Although Universal eventually did follow up Tod Browning’s “Dracula” from 1931 with their own “Dracula’s Daughter” and “Son of Dracula,” the unofficial sequel has always been 1943’s “The Return of the Vampire.” When Columbia Pictures sough to revive Dracula for the big screener, Universal halted their efforts, prompting Columbia to basically deliver the follow up to Dracula but under a variety of different names and different circumstances. With “The Return of the Vampire” we have a great spiritual sequel that stars Lugosi returning as Dracula, but–not Dracula.
I knew I was in trouble with “Kiss Kiss” when twenty minutes in, the film had shifted to its third musical montage involving our female characters. “Kiss Kiss” is not only incredibly silly, but insanely boring to the point where I shut it down once the credits showed. I didn’t even want to soak in what was basically just an excuse to show women bouncing around and inflicting pain on one another for ninety excruciating minutes.
I’m surprised “Treehouse” ends up being the best episode of Blumhouse and Hulu’s ambitious anthology “Into the Dark,” yet. I have to admit that I hated James Roday’s “Gravy,” so to see him approach “Treehouse” with a very relevant message, an inherent tone of terror, and some darkly comic undertones, was a welcome surprise. “Into the Dark” has been more hit than miss since its introduction in October, but with “Treehouse” it hits right out of the park as an ode to spring that explores hell having no fury like a woman scorned.
Featuring some of the greatest new and emerging female talent in the genre space, these films delve deep into the darkest human desires from a uniquely female perspective. These are films that delve deep into the darkest corners of the human experience, bringing an unforgettable array of monsters to the screen and offering a fresh and perverse perspective on horror. “We Are The Weirdos is at the core of what we want The Final Girls to be about: a platform which can nurture, champion and spotlight female talent at the centre of the horror genre.” adds co-director Anna Bogutskaya. “The programme is distributed by The Final Girls and it is our intention to make this an annual event at cinemas worldwide.”
For horror fans looking for another value pack of horror movies, Mill Creek Entertainment is repackaging some of their more notable titles in to a Triple Feature on Blu-Ray. For folks looking to increase their horror movie collection and save money, this is the perfect launch pad with some up to date formats. This Trio of films come on Blu-Ray and DVD, for folks that still collect and or use the latter format.
Just in time for “Women in Horror Month,” Andrew Fleming’s “The Craft” is one of those movies that’s gained some heavy cult momentum over the years, and for good reason. Even with the nineties aesthetic, “The Craft” has aged quite well offering up a mature genre picture that begins as a coming of age supernatural drama and gradually transforms in to a horror film. There just aren’t films like “The Craft” anymore, and that’s a shame, since Andrew Fleming offers up a unique tale of good and evil, and power corrupting absolutely.
For the February 25th edition of “Shorts Round Up of the Week” there are reviews for a hilarious comedy, a zombie thriller, and a trio of foreign Supernatural chillers, two of which are becoming feature film productions.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
I kind of see what Aaron K. Carter is going for with “An Hour to Kill.” What his film tries to be is a basic meshing of the gangster politics of “Pulp Fiction” with the horror tales of “Creepshow.” I don’t begrudge him for trying something completely different and unique, it’s just sad that “An Hour to Kill” never comes together as a coherent or even entertaining horror comedy anthology. Even taken as a silly horror comedy, it’s tough to find any real redeeming aspects here, as Carter seems to work hard in keeping his film together as it falls apart from minute one.