Scott Douglas Brown’s “Stadium Anthems” is a movie that is just fine when all is said and done. The direction and production values are very good, and most of the cast keeps the film afloat with their charisma. It’s an okay movie that ultimately feels like with a bit of alterations it could have been great. I am always a fan of mock documentaries about rock bands, and varying shades of egos, et al. It’s just that “Stadium Anthems” suffers from feeling like there are just too many ideas struggling to rise to the surface, and it drags it down big time.
Danny Wolf’s documentary series is something of a contradiction in that it’s a series about cult movies that were or continue to be unappreciated. And yet, every movie that’s covered all has rabid fan bases. Some of them even have conventions and social gatherings celebrating them. While the “Time Warp” movie series doesn’t re-invent the wheel, if you’re in the mood to celebrate some fun cult films and just lose yourself in mainly American cult classics, then Volume 3 is right up your alley.
The nineties had a weird trend where studios took classic films and attempted to rework them in to contemporary trash films. Pamela Anderson starred in a “Casablanca” remake with “Barb Wire,” Vanilla Ice tried for his own “Rebel Without a Cause” remake with “Cool as Ice,” and oddly enough Paul Verhoeven aims for a remake of “All About Eve” with the cult Joe Esterhas anomaly known as “Showgirls.” Simultaneously lambasted and praised for being so unabashedly stupid and sleazy, Verhoeven attempts to hide a narrative better suited Skinemax than world wide release in theaters beneath thin art house veneers that fool no one.
When I was a kid growing up in the Bronx, everyone knew who Walter Mercado was. When he was on Telemundo we would all remain in complete awe and silence as he dominated the screen with an almost supernatural presence. Filled with charisma, theatrical enthusiasm, and flamboyance, Mercado gave the latinx community astrological readings that were almost always steeped in hope, optimism, and spirit. Along the way he broke barriers becoming a worldwide sensation as a guru who defied gender, sexual, and style barriers everywhere he went.
Long before America accepted the Luchadore as a part of modern wrestling, Lucha Libre has been an immense force of the wrestling world. It’s broken so many barriers and allowed the culture to seep through, even integrating what’s known as the “Exótico.” Cassandro is a kind of luchadore who mixes the art form of drag along with the art form of professional wrestling. Often times Cassandro is no different than Gorgeous George or Ric Flair, but he’s different in the way he embraces his homosexuality so openly and absolutely without apology.
Mostly unknown for years and years, Reinhold Schünzel’s musical comedy is a very good musical comedy that would set the template for the LGBTQ iconic movie and musical “Victor/Victoria.” Although known as “Viktor und Viktoria,” director Schünzel creates a funny, adorable, and entertaining musical that mixes cross dressing and heavy queer overtones. It otherwise salvages the pretty clumsy finale that doesn’t resolve much when all is said and done.
A history of Doo-Wop music, its influence, and how far reaching it is even to this day. The interviewees are numerous, including a lot of important figures in the genre and a lot of people whose work was influenced by these trailblazers.
LAUGH IT UP AS TIME LIFE PROMOTES STAYING HOME AND LAUNCHES THE OFFICIAL ROBIN WILLIAMS YOUTUBE CHANNEL, CELEBRATING THE ICON’S INIMITABLE GENIUS
The Channel is now a Digital Home for Williams’ Classic Sketches and Exclusive Extras, with Five Clips and Debuts a New Clip Each Week!
This April Fools’ Day, the comedy connoisseurs at Time Life launched The Official Robin Williams YouTube Channel, celebrating Robin’s comic genius. Whether you know Robin from the stage or from the screen, as a comedian, an alien, or a genie-home audiences can subscribe to the channel and be prepared to laugh and cry at unforgettable and hilarious performances by the singular talent.