Like a lot of previous efforts to reboot a property, Neil Marshall’s handling of “Hellboy” was the apparent product of studio interference and clashing ideas that resulted in a hectic shoot for just about everyone. That’s a shame since when Neil Marshall is allowed to unfold his own ideas and monsters, he gives us “The Descent,” and “Dog Soldiers.” It’s not to say that “Hellboy” is a bad movie, it’s just one half of a very good reboot that’s fun, and action packed, and one half of a sloppy studio film that’s boring, over explained, and sloppily tailored for sequels, prequels, and spin offs.
Seven movies later, and the “Leprechaun” movie series is still alive and kicking. I fondly remember watching the original movie on a VHS rental back in 1995, and studios have found it a necessity to keep the saga of our demonic little person going. After the horrendous re-imagining of the series from 2014 that tried to turn the Leprechaun in to a faceless beast, “Leprechaun Returns” gets back to what made the original movie series so entertaining and deliciously silly. Sans Warwick Davis, the original Leprechaun, of course (he declined to star in horror films for a little while).
After 2007’s failed reboot “Nancy Drew” starring Emma Roberts, I was surprised anyone bothered to take the property in to theaters again. Roberts was very good in the role of Nancy Drew, but her take on the character was more self-aware and an homage, rather than a new, more modern approach for a new generation of girls. Thankfully Katt Shea approaches “Nancy Drew and the Hidden Staircase” with the definite desire to restart the series, and Sophia Lillis is now playing the iconic teenage sleuth, and manages to help deliver (co-Produced by Ellen DeGeneres) a satisfying mystery and a very good reboot.
It’s been a very long time since Michael Myers was such an imposing or scary horror figure. After many years where he became a reality star getting his ass handed to him by a hip hop star, and being turned in to a hillbilly, it’s good to see Michael Myers once again return to the form he arrived in as “The Shape.” Directed by David Gordon Green, “Halloween” (or “H40,” if you want to get very technical) won’t be for everyone, as it is a mixed bag that makes a controversial decision with its narrative and the mythos. In the end, though, I had a great time, and would recommend it, especially for the horror base looking for a good return to the universe Carpenter specifically established.
I’ve been a long suffering “Puppet Master” fan who has waited patiently for the movie series to go back to its original course and head in to the deeper look in to the puppet mythos. After many years of pseudo-sequels and really awful bargain basement follow ups, we get a reboot but one that’s not a reboot, apparently. S. Craig Zahler’s “Puppet Master” is a new direction for the series that is an alternate timeline series that will exist alongside the original movie series from Full Moon. So not only do we have a crappy original series that needs a course correction, but a brand new series that’s junk from the starting gates with a feeble attempt to be provocative and controversial.
Remember that thing we learned about Samara from “The Ring” and “The Ring Two”? There’s a bit more of the story we didn’t learn about her and we have to sit through a hundred minutes to find it out. Why? All for the sake of a surprise ending that apes James Wan, but packs none of his usual flare. Like, you know… an actual surprise. Truthfully, I saw the surprise twist coming for “Rings” about twenty minutes in to the actual film, and while I appreciate wanting to reboot the series for a new generation that only knows what a VHS or VCR is through history books or novelty articles on Buzzfeed, “Rings” just isn’t a good movie.
After five years on the shelf constantly being rescheduled and postponed, “Amityville: the Awakening” is here and–makes apparent why it was postponed for so long. At ninety minutes, “The Awakening” feels like there are at least twenty minutes of good exposition missing. What we get is a pretty ineffective and monotonous horror film that feels very much like another run of the mill sequel in the oddly long running “Amityville” series. It has a lot of potential to really break out of the doldrums of being just another cash grab, and could have done some great things with its emphases on family, but every time it reaches out to become something different, it inevitably just pulls back again and seems intent on just making it to the end credits with no real effect.
A lot of what makes Addams Family such a fun series is the darkly comic and sinister tone and great sense of Goth that comes with it. It’s not often I say this but watching the rare 1977 movie is kind of a chore to sit through, and you can sense it’s not a good movie at all once you gander at the grainy video and lack of production quality. This attempt at a series revival is a “feature length” television movie that is supposed to set off the new Addams Family. For some reason this is a reboot with the entire cast from the original series all over again, right down to an adult Wednesday and Pugsley. “Halloween with the Addams Family” isn’t just abysmal, but it’s boring, and painfully silly.