Disney remaking their loose adaptations of classic fairy tales and folklore is their newest confusing trend, and as a behemoth of a corporation they’ll keep churning them out. Because they know audiences will go see them. “Aladdin” banks heavily on the nostalgia of the nineties much like previous Disney efforts. And like previous Disney remakes, “Aladdin” is fine. It’s just fine. I’ve yet to see a Disney live action remake that has completely outshone their original effort; compared to “The Lion King,” Guy Ritchie’s remake is mediocre, time filling fodder and that’s about the best compliment I can give it.
Jon Favreau’s “The Lion King” is very much like Gus Van Sant’s “Psycho.” It’s a glossy, new setting, with a bold new cast, but when you cut right through the nostalgia lenses, it’s basically the same movie all over again. “The Lion King” doesn’t leave a lot of room to surprise its audience, as it basically plays it safe and copies the original film almost verbatim. Why watch a remake of “The Lion King” when you can simply stay home and watch the 1994 original? I can’t think of much of a reason, save for the all star cast.
For a remake manufactured purely out of spite for Don Mancini, it’s shocking how great the 2019 “Child’s Play” is. It’s not a redo of the original 1988 and that works toward its benefit as the studio is able to build its own mythology and unique horror tale. While the commentary on AI run amok is on the nose, “Child’s Play” manages to be a great time that evokes a lot of the classic eighties aesthetic right down to fleshed out, clever teen heroes that we can root for.
I’d almost be willing to bet money that Warner is planning a big deluxe boxed edition of “A Star is Born” for Christmas or perhaps the new year. Until then, fans of “A Star is Born” can double dip or opt for either edition that’s been released. While the original release is very good with some interesting extras, The “Encore Edition” is an okay release if you want the extended edition and a lot more material with what is an already great film. You can’t go wrong with “A Star is Born,” a wonderful remake that managed to be the best musical of 2018, bar none.
For horror fans looking for another value pack of horror movies, Mill Creek Entertainment is repackaging some of their more notable titles in to a Triple Feature on Blu-Ray. For folks looking to increase their horror movie collection and save money, this is the perfect launch pad with some up to date formats. This Trio of films come on Blu-Ray and DVD, for folks that still collect and or use the latter format.
You don’t know how good you have it. These days everyone has Iron Man, and Captain America, Oscar winning Spider-Man movies, and massive team movies from DC and Marvel. Aquaman is a friggin’ box office juggernaut. In 1996, though we had slim pickings, and, well the best we could get was a truly terrible, painfully dull cinematic adaptation of a pulpy Dark Horse comic that doubled as a remake for “Casablanca.” No seriously, this is as good as it got for us comic book fan boys.
Director/Star Bradley Cooper’s “A Star is Born” will likely go down in history as one of the greatest remakes of all time. Cooper doesn’t try so much to remake a story that’s been already remade, but rethink it for a modern culture. In the end “A Star is Born” excels because it doesn’t lose sight of what it wants to convey as an epic romance, and a tale about identity, and stardom. It’s a beautiful and often soul shattering drama that Cooper directs with immense humility and is able to derive wonderful performances all around.
I saw a ton of movies in 2018, and thankfully I didn’t see too many awful films in the theaters. 2018 was a pretty great year for film, and while I didn’t have enough time to see everything, the share of films I checked out were mostly passable. Even the really alleged awful films people complained about were just disposable junk, and not worth complaining about, or even reviewing. That said I did find ten particularly bad films in 2018, and these had the dishonor of making the list.