind. It’s a film you’ll either love or despise, and it gets a very good treatment from Roninflix who brings it home to fans like yours truly.
This year “I Spit on Your Grave” was given a deluxe box set on Blu-Ray and 4K allowing fans a new vision for what is easily one of the most upsetting, polarizing, and controversial films ever made. The Meir Zarchi film that popularized the volatile sub-genre rape-revenge films has spawned dozens of cinematic carbon copies (along with infamous bile from Roger Ebert), and features one of the most notorious castration scenes ever depicted. In commemoration of “I Spit in Your Grave” being released to fans yet again, I thought I’d sound off five of some of the more grotesque movie castrations ever filmed.
The clear indicator that this is simply the lamest of the exports so far is the first twenty minutes where director Chalerm Wongpim asks us to enjoy the realism of the epic battle scenes, while also forcing us to swallow a scene of our hero Siang riding a large rocket in the air. He then takes part in one of the most boring fight sequences I’ve ever seen. Most notable is the choreography which is slow and clunky, while most of the scenes are so poorly edited that they look like rehearsals for actual scenes we’ll never get to watch. It’s the first time I’ve seen a flying knee kick and not gasp in amazement.
Kazuhiko Yamaguchi’s “Karate Warriors” (aka “Killing Fist and Child”) is a solid action film mainly because of Sonny Chiba, and because Chiba’s charisma makes up for the overall plot’s shortcomings. His mystique is often entertaining and there are also the pre-requisite great fight sequences. Chiba is a force of nature here, and like “Yojimbo” he plays the rival gangs against one another for his own personal sake.
Yutaka Kohira’s “Sonny Chiba’s Dragon Princess” (Or “Dragon Princess,” or “Lady Karate,” or “Assassin Woman’s Fist”) is a misleading title often being boasted as a Sonny Chiba film, even though he has nothing more than a glorified cameo. The actual star, Etsuko Shiomi headlines as a girl whose father Agaki (Chiba) is confronted by two martial arts masters who challenge him to a fight, intent on taking his position as top karate master.
Scott Glosserman’s horror masterpiece is a beautiful examination of the slasher sub-genre and its once simplistic genre elements takes a story, and provides a whole new twist to the axe wielding maniac. In the process, it presents us with dark humor that’s actually funny, great performances, and debuts from actors you’ll want to see more often after this. The humor in “Behind the Mask” is never smug of self-aware, and the movie never once breaks the fourth wall by making audiences aware that yes, they are watching a slasher film. Director Scott Glosserman breaks down the elements of the sub-genre forcing audiences to take a second look at the whole concept of the slasher film and the axe wielding maniac.
There’s some supernatural element in “Friday the 13th” that doesn’t fully reveal itself until “Jason Lives.” Before that, Jason was more of a mortal superhuman capable of being killed and he is presumably stopped in “The Final Chapter.” In Danny Steinmann’s “A New Beginning,” Jason is definitely dead and Tommy has difficulty moving on as he’s haunted by Jason’s image time and time again. Since the fifth film apparently still takes place in the town of Crystal Lake, Tommy is still facing the trauma of battling Jason, even though it’s established he’s buried.