For someone who understands the punk rock world so well, Alex Cox is very quick to tear the nostalgia shades off of the viewers to depict a meeting of two lovers that was so intense it resulted in an unfortunate murder. “Sid and Nancy” are often romanticized by music lovers even to this day, but Alex Cox who brought us the masterpiece “Repo Man,” looks behind the gloss, picturing two unbearable, but real individuals. Director Cox paints a brilliant picture of two people spiraling in to oblivion, with a remarkable drama that’s less a biopic and more a chronicle of two doomed lovers. Sid Vicious and Nancy Spungen are a lot to drink in. From the moment we meet them, they’re loud, they’re parasitic and disgusting, but they form a relationship where they understand each other. In many ways they decided that they need each other to survive.
Originally airing on December 14, 1952 for the Colgate Comedy Hour, Abbott and Costello get to celebrate Christmas with the viewing audience and have a raucous time doing so. As with all Abbott and Costello comedy, the show moves at a rapid fire pace with consummate professionals Bud Abbott and Lou Costello having an impossible time staying still and taking a breather. Despite some segues here and there which were very typical of variety shows in the height of their popularity (there’s a wonderful dance routine by the Nicholas Brothers). Lou Costello is brilliant at reaction shots and double takes, and Bud Abbot is a wonderful straight man and foil. Also like skilled comedians, they make the best out of flubs.
Dalida tells the story of the Italian-Egyptian singer who made her life in France and was, and still is, hugely popular in French-speaking countries and other parts of the world. She was and still is a musical icon who became almost mythological after her suicide in 1987. For the unfamiliar, Dalida was and probably still is as big of an icon to some as Cher and Madonna are in the US.
The long out of print “Rock-a-Doodle” from animation master Don Bluth has finally stormed its way on to HD thanks to Olive Films, and it’s a blast to the past for me. I fondly remember seeing a lot of the ads for “Rock-a-Doodle” as well as coming across TV spots and ads in comic books. Sadly, the actual cinematic experience was a bust, even for an eight year old moi. It was a dull, awful movie then, and it’s a pretty dull and awful movie, now. I doubt even the best of nineties nostalgia geeks can find a gem in this mess of a movie. I spent a good number of years putting “Rock-a-Doodle” in the back burner of my memory, and I realize it was for good reason.
Although I absolutely love “Thriller,” I’ve never been one to associate Michael Jackson with Halloween, but apparently someone does. “Michael Jackson’s Halloween” isn’t just an animated special for the whole family, but it’s classic Michael Jackson. It has his music, it inspires individuality, and it further emphasizes Michael Jackson as something of a mythical figure that centered his life on defending children against sinister forces lurking in the shadows. Suffice to say “Michael Jackson’s Halloween” is a weird animated special, but it’s an oddly entertaining one that will work if you’re a Jackson buff.
A starting band with members from the US and the UK moves to Los Angeles to make it big. Living in their van, they work hard to get their start on the Sunset Strip. After a chance encounter with a mysterious man, things start to fall into place, but there is a price to pay.
Written by Christopher Leeson and directed by Josh Wong, this documentary follows a band as they record an album in an abandoned home in the Canadian Prairies. One of them finds this place while driving and brings the rest back to record a more natural, organic album in terms of sound and how it comes to be. The film follows these men and looks into their lives through interviews and music. The men shown include Adam Naughler, Jon May, Blake Reid, Aaron Young, and Jason Valleau who all work on the album together and have their lives and hopes discussed by themselves and others.
A young woman begins working in an old school shoe factory as it is under closure threat from the company trying to save a buck and move the production to a less expensive country. Through the fight to save the factory and the jobs, she and her co-workers learn a lot about themselves, each other, and life in general.