Desperate for money, a group of teenagers takes jobs catering a lavish dinner party in a Malibu mansion in hopes of getting more than their pay out of it. Once inside, they quickly discover that the elite is much different than they expected.
I really enjoy what Louie Cortes is going for with “Help Me.” It’s a very short but sweet horror treat that I loved for its ability to take a twist and make it so fascinating that you want to know more. When the short was finished I lingered for a while on the ending, and I was definitely interested in the ultimate concept that invoked “Invaders from Mars.”
Now with the easy accessibility of filmmaking technology and more filmmakers stepping forward, we’re getting more horror movies based around Halloween than ever. I’m just fine with that as Halloween was always a very under tapped mood back drop for such a long time in the horror genre. “10/31” is tailor made for Halloween and horror buffs looking for a good time with assorted tales of terror and black comedy. While it isn’t perfect, it’s a damn good treat nonetheless that I can’t wait to put alongside gems like “Tales of Halloween,” 2013’s “Mischief Night,” and “Trick r Treat.”
“The Conjuring” cinematic universe kind of snuck up on the horror community over the years, prompting a series of movies that have been hit or miss. While I think “The Conjuring” cinematic universe has a ton of potential to be fantastic, at its current state, there’s still a lot for the studios to learn from the previous films. On its own, “The Nun” is a perfectly fine bit of gothic horror that’s sadly mostly half baked, and under developed. It’s saved by the small cast’s strong turns, and the dazzling imagery that successfully channels the old Hammer films. “The Nun” sets out to build a different energy from the rest of the movies in “The Conjuring” franchise, and for better and for worse, it accomplishes that.
To its credit, “The Taking of Deborah Logan” is a horror film that’s generally remained in the public consciousness mainly for its memorable imagery. As a horror movie it’s just an okay experience that probably would have been so much more effective as a filmed feature. In the end, it’s mainly an okay found footage horror movie that comes out pretty golden mainly for two or three really memorable moments that have become internet memes and are still widely circulated to this day.
A young mother takes the long trip from the US ot her native land with her daughter at her sick father’s urging request in a letter. There she discovers truths about her past and her parents following a supernatural event that sends her to a nunnery for care and help.
Warning: Mild Spoilers to the Series Included.
Take a look at any and all supernatural tales, and you’ll find that they are deep down about three things: They’re either about family, about death, or about mental illness. From “The Babadook,” and “The Conjuring,” to “The Haunting” or “Rebecca,” every great ghost story deep down is about those core themes. “The Haunting of Hill House” is the most riveting ghost story and horror series I’ve seen all year, and I say that as someone who has seen the supernatural sub-genre reduced to nothing but a series of shocks and bumps on the wall when films like “The Ring” and “Grudge” were popularized in the early aughts. To their credit, they are fine ghost films, but I missed the more humanistic elements.