Geek Girls (2017)

What is it like to be a geek girl? How does the rest of the geek world welcome you? This documentary looks to explore and shine a light on what it’s like to be a woman in a very particular men’s world, the way they are treated, how they have to adapt to basically survive. In a world where people are threatened with doxxing, rape, and murder for being different, women find a way to make it work and get to enjoy their fandoms and interests.

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Epic History X-Men, Volume 3: The Dark Phoenix Saga

EpicHistory1There’s no bigger an X-Men fan online than Comic Book Girl 19. The web personality has made her claim to fame from online personality to bonafide geek goddess by providing insightful, lucid, and very controversial opinions about comic books and pop culture in general. Among some of the biggest pop culture dynasties, Comic Book Girl 19 is one of the most passionate X-Men fans around. Like me, she hates the movies, but loves the X-Men comics and longs for a day when we can finally see them adapted properly on the big screen. “Epic History X-Men” has nothing to do with the movies, and is in fact about a certain stream of storylines and character arcs involving the X-Men.

Comic Book Girl 19 and director Tyson Wheeler have their cut off point, and end episode three of three with the “Dark Phoenix Saga.” The massive science fiction arc was penned by Chris Claremont and is one of the most complex, complicated, and unusual storylines ever put to the comics. And Bryan Singer actually is going to try to simplify it for one or two films. That aside, “Epic History X-Men” is a fantastic and very entertaining documentary where Comic Book Girl 19 and her sidekick Robot lay out the events of “The Dark Phoenix Saga” and explain the storyline’s nuances and emotional strong points as thoroughly as possible.

Though the series as a whole could just being Comic Book Girl 19 sitting in a chair and laying out every point of the storyline, she and director Tyson Wheeler switch up the monotony by adding splashes of panels from the comic books. They also animated a lot of the panels, and even add their own voice overs and great sound effects, all of which really add a flavor and excitement to an already enthusiastic host. Comic Book Girl 19 loves the X-Men, and she seems to have a ball describing every storyline, from Jean Grey returning as the Phoenix, the big rumble with the X-Men and an erotic mutant organization called the Hellfire Club, Wolverine taking down a whole army of guards single handedly, to Jean’s eventual transformation in to the dark side as the Dark Phoenix which ultimately split the team apart.

Comic Book Girl 19 even takes the time out to introduce her favorite X-Men: Dazzler. Dazzler is a light controlling mutant that Comic Book Girl 19 has fought for, defended, and consistently taken scrutiny for favoring over everyone else in the comics, but makes a darn good case for the character’s significance to the “Dark Phoenix Saga.” What’s punctuated through most of Volume 3 is that the “X-Men” isn’t just a series about young people going on adventures. It’s a long and very unique consistent epic about people with extraordinary powers from various ethnicities and nationalities fighting for humanity, and learning that they themselves are human, in the end.

Though considerably low budget, “Epic History” volumes 1-3 garners some bang up production with excellent voice work. They’re undoubtedly very exciting, entertaining, and heartfelt glimpses in to only some of the most important storylines in one of the most unique and original characters in comic book lore. Comic Book Girl 19 treats the material with great reverence and will likely leave you seeking out the books and appreciating the characters so much more. Suffice it to say I had more fun with the third chapter than I did with “X-Men: Apocalypse.”

“Epic History X-Men Volume 3: The Dark Phoenix Saga” is now available on Vimeo On Demand.

My Five Favorite Beauties of the MCU

gamoraMarvel and Disney have brought movie fans far and wide some of the strong, bravest and most beautiful heroines in cinematic history. While Marvel has a pretty good track record with female heroes, the Cinematic Universe has slowly but surely introduced a long gallery of fantastic and complex bad asses, some of whom are cinematic creations, while others brought in to the flesh from the pages of the comics. These are five of my favorite beauties from the Marvel Cinematic Universe. Did I miss any of your favorites? Continue reading

Geek Mutiny: Daze of Future’s Past

In episode four of “Geek Mutiny,” Felix and Brian discuss Ecto Cooler, Crystal Clear Pepsi, Foods we want back, The Best and Worst Video Game movies, Texas Chainsaw 3D, Bryan Singer’s X-Men movies, and their own history with the X-Men! Brian also displays an affection for a particular duck named Howard.

Tune in to listen and share your own thoughts in the comments!

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Comic-Con Episode IV: A Fan's Hope (2012)

comic-con-a-fans-hopeWell how about that? Someone finally gets it. Morgan Spurlock has become one of the most notable documentary directors of all time and thankfully with “Comic Con Episode 4” he chooses to spotlight an area of the world that garners a lot of attention and acclaim and yet rarely gets looked upon with much respect. It’s so easy to kick at fan boys in today’s pop culture storm because they’re simply the easiest targets around. But what Morgan Spurlock accomplishes with the help of Stan Lee and Joss Whedon, is depict fan boys in a light we rarely ever see: human. In the grand tradition of films like “Trekkies,” Spurlock spotlights the entire comic con experience from multiple angles to allow the general audience to explore that comic con as a whole is not just a simple gathering of fan boys across the world, but a testament to hard work and for some, a day that decides the rest of their lives.

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The Long, Slow Death of a Twenty-Something (2011)

Ben Baker is the classic male of the western society. He has no identity. He’s too old and mature for his teenage antics that involve gaming, bullshitting, and heavy alcohol, and he’s too young and immature to accept the doldrums of adulthood that involve committed relationships and responsibilities. Too adult for childish things, and too childish for obligations, both of which are worlds where Ben is incapable of being himself and expressing of his true feelings on any given topic. With a very symbolic prologue involving a blue square, director Larry Longstreth basically sets the stage for a story about growing up, moving on, and trying to find a place in a society that demands everything of you but yourself.

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We are Cinema Crazed and We're Here to Talk about Scott Pilgrim vs. The World and Stuff! One! Two! Three! Four!

NOT SO LONG AGO IN THE MYSTERIOUS LAND OF NEW YORK, FELIX VASQUEZ JR. WROTE A SCOTT PILGRIM ARTICLE…

At this time I’m still trying to decide if I love or hate “Scott Pilgrim vs. The World” for what it is. I am convinced years from now young kids will be declaring that Edgar Wright’s film is something of a cheer for their culture, a love letter to the nostalgia obsessed Canadian hipster society, but many will fail to realize or even admit that in reality this movie is a practical joke. Deep down while it looks like a celebration of our nostalgia obsessed technology based generation, Edgar Wright actually makes fun of people he purportedly appeals to with his 2010 action romance movie. While many have described it as a bright and colorful movie, it is actually the most cynical statement about our culture in years. Many won’t accept that or be willing to even admit it’s a possibility since Edgar Wright is a pop culture fanatic and has always hung around pop culture fanatics in his early years.

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Scott Pilgrim vs. The World (2010)

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“Scott, if your life had a face, I’d punch it.” – Kim Pine

The stellar Edgar Wright has finally made it to the American shores by way of a cult series of graphic novels and in typical Wright-fashion, he’s not prone to just making any movie that would appeal to an audience of the PG-13 sector. “Scott Pilgrim vs. The World” is self aware. It’s so self-aware it’s aware that it’s self-aware and makes its audience aware of its self-awareness by reminding us of its self-awareness with an often self-aware sense of humor that very few will get. Leave it up to Wright to make a broad mainstream teen film that will only appeal to a cult audience as “Scott Pilgrim vs. The World” is basically about the modern generation. It’s pure unadulterated pop culture overload with ideals that are simplified and set to the tune of classic video games.

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