As his mother lays in a coma, possibly brain dead following a car accident for which he holds his stepfather responsible, Harper drunkenly meets and subsequently hires a shady man to take care of things and avenge his mother. As he questions his decision the film goes into two paths at once, creating a layered story that must be followed until the end to be fully understood.
Every time he thinks he’s out, they pull him back in! Keanu Reeves’ action starring vehicle “John Wick” ended up being one of the best films of 2014, and three years later, we’re granted what is essentially “The Empire Strikes Back” of the John Wick saga. When John Wick went in to retirement, violence found him once and he wrought unholy vengeance one last time. Now that he’s been a few years in exile, living alone with his trusty pit bull, his past has returned once again. Italian gangster Santino D’Antonio shows up at John’s door aware of his mission of vengeance and now plans to take advantage of a decades old blood oath he made to him when he was working as an assassin. Handing him a very sacred reminder called a “marker” with John’s own blood in it, he plans to hold him to his oath, despite John’s protests.
“BC Butcher” was made by Ms. Bowling when she was seventeen and she poured all of her resources in to making an hour long feature that paid tribute to the B movies of the sixties. Bowling has a clear cut love for drive-in trash like “Teenage Caveman” and “Eegah!” and delivers a schlocky indie film that also doubles as the first slasher film set during the caveman era. Filled with a lot of call backs to the sixties, and absolutely no attention to historical accuracy, Bowling has an obvious goal here, delivering a movie that’s more a practice in tongue in cheek, rather than straight up horror. You really can’t bash a film that features a supporting role by Kato Kaelin, and is narrated by Kadeem Hardison, too heavily.
It’s shocking how well 1981’s “My Bloody Valentine” holds up. While it is a holiday themed slasher film that would end up becoming one of many, it can be placed in a league of its own for how creepy, eerie, and tense it still is. Sure you can argue that George Mihalka’s film is a bit rough around the edges. In one scene when character Hollis discovers a young couple impaled on top of each other, in a quick edit, you can see the actress breathing. But that doesn’t stop “My Bloody Valentine” from turning in to a very tightly written and engaging horror film about a psychotic miner who really hates Valentine’s Day. Mihalka’s film transforms in to a slick amalgam of “Friday the 13th” and “The Town that Dreaded Sundown,” where our maniac Harry Warden is created after the result of gross negligence.
After the murder of his father and his becoming deaf following a blow to the head, Asher trains himself and prepares for the day he will be able to avenge his brother from that man. When the man is released from jail early, he goes on the path of revenge. Written and directed by Sean Brosnan, this first feature film takes a story of revenge and twists it by keeping it all in the family. The film takes the usual revenge due to a family member’s death and mixes it up with the murderer also being family (not a spoiler, it is part of the official synopsis). The way he builds the story is quite straight forward and his characters are all heavily flawed but somewhat attaching in the case of his lead, Asher, and his friend Nana. All the characters have rough lives in a very poor deep south, but some have goals and are trying to make a better life for themselves, making them more interesting than the others.
“Juvenile delinquency is the product of pent up frustrations, stored-up resentments and bottled-up fears. It is not the product of cartoons and captions. But the comics are a handy, obvious, uncomplicated scapegoat. If the adults who crusade against them would only get as steamed up over such basic causes of delinquency as parental ignorance, indifference, and cruelty, they might discover that comic books are no more a menace than Treasure Island or Jack the Giant Killer”.
I often describe “Creepshow 2” as a mean spirited sequel, but I think that’s why it stands apart from the original. And granted the original movie was also a bit mean spirited in and of itself, so I don’t know why I continuously give it such a label. The whole janitor and med student being eaten by the yeti in “Creepshow” just pour cruel, harsh deaths. Anyway, I love “Creepshow 2” and my re-watching it in its crisp restoration from Arrow Video confirmed that. There are a ton of movies I adored as a kid that just hasn’t held up very well, but “Creepshow 2” still maintains its inherent quality.
Director and co-writer Gabriel Carrer’s vigilante thriller film “The Demolisher” is one of the highlights of my coverage of Fantasia Fest back in 2015. While the plot points here and there are sloppily constructed, “The Demolisher” is an overall very good and strong tale about grief, sadness, and delusion that can stem from ones own guilt, in the end. While Gabriel Carrer’s film struggles to find its pacing and momentum in the first half hour, “The Demolisher” does inevitably pick up steam to build in to one hell of an interesting revenge thriller.
Life is funny. One moment you’re in prison being beaten up, the next moment you’re having a miniature skull growing out of your forehead. “Dangerous Worry Dolls” is a silly, dumb, and very unscary take on the further obsession of mini monsters doing dangerous things by Charles Band. You have to give it to the man, he always finds a way to squeeze in miniature monsters on to film and look for new and unique ways to make them villains. “Dangerous Worry Dolls” is terrible, but at least Band has a new and unique idea for making mini-monsters become the villain for a movie that looks like it was made on a budget of ten dollars.