“Captain Marvel” is one of the most popular contemporary Marvel superheroes and Marvel has taken advantage of the popularity of Carol Danvers, using her to pivot us in to the new generation of Marvel Cinematic Offerings. Captain Marvel is being tailored as the new leader that one that helps Marvel’s superheroes charge in to battle. Much in the vein of “Captain America: The First Avenger,” Anna Boden and Ryan Fleck’s origin film will prove to appreciate in cinematic value, especially with Brie Larson at the helm as a powerful, and engaging cosmic heroine.
I honestly never go in to any movie prepared to hate it. I approach every single movie with even the lowest of expectations and always hope to be surprised and thoroughly entertained. With “Hi-Death” though, this is a movie I had a difficult time finding any redeeming traits for. I love anthology horror, I love throwbacks to classic VHS and SOV days of horror and science fiction, but “Hi-Death” is a confusing mess of an indie horror film that will test the patience of any hardcore horror fan.
With Godzilla and giant monsters currently stomping through American cinemas, “Terror in the Skies” comes at the right time asking us about allegedly real giant monsters. Throughout decades of folklore and legends, there have been encounters with giant winged beasts, and supernatural monsters, all of which have managed to spawn mass hysteria and mysterious accounts by locals of various towns around America. While “Terror in the Skies” has potential to be a creepy documentary, it watches so much more like afternoon filler on basic cable.
I’m frankly surprised that “Batman Forever” doesn’t show up often on lists about homoerotic mainstream films. In the annals of homoerotic cinema, “Batman Forever” is right up there. While Joel Schumacher pretty much does what Warner asked by making Batman less menacing, less violent, and a lot more family friendly, it’s also incredibly homoerotic. That doesn’t hinder the experience, but it’s worth discussing how Batman goes from fighting with a Latex covered sex zombie to building romantic tension with a young man he takes in seemingly out of nowhere.
Jordan Peele’s ambitious reboot of Rod Serling’s “The Twilight Zone” has managed to become one of the most polarizing series of the year, but it’s definitely inspired people to talk and that’s a good thing. Peele is not settling on merely a tribute, but has managed to retrofit a lot of classic episodes to modern sensibilities. While some episodes were clunkers, most episodes this season have been fantastic. With the season finale airing now on CBS All Access, I thought I’d list the five best episodes of the first season.
If you’re looking for a double feature from Mill Creek Entertainment bound to save you some dough and allow for a neat night of blubbering and familial melodrama, you can’t get better than the new double feature from the company. Although both films have been released ad nauseum, Mill Creek Entertainment has the perfect double feature that will likely make a pretty good addition for future Mother’s Days. While bereft of bells and whistles, it’s a good value for folks that enjoy this kind of drama.
Ladies and Gentlemen, it’s “Foreshadowing: The Movie”! It’s the exploitative account of the last days of Sharon Tate, but with a lot of clunky foreshadowing thrown in to shove down our throats that Sharon Tate will and did die a horrible death. Characters sit around discussing fate, destiny, and alternate realities, Charles Manson shows up in the first ten minutes set to dramatic and very terrifying orchestral music, and Sharon Tate plays a fortune telling game with her friends asking in a child like pout “Will I Live a Long and Happy Life?”