In 1993, Monstervision on Turner Network Television in America was mostly a program that aired old horror movies and science fiction with the occasional hosting from magicians Penn and Teller. During the early nineties, many cable channels hadn’t yet solidified their formats, so a lot of the time slots were used on syndicated programs and adult programming, with the occasional time slot devoted to a rare original program here and there. Mainly though, the original appeal of cable television was watching old movies and television shows you couldn’t find on network television. To break up the monotony of airing the same movies over and over, they enlisted hosts to riff during commercial breaks.
People usually laugh when I tell them I have a mortal fear of zombies, but for many years I did. I had a mortal fear of the walking dead, for reasons I can’t really explain. Fears are meant to be irrational. I can however pinpoint to where it may have all started, and it was with George Romero. One of my earliest memories as a kid was when my dad took a four year old moi to visit a friend of his, who watching this horror documentary on VHS. Mid-way through the footage there was the epic finale of “Day of the Dead” where the humongous horde of zombies is slowly descending in to the military bunker with light cast upon them.
I got started as a critic in 2004 when I covered the Fantasia film festival for Film Threat. At the time I was pretty active on the Film Threat web board and one of the moderators, I believe it was Eric Campos, asked if I could attend the festival and write something for the magazine since I lived nearby. I must have done a good job because he let me stick around to do more stuff, mostly review indie films and write a series called “Versus” where I compared remakes with the original.
It was fun, but eventually I had to slow down because I was burnt out. I realize that “watching movies” doesn’t sound exhausting, but I always felt a deep sense of responsibility to both the readers and the filmmakers. It felt wrong to just go “This film sucks!” or “This film rocks” without exploring every little detail on screen and analyzing every aspect of the production.
There’s been talk of remaking Suspiria for years. So much so that a lot of what I’m going to mention here are thoughts that have been bouncing around in my head for over a decade. The latest attempt at a remake, and the one most likely to happen, is supposed to star Dakota Johnson and Tilda Swinton, have music by Thom Yorke, and be directed by Luca Guadagnino. All of whom are above average artists in their respective fields. So I wish this attempt well and I genuinely hope it succeeds.
At the same time, I think it’ll fail.
Adam West was always one of those actors who was there popping in and out of my life, entertaining me since I was old enough to remember. Two of the main reasons why I formed such a humongous obsession with superheroes and comic books were because of “The Super Friends” and the Adam West version of “Batman.” Adam West had the classic movie idol looks with the chiseled features and swept back brown hair, and for such a very long time he was Batman. By day he was, of course, a millionaire and playboy known as Bruce Wayne who hung out with his ward Dick Grayson, but by night he’d slide down the pole alongside his sidekick and transform in to Batman. Batman was a crime fighter who wore spandex and a cape and cowl that bore penciled in eyebrows.
On May 27th, Linnea Quigley celebrated her birthday, and we thought we’d belatedly celebrate the occasion. Quigley is an iconic horror actress known by horror fanatics for her love of rock, her great sense of humor, her knack for playing appealing characters, and her incredible sex appeal. In honor of the great Quigley, here are five essential performances from her career. Though every horror fan has their favorites, this is five I quite adore.
As a list junkie and an old school fan of WWE, “The WWE Book of Top 10’s” is a great new compilation for fans of the sport that tackles all areas of the WWE for fans to debate about. Of course with all lists and books about lists, there is bound to be some anger and or controversy, but first and foremost DK publishing’s “The WWE Book of Top 10’s” is a book meant for fun and intended to evoke conversation among wrestling buffs that can appreciate the novelty of this kind of guide.
It’s important that we look back on the history of physical media, since the beginning of physical media for movie collectors was never Hollywood’s biggest plan. Since the creation of the home reel projector, studios have been working hard to fight the appeal of physical media, and now with its decline, we’re reverting to digital copies of films that can be monitored. With its introduction, comes the potential decline of honest independent filmmaking, and filmmakers that have an even playing field with Hollywood. That becomes an uphill battle as the physical media that does exist is nothing but overstocked Hollywood dribble, with stores openly refusing to stock independent cinema.