BOOTLEG FILES 582: “Bell Bottom George” (1944 British comedy starring George Formby).
LAST SEEN: An unauthorized posting is on YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: The film and its star are unknown in the U.S.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: It has been released on British DVD, but a U.S. release is unlikely.
Very few Americans ever heard of George Formby, but over in Great Britain he is revered as one of the top entertainers of the 1930s and 1940s. With his squeaky Lancashire voice, his toothy grin, his penchant for singing upbeat tunes (many with saucy double meanings) while playing a ukulele or banjolele, and a persona for being a lovable bumbler who somehow manages to save the day, Formby personified what the British refer to as the “cheeky chappie,” but which Americans would recognize as a working-class hero.
Carmine Capiobianco is the beloved star of such below-the-radar/over-the-top classics as “Psychos in Love,” “Galactic Gigolo,” “Land of College Prophets,” “Bikini Bloodbath” and “The Sins of Dracula.” Most recently, he starred in Debbie Rochon’s “Model Hunger” and the documentary “VHS Massacre.” On today’s show, Carmine discusses his illustrious career in underground cinema with host Phil Hall.
BOOTLEG FILES 581: “Zenobia” (1939 comedy starring Oliver Hardy, Harry Langdon and Hattie McDaniel).
LAST SEEN: An unauthorized posting from a TCM telecast is on YouTube.
AMERICAN HOME VIDEO: A 1997 VHS video release.
REASON FOR BOOTLEG STATUS: A film that slipped through the cracks.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: It is not a priority.
In 1939, producer Hal Roach announced that he was creating a new film that teamed Oliver Hardy with Harry Langdon. This was not something that Hardy welcomed, but he had no choice. Hardy and his longtime partner Stan Laurel were signed to separate contracts with Roach – their teaming came about by accident rather than design – but after a dispute involving the production of the team’s 1938 feature “Block-Heads,” Roach terminated Laurel’s contract. With Hardy still under contract for another year, the producer looked about for a vehicle to fit his rotund comedy star.
One of the most fascinating figures in Hollywood history had one of the most fascinating figures in Hollywood history. On this episode, host Phil Hall celebrates the legacy of the ultimate blonde bombshell with Richard Koper, author of the biography “Affectionately, Jayne Mansfield.”
BOOTLEG FILES 576: “A Day at the Horse Opera” (1966 animated short inspired by the Marx Brothers).
LAST SEEN: An unauthorized video dupe is floating around Facebook.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: A possible problem with rights clearance.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely at this time.
On February 14, 1966, the trade publication Broadcasting Magazine carried an advertisement from Filmation Associates for a proposed series titled “The New Marx Brothers Show.” The series was to consist of 156 animated shorts featuring characters inspired by Groucho, Harpo and Chico Marx. (Yeah, no love for Zeppo, again!)
Has there ever been a more bizarre creature than Ro-Man, the extraterrestrial robot that looks like a gorilla wearing a diving helmet? On this episode, we learn the story behind the making of “Robot Monster” and the life of its mysterious creator, Phil Tucker, with our guest Anders Runestad, author of the book “I Cannot, Yet I Must.” We also get to discuss Tucker’s work with Lenny Bruce on the equally bizarre “Dance Hall Racket” and the stories behind his lost films “Space Jockey” and “Pachuco.”
This episode of “The Online Movie Show with Phil Hall” celebrates the Oscar-winning DePatie-Freleng Enterprises, the animation studio responsible for such beloved characters as The Pink Panther, The Ant and the Aardvark, Tijuana Toads and The Dogfather. Mark Arnold, author of “Think Pink: The DePatie-Freleng Story,” discusses the little-known history of the innovative artists behind these beloved animated shorts.
This program is produced at Platinum Wolfe Studios.