There aren’t many good movies or movies at all, for that matter, about the writing experience, and it’s a shame. There’s so much to be mined in the realm of creating and how characters can take on their own lives. “Elodie” is an indie gem that deserves to be watched by just about everyone, as it’s not just a wonderful character piece, but a superb look at the creative experience and the concept of impostor syndrome.
A private eye is hired to help solve a mystery. As he boards a train, truths about himself and his cabin mates start coming to the surface as they discuss a serial killer who hits once per month on the very same train.
When you get down to it, you can examine “Klute” as something of a neo-noir set in the darkness of New York City where society shifted out of the Free Love era and in to much dimmer years. But deep down “Klute” manages to be a rather fantastic character study about a woman who is hopelessly and probably forever exploited by the world. Throughout “Klute” she struggles with whether she wants to have what she perceives as an easy ride and allow herself to become exploited, or resist, and try to carve out a better world for her that’s more respectable, but so much tougher than she’s prepared to handle.
A teen goes out at night to meet a boy and never makes it back home. As her whole small town is shaken up by her disappearance, everyone does what they can to come to terms with her disappearance and how it affects each of them.
Now that Shout Factory has re-formatted their Karloff/Lugosi Collection in to the Universal Horror Collection, this has given them carte blanche to release pretty much everything they can get their hands on from the catalogue. I appreciate that they haven’t begun releasing the obvious titles yet, as so far the volumes have been following a specific theme and or formula. The first volume was mainly Karloff and Lugosi team ups, while this second volume is mainly about mad scientist and evil doctor, all of which are played by Lionel Atwill. Buckle up, horror buffs.
You don’t know how good you have it. These days everyone has Iron Man, and Captain America, Oscar winning Spider-Man movies, and massive team movies from DC and Marvel. Aquaman is a friggin’ box office juggernaut. In 1996, though we had slim pickings, and, well the best we could get was a truly terrible, painfully dull cinematic adaptation of a pulpy Dark Horse comic that doubled as a remake for “Casablanca.” No seriously, this is as good as it got for us comic book fan boys.
This is the story of Paula Parker, a petulant prepubescent princess whose depravities produced a plethora of death and deception. For shame, parents of Paula Parker, you dare not look after your teen daughter in the age of the fifties where crime was rampant. For the first time on Blu-Ray, it’s also a worthwhile title for collectors thanks to AGFA, “The Violent Years” is one of the many infamous baby boomer products of fear and hysteria that warned of a world filled with darkness, crime, debauchery, and premarital sex. Make no mistake, your teen would smoke the marijuana, and tongue kiss way before they matured in to upstanding citizens.
After years of just being available on DVD and Blu-Ray in other countries and regions, Shout Factory comes to the rescue to deliver fans a deluxe edition of one of the most underrated action films ever made. Something of a spiritual sequel to Walter Hill’s “The Warriors,” director Hill sets his latest gang land picture in an undisclosed period between the 20’s and 40’s in what is apparently New York. Sadly, Hill intended the film to be the first of a trilogy, but while we never got that wish, “Streets of Fire” still manages to be a single adventure rich in character and pulp appeal. Starring the incredible beautiful Diane Lane, and the fantastic Michael Pare, “Streets of Fire” is a rock and roll musical, romance, gangster, action, adventure. It has everything for mostly everyone and it gets better with every viewing.