Rock-a-Doodle (1991) [Blu-Ray]

The long out of print “Rock-a-Doodle” from animation master Don Bluth has finally stormed its way on to HD thanks to Olive Films, and it’s a blast to the past for me. I fondly remember seeing a lot of the ads for “Rock-a-Doodle” as well as coming across TV spots and ads in comic books. Sadly, the actual cinematic experience was a bust, even for an eight year old moi. It was a dull, awful movie then, and it’s a pretty dull and awful movie, now. I doubt even the best of nineties nostalgia geeks can find a gem in this mess of a movie. I spent a good number of years putting “Rock-a-Doodle” in the back burner of my memory, and I realize it was for good reason.

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Michael Jackson’s Halloween (2017)

Although I absolutely love “Thriller,” I’ve never been one to associate Michael Jackson with Halloween, but apparently someone does. “Michael Jackson’s Halloween” isn’t just an animated special for the whole family, but it’s classic Michael Jackson. It has his music, it inspires individuality, and it further emphasizes Michael Jackson as something of a mythical figure that centered his life on defending children against sinister forces lurking in the shadows. Suffice to say “Michael Jackson’s Halloween” is a weird animated special, but it’s an oddly entertaining one that will work if you’re a Jackson buff.

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No Roads In (2017) [Oceanside International Film Festival 2017]

No Roads In is a music documentary but also one about how music can transform lives.

Written by Christopher Leeson and directed by Josh Wong, this documentary follows a band as they record an album in an abandoned home in the Canadian Prairies.  One of them finds this place while driving and brings the rest back to record a more natural, organic album in terms of sound and how it comes to be.  The film follows these men and looks into their lives through interviews and music.  The men shown include Adam Naughler, Jon May, Blake Reid, Aaron Young, and Jason Valleau who all work on the album together and have their lives and hopes discussed by themselves and others.

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Footnotes (Sur quel pied danser) (2016)

A young woman begins working in an old school shoe factory as it is under closure threat from the company trying to save a buck and move the production to a less expensive country.  Through the fight to save the factory and the jobs, she and her co-workers learn a lot about themselves, each other, and life in general.

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Vicious Lips (1986)

It’s really hard to find anyone who does eighties neon pop surrealism like Empire Pictures. If you want to soak in everything about the decade from the bright colors, weird synth music and massive hair, look no further than films like “Terrorvision,” “Bad Channels” and or “Vicious Lips.” Your experience with Albert Pyun’s rare cult film may vary depending on your love for the decade, but sans the nostalgia goggles, it’s only a moderately entertaining experience that it limitless in its oddities. Something of a mixture of “Rock and Rule,” “Jem and the Holograms,” and “Rocky Horror Picture Show,” Albert Pyun throws so much imagery at the audience and there’s never any kind of substance soaked up.

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